CHAPTER 3 (PIC)

Question 1

The camera’s lens is INCORPORATED INTO BELLOWS, which is slid back and forth along a rail to change focus.

Answer 1

FOLDING CAMERA

Question 1

It uses a mirror that REFLECTS AN IMAGE OF THE SCENE upward onto a viewing screen.

Answer 1

TWIN - LENS REFLEX CAMERA

Question 2

The DARK CLOTH COVERING the photographer and the box body of the camera blocks out undesirable light, which might otherwise interfere with the picture.

Answer 2

FOLDING CAMERA

Question 3

With one lens to EXPOSE the film and another lens for VIEWING.

Answer 3

TWIN - LENS REFLEX CAMERA

Question 4

Principal problem is PARALLAX.

Answer 4

TWIN - LENS REFLEX CAMERA

Question 5

cameras literally allow anyone to CAPTURE BEAUTIFUL IMAGES by simply pointing the camera at the subject and clicking the shutter.
it is the MOST USER FRIENDLY OF ALL CAMERA TYPES

Answer 5

Compact Digital (Point and Shoot Cameras)

Question 5

cameras take photos to the NEXT LEVEL OF IMAGE QUALITY. This more “serious” type of camera is best known for delivering remarkably sharp and spectacular images.

Answer 5

Digital SLR Cameras (digital single lens reflex)

Question 6

are the LASTEST PROFESSIONAL CAMERAS They are basically more compact DSLRs without the internal mirror that reflects light onto the sensor.

Answer 6

Mirrorless Cameras

Question 7

Each is a BOX WITH THE PIECE OF FILM in one end and a hole in the other.

Answer 7

ANATOMY OF A CAMERA

Question 7

ALL CAMERAS are basically the same

Answer 7

ANATOMY OF A CAMERA

Question 7

A disc of TRANSPARENT GLASS generally bounded by two special surfaces capable of forming an image.

Answer 7

LENS

Question 8

The JOB ALWAYS THE SAME: to get light onto film to form an image

Answer 8

ANATOMY OF A CAMERA

Question 9

An ADJUSTABLE MECHANISM that regulates the amount of light reaching the film by varying the length of time.

Answer 9

SHUTTER

Question 10

This is a control by which you can determine HOW LONG IN TIME THE LENS WILL REMAIN OPEN for light to be recorded on the film.

Answer 10

SHUTTER

Question 10

It is made up of OVERLAPPING BLADES powered by a spring

Answer 10

BLADE OR BETWEEN THE LENS SHUTTER

Question 11

LOCATED BETWEEN THE APERTURE AND THE LENS or in between the lens.

Answer 11

BLADE OR BETWEEN THE LENS SHUTTER

Question 12

They will GIVE SPEED UP TO 1/500th of a second

Answer 12

BLADE OR BETWEEN THE LENS SHUTTER

Question 13

It consists of TWO METAL BLINDS that open progressively or made of a black cloth and generally located very near the focal plane.

Answer 13

FOCAL PLANE SHUTTER

Question 14

These shutters are pre-set; it has to be COCKED BEFORE RELEASE

Answer 14

FOCAL PLANE SHUTTER

Question 15

It can be set and SYNCHRONIZE AT ALL SPEED

Answer 15

FOCAL PLANE SHUTTER

Question 16

MOVES THE LENS BACK AND FORTH which allows the photographer to create a sharp image of the subject.

Answer 16

FOCUSING RING

Question 17

A SMALL OPENING IN A CAMERA usually circular in shape and usually variables in the form iris diaphragm that regulates the intensity of light which passes through the lens

Answer 17

DIAPHRAGM OR APERTURE

Question 17

A part of the camera that is TWISTED TO ADVANCE THE FILM inside and to check the number of exposure.

Answer 17

FILM ADVANCE LEVER

Question 17

It will CONTROL THE LENGTH OF TIME when light is allowed to strike the sensitized material.

Answer 17

SHUTTER SPEED DIAL

Question 17

A VIEWING INSTRUMENT attached to a camera, used to obtain proper composition.

Answer 17

VIEW FINDER/WINDOW

Question 17

The TIME SETTING OF A CAMERA- this is automatically operated allow the photographer to participate in photo-taking.

Answer 17

SELF TIMER

Question 18

It holds the film FIRMLY INSIDE THE CAMERA. It is always located at the opposite side of the lens.

Answer 18

FILM HOLDER/CHAMBER

Question 19

It is where FLASH BULB CORD is plugged for synchronization to the camera.

Answer 19

FLASH TERMINAL

Question 20

FOUR IMPORTANT CONTROLS IN THE CAMERA:

Answer 20

1. FOCUSING CONTROL 2. FOCUSING RING 3. SHUTTER SPEED CONTROL 4. APERTURE OR DIAPHRAGM CONTROL

Question 21

A LARGE KNURLED RING around the barrel of this lens, when turned the lens will either move away or toward the camera body, depending upon the direction of rotation until ring cannot be turned further. At this stopping point, all distant objects are in focus regarding of difference in their distance, is termed infinity focus or simply infinity.195

Answer 21

FOCUSING RING

Question 21

It the means by which the object distance is estimated or CALCULATED TO FORM SHARP or clear images.

Answer 21

Focus

Question 21

The ADJUSTING OR CHANGING THE DISTANCE between the focal plane and the length

Answer 21

Focusing

Question 21

TYPES OF FOCUS:

Answer 21

MICRO PRISM SPLIT IMAGE

Question 22

These are finely etched prisms which BREAK UP THE IMAGE; they are brought together as you focus.

Answer 22

MICRO PRISM

Question 22

two prism which splits your image in HALF AS YOU FOCUS both halves rejoins to form a clear image.

Answer 22

Split image

Question 23

It is FOUND AT THE BACK OF CAMERA or in the case of modern, also coupled with the view finder.

Answer 23

GROUND GLASS TYPE

Question 23

A ground glass is a MATT GLASS. The whole of the image on this screen will progressively become sharp.

Answer 23

GROUND GLASS TYPE

Question 23

The point of focus is where the IMAGE IS SHARPEST

Answer 23

GROUND GLASS TYPE

Question 23

The distance between the NEAREST OBJECT AND FAREST OBJECT that appears to be focus when the lens is focus on infinity.

Answer 23

DEPTH OF FIELD

Question 23

also called FOCUS RANGE or effective focus range.

Answer 23

DEPTH OF FIELD

Question 23

This control is utilized by manipulating the ASA/ISO or DIN dial of the camera. Basically, the shutter and the flnumbers are both controlling the system of the rays of light that enters.

Answer 23

FILM SPEED CONTROL

Question 23

The view of the subject subtended by TWO LINES EMERGING the corners of the fill extending to the center of the lens.

Answer 23

ANGLE OF VIEW

Question 23

It regulates the AMOUNT OF TIME that reaches the film. It is controlled by the shutter speed dial.

Answer 23

Shutter Speed

Question 23

is the TIME FOR WHICH THE SHUTTER is held open during the taking of a photograph to allow light to reach the film or imaging sensor (in a digital camera).

Answer 23

Shutter Speed

Question 23

Basic Principles of Shutter Speed:

Answer 23

Fast Shutter Slow Shutter

Question 23

speed will allow MORE LIGHT to reach the film.

Answer 23

Slow Shutter

Question 23

speed will allow LESS LIGHT to reach the film.

Answer 23

Fast Shutter

Question 24

A photo at night with automatic EXPOSURE TIME 1/8 SEC

Answer 24

Fast Shutter

Question 25

The same photo on the left taken with EXPOSURE TIME 10 SEC

Answer 25

Slow Shutter

Question 26

It is a LIGHT TIGHT BOX chambered to the aperture enclosed in a shutter at the opposite end of which is the place where the sensitized material is located

Answer 26

Camera

Question 27

Early forms of camera:

Answer 27

Pinhole camera Box camera Camera obscura Folding camera Twin lens reflex camera

Question 28

This refers to a SIMPLE DESIGN AND CONSTRUCTION, usually home-made consisting of a box having a small aperture functioning as a lens at one end

Answer 28

Pinhole camera

Question 29

This refers to a SIMPLE CAMRRA THAT IS LITTLE MORE than a pinhole camera

Answer 29

Box camera

Question 30

This refers to a DARKENED CHAMBER OR SMALL BUILDING in which images of outside objects are projected onto a flat surface by a convex lens in aperture

Answer 30

Camera obscura