Chapter 33 Flashcards

(43 cards)

1
Q

Arnold Schoenberg

A

Austrian, Verklärte Nacht/Moses und Aron/Pierrot lunaire

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2
Q

Verklärte Nacht (“Transfigured Night”)

A

Arnold Schoenberg, String sextet

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3
Q

developing variation

A

A technique where variations are produced through the development of existing material at the same time, Arnold Schoenberg

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4
Q

atonality

A

Music that lacks a tonal center or key, Arnold Schoenberg

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5
Q

twelve-tone method

A

A technique where all 12 notes of the chromatic scale are used with equal frequency and importance while preventing the emphasis of any one note through the use of tone rows, Arnold Schoenberg

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6
Q

Moses und Aron

A

Arnold Schoenberg, Opera

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7
Q

Pierrot lunaire

A

Arnold Schoenberg/Giraud, Pierrot ensemble work

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8
Q

expressionism

A

A style that seeks to express meaning or emotional experience rather than physical reality, often distorting the world radically for emotional effect in order to evoke moods or ideas, Arnold Schoenberg

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9
Q

Albert Giraud

A

Belgian poet, Pierrot lunaire

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10
Q

Sprechstimme

A

A technique for voice that approximates the written pitches in the gliding tones of speech, while following the notated rhythm exactly, Arnold Schoenberg

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11
Q

row/series

A

The twelve pitch-classes of the chromatic scale arranged in an order chosen by the composer and made to produce a particular sequence of intervals, Arnold Schoenberg

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12
Q

retrograde

A

The reverse of a musical line, e.g. A Bb F# D -> D F# Bb A, Arnold Schoenberg

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13
Q

tetrachord

A

Any group of four consecutive notes from a row/series, Arnold Schoenberg

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14
Q

hexachord

A

Any group of six consecutive notes from a row/series, Arnold Schoenberg

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15
Q

Alban Berg

A

Austrian, Wozzeck/Lulu

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16
Q

Wozzeck

A

Alban Berg/Büchner, Opera

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17
Q

Georg Büchner

A

German dramatist and writer, Wozzeck

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18
Q

Lulu

A

Alban Berg, Opera

19
Q

Anton Webern

A

Austrian, Symphony, op. 21

20
Q

Symphony, op. 21

A

Anton Webern, Symphony

21
Q

Klangfarbenmelodie (“Tone-color melody”)

A

A musical technique that involves splitting a musical line or melody between several instruments thereby adding color (tone) and texture to the melodic line, Anton Webern

22
Q

Igor Stravinsky

A

Russian, The Firebird/Petrushka/The Rite of Spring/L’histoire du soldat/Symphony of Psalms/Agon/The Rake’s Progress/Epitaphium

23
Q

Sergei Diaghilev

A

Russian art critic, founded the Ballets Russes and commissioned Stravinsky to write The Firebird/Petrushka/The Rite of Spring

24
Q

Ballets Russes

A

Parisian ballet company, founded by Sergei Diaghilev and where Stravinsky wrote The Firebird/Petrushka/The Rite of Spring

25
The Firebird
Igor Stravinsky, Ballet
26
Petrushka
Igor Stravinsky, Ballet
27
Le Sacre du printemps ("The Rite of Spring")
Igor Stravinsky, Ballet
28
L'histoire du soldat ("The Soldier's Tale")
Igor Stravinsky, Small ensemble work
29
Symphony of Psalms
Igor Stravinsky, Symphony
30
Agon
Igor Stravinsky/Balanchine, Ballet
31
George Balanchine
American ballet choreographer, founded the New York City Ballet and collaborated closely with Stravinsky, e.g. Agon
32
The Rake's Progress
Igor Stravinsky, Opera
33
Epitaphium
Igor Stravinsky, Chamber work
34
Poetics of Music
A book written by Stravinsky containing ideas about his artistic process and accounts of his experiences, Igor Stravinsky
35
Béla Bartók
Hungarian, Bluebeard's Castle/The Miraculous Mandarin/Concerto for Orchestra/Music for Strings, Percussion, and Celesta/Mikrokosmos
36
Zoltán Kodály
Hungarian, Háry János
37
Háry János
Zoltán Kodály, Opera
38
Bluebeard's Castle
Béla Bartók, Opera
39
The Miraculous Mandarin
Béla Bartók, Ballet
40
Concerto for Orchestra
Béla Bartók, Concerto
41
Music for Strings, Percussion, and Celesta
Béla Bartók, Orchestral work
42
Mikrokosmos
Béla Bartók, Piano works in volumes
43
"The Influence of Peasant Music on Modern Music"
A journal article written by Bartók