Chapter 4 Flashcards

(37 cards)

1
Q

What does mise en scene mean

A

putting into the scene

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2
Q

which cinematic technique is most noticed by viewers

A

mise en scene

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3
Q

mise en scene

A

director’s control over what appears in the film frame

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4
Q

what components make up mise en scene

A
  • setting
  • lighting
  • costume
  • makeup
  • staging
  • performance
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5
Q

What is the power of mise en scene

A

to achieve realism

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6
Q

setting

A

a container for human events or narrative action

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7
Q

role of costume and makeup

A
  • enhance characterization
  • trace changes in attitude
  • usually coordinates with setting
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8
Q

role of lighting

A
  • helps composition of shot

- articulates textures.

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9
Q

What are the 4 components of lighting

A
  • quality
  • direction
  • source
  • colour
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10
Q

hard lighting

A
  • crisp textures
  • defined shadows
  • sharp edges
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11
Q

soft lighting

A
  • diffused illumination
  • “overcast” appearance
  • soft shadows, subtle conrast
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12
Q

underlighting

A

lit from below

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13
Q

role of underlighting

A

distorts features, creates drama (used for horror)

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14
Q

backlighting

A

lit from behind

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15
Q

role of backlighting

A

emphasizes silhouettes

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16
Q

top lighting

A

lit from above

17
Q

role of top lighting

A
  • creates glamour
  • “harsh lighting”
  • clear shadows
18
Q

what are the two primary light sources

A

key light and fill light

19
Q

key light

A

primary source of light in a scene

20
Q

fill light

A

reduces harsh shadows created by key light

21
Q

3 point lighting

A

backlit + key light diagonally from front + fill light from a position near camera

22
Q

high-key lighting

A
  • fill + backlight to create low contrast or low “ratio” of lighting onscreen
  • appears natural
23
Q

low-key lighting

A

fill is reduced or eliminated to create stronger contrast onscreen.

24
Q

what colour of light is preferred by filmmakers and why

A

white, so that they can filter whatever colour they want overtop

25
staging
- directing the position figure/animal/human/shape | - controlling movement within the frame
26
what are the two dimensions of acting
- individualization | - stylization
27
individualization (acting)
an actor putting a unique/signature twist on a character
28
stylization (acting)
expressing motions elaborately rather than "naturally" or "realistically" to get emotions across onscreen.
29
motion capture in CGI
whole body capture for CGI
30
performance capture CGI
facial expression capture for CGI
31
how do filmmakers usually arrange space when it comes to framing
usually, try and balance right and left halves of frame
32
depth cue
ability to perceive the volume of the space in the frame using the differentiation of distinct planes.
33
how does the director control time in a film
controls when we see/notice things and for how long.
34
MacGuffin
a "red herring" prop, not central to the story but sparks conversation/action/etc. onscreen.
35
chiaroscuro lighting
low-key lighting with an emphasis on shadows and blacks onscreen.
36
low key lighting usually has how many light sources
1
37
high key lighting usually has how many light sources
3