Chapter 4 Flashcards

1
Q

______ is a film technique that viewers notice most because it involves costumes, lighting, and scenery.

A

Mise-en-scene

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2
Q

How did film pioneer Méliès create the mise-en-scene for his works?

A

By planning and staging action for the camera

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3
Q

In contrast to theater, the setting in the mise-en-scene of a film can exist without ______.

A

actors

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4
Q

How does Women in Love incorporate costume as part of the mise-en-scene to reinforce the film’s narrative progression?

A

It uses costumes in various color schemes to represent different stages in the characters’ development.

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5
Q

Which of the following statements are true about lighting as a component of mis-en-scene?

A

Lighting is an essential part of the pictorial impact of the shot.

Lighting helps create the overall composition of each shot.

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6
Q

Which of the following is NOT a component of the mise-en-scene of a film?

A

Screenplay

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7
Q

Highlights tend to reverberate on ______ surfaces and dilute on ______ surfaces, giving an insight into the texture of the object being represented onscreen.

A

smooth; rough

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8
Q

Which of the following exemplify ways in which filmmakers can use mis-en-scene?

A

To give settings an authentic look

To achieve realism

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9
Q

What aspect of the lighting in a shot should a viewer look for to determine its quality?

A

Intensity

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10
Q

Which of the following is NOT a way in which the setting of a film contributes to mise-en-scene?

A

Colors and patterns of costumes

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11
Q

Which of the following statements about frontal lighting are true?

A

It eliminates shadows.

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12
Q

In depicting historical figures in film, ______ plays a big part in helping the actor disappear into the role.

A

makeup

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13
Q

Which type of lighting is especially effective in sculpting the features of a person’s face?

A

Sidelighting

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14
Q

Which of the following are ways of using lighting as a component of mis-en-scene?

A

Brightly illuminating a key gesture made by an actor

Concealing a detail in a scene by keeping it in shadow

Arranging lighter and darker areas in a frame to modify the overall composition

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15
Q

If you see a shot that features a figure in a dramatic silhouette, you are most likely seeing what kind of lighting?

A

Backlighting

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16
Q

In lighting a film, what is a possible visual effect created through shadow?

A

Cast a shadow onto another object

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17
Q

What kind of lighting is effective in creating visual distortions that heighten suspense?

A

Underlighting

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18
Q

It would be most appropriate to use ______ lighting to showcase the geometry of an architectural landmark on film.

A

hard

bright

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19
Q

Which of the following exemplifies top lighting?

A

Having a chandelier shine upon the dining room table at a party

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20
Q

If you see a shot in which no shadows are visible, what kind of lighting is most likely being used?

A

Frontal lighting

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21
Q

Most fictional films use light ________ to control the look of an image in a shot

A

sources

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22
Q

In this image from Touch of Evil, what is the type of lighting that has been used to bring out the facial features of the actor? (Click on image to enlarge.)

A

Sidelighting

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23
Q

Which of the following is the primary source of light in any given shot?

A

Key light

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24
Q

Edge lighting, which consists of a rim of illumination around an object, is a common implementation of ______ in film.

A

backlighting

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25
In this image from The Sixth Sense, what type of lighting is used to simulate a flashlight? (Click on image to enlarge.)
Underlighting
26
Fill light is typically used to _______ shadows created by key light.
soften
27
Which kind of lighting should be used to create a spotlight in a scene of a singer on stage?
Top lighting
28
Which of the following descriptions could be used to explain high-key lighting scheme?
Low contrast Soft Transparent shadow
29
What is the term used to refer to where the lighting in a shot comes from?
source
30
Film noir is a genre defined by high contrast visuals and dramatic shadows. Which type of lighting was most likely used in those films?
Low-key lighting
31
In a dark scene with a bright lamp, _____ would be employed to imitate the direction of the lamplight.
a key light
32
True or false: In shooting indoor scenes, colored filters are placed over incandescent lights instead of white lights.
false
33
Which of the following are components of an actor's performance that contribute to the mise-en-scene?
Voice Gestures Facial Expressions
34
What kind of light is used to soften or eliminate shadows cast by the primary source of light in a shot?
Fill light
35
Match each actor (on the right) with a form of realistic portrayal (on the left) that he or she exemplifies. The New York Actors Studio style Present-day natural behavior A naturalistic performance of the 1970s An inventive comedic stylization
Marlon Brando in On the WaterfrontMarlon Brando in On the Waterfront Viola Davis in FencesViola Davis in Fences Robert De Niro in Taxi DriverRobert De Niro in Taxi Driver Steve Martin in All of MeSteve Martin in All of Me
36
In which genres was high-key lighting commonly used in classical Hollywood cinema?
Drama Comedy
37
Which areas of the face are the most expressive?
Eyebrows Eyes Mouth
38
Low-key lighting should be employed in a scene in which a spotlight appears in an otherwise pitch-black room.
True
39
When an actor's performance creates a unique character and does not seem too exaggerated, it is regarded as realistic based on ______.
individualization and stylization
40
Which of the following are examples of how color might be used in lighting a film?
Purple to emphasize a dramatic sunset Red to simulate a lava lamp Blue to create the illusion of sadness
41
What is the most common example of figure expression and movement in the mise-en-scene?
Actors performing roles
42
In The Lord of the Rings: The Two Towers, the digitally created character of Gollum was lauded for the realistic movements of his body. What technique was used to achieve that effect?
Motion capture
43
What is a basic way of characterizing a performer's role as part of a film's mise-en-scene?
As realistic acting
44
Which of the following statements about film editing and the performance of an actor are true?
An actor may be shown reacting to something that is added later in separate shots during editing.
45
Actors must learn to have _______ eye contact with other actors onscreen, despite it not being natural to do so in everyday life.
consistent intense
46
Which of the following are useful recommendations for acting in a shot that shows the actor very far away?
Move around. Use body language. Gesture broadly.
47
Which of the following traits would most likely be associated with a stylized performance?
Non-stereotypical Distinctive voice
48
What did psychologist Tim Smith's study of viewers' eye movements show that they were attracted to in a scene with characters in There Will Be Blood?
Speaking Facial movements Hand gestures
49
The ability to capture the subtle movements of the face through _____ revolutionized the creation of digitally generated characters.
CGI
50
In this scene on the church rooftop in L'Avventura, Antonioni used the placement of the figures, the quality of the light, and other elements of ______ to create the feeling he desired.
mise-en-scene
51
How can editing shape an actor's performance?
By compiling bits from separate shots By creating a performance wholly in postproduction By adding sound
52
Which of the following statements are true about psychologist Tim Smith's study of viewers' eye movements while watching scenes from There Will Be Blood?
The viewers tended to look at the same things in each scene.
53
What part of the frame do filmmakers assume that the viewer will concentrate the most on?
Top
54
How does an extreme technique of monochromatic color design achieve most of its drama?
With the introduction of another color
55
This sequence of two images from a scene in L'Avventura shows how mise-en-scene can be used to _____.
focus on the emotions of one person and then the other
56
Depth cues suggest that a space has which of the following?
Volume and planes
57
How does the concept of overlap function as a depth cue?
An object obscuring another makes the eye believe they must be on separate planes.
58
Which of the following are useful recommendations for acting in a shot that shows the actor very far away?
Gesture broadly. Move around. Use body language.
59
Depending on the type of the scene, the focal point/s will be placed differently. The common element is to achieve a sense of _____.
balance
60
Why is the background in landscape shots often hazy?
Combination of lighting and lens focus Natural atmospheric haze
61
When a filmmaker uses monochromatic color design, how is visual disparity achieved?
Purity of color Lightness of color
62
The mise-en-scene in this image from The Chronicle of Anna Magdalena Bach demonstrates that deep space is reinforced by how objects that are farther away from the viewer appear smaller. This principle is called _____.
size diminution
63
What do the depth cues of a film image help the viewer do?
Perceive the objects on a movie screen as occupying three-dimensional space
64
In a scene of a woman walking in the rain, the director wanted to bring the umbrella she was carrying into the foreground. In order to achieve this, he chose one that was a dark forest green.
False
65
If a shot shows a woman close to the camera standing in a field with a massive vista behind her, it is an example of ______ composition.
deep-space
66
When looking at an image, the human brain assumes that objects that have sharp outlines, clear textures, and pure colors are in the ______ of the shot.
foreground
67
A shot in a film that simply shows a human being standing close in front of a wall would be an example of ______ composition.
shallow-space
68
The fact that objects in the distance appear smaller to the human eye helps our brain understand the concept of three-dimensional space.
True
69
Depth cues suggest that a space has which of the following?
Volume and planes
70
Which of the following is NOT a way in which Carl Dreyer makes Anne's sad expression the focus of the shot seen here?
The fact that she doesn't speak in the shot
71
Which of the following is the most common implementation of deep-space composition by directors?
Large foreground plane, distant background plane
72
In this rooftop scene in L'Avventura, Antonioni uses _____ to build suspense. (Click on image to enlarge.)
the timing of the characters' movements
73
Which of the following best describes the relationship between the closest and most distant plane in a shallow-space composition?
Slightly separated
74
What aspect of mise-en-scene does Keaton use in the short comedic scenes through the locales he uses during his voyage back to the South on the train?
Setting
75
The mise-en-scene in this image from The Chronicle of Anna Magdalena Bach demonstrates that deep space is reinforced by how objects that are farther away from the viewer appear smaller. This principle is called _____.
size diminution
76
The causes and effects, parallels and contrasts, and development found in Our Hospitality are extensively explored in the ______ of the film.
settings
77
What do the depth cues of a film image help the viewer do?
Perceive the objects on a movie screen as occupying three-dimensional space
78
What costume or prop is used in Our Hospitality to symbolize the Canfields' inability to end the feud?
Pistols
79
This shot from Carl Dreyer's Day of Wrath shows two dark figures in the foreground and a horse-drawn cart of wood in the background. What unusual element of the mise-en-scene leads us to focus our attention back forth between the foreground and background? (Click on image to enlarge.)
The placement of the foreground figures below the cart
80
What is the narrative function of lighting the murder scene in fits of bright lights from gunshots and lightning?
Build suspense
81
Which of the following are ways in which the director has control over time in terms of mise-en-scene?
When we see What we see How long we see
82
In the scene shown, what technique does Keaton use to create the suspense of the viewer understanding the danger ahead without giving it away to Willie?
Deep-space composition
83
What distinct narrative functions does the setting of the Canfield home in Our Hospitality serve?
It represents one of the films contrasting sections. It is where Willie enjoys safety from the Canfield brothers. It is where the narrative brings an end to the McKay-Canfield feud.
84
Multiple Choice Question These images from Our Hospitality use an elaborate mise-en-scene involving water that has burst from a demolished dam. How is the comic element of the Canfield brothers' search for Willie brought out by the use of a deep-space
The two Canfield brothers appear suddenly in the foreground just as Willie disappears behind the wall of water in the background.
85
Every setting in Our Hospitality is motivated by which of the following elements of the narrative?
Overall development Causes and effects Parallels and contrasts
86
Willie is dressed in a nice suit throughout the film, which serves the narrative function of painting him as a _____.
city boy.
87
This image from Our Hospitality shows how the somber events that take place in the prologue of the movie are emphasized by using _____. (Click on image to enlarge.)
sidelighting that highlights facial features
88
Keaton commonly makes viewers scan their line of vision from side to side in the composition by presenting two events onscreen at once. This is achieved through _____.
staging
89
Keaton fills Our Hospitality with moments of comedic relief that are often organized as variations of a theme. What are some of the gag themes in the movie that take place on his train trip to the South?
People meeting the train The train tracks themselves
90
In what ways does the recurring motif of the bickering couple influence the mise-en-scene of Our Hospitality?
Plays on the idea of hospitality Strengthens narrative unity