Chapter 5 Flashcards

1
Q

is the basic building block of visual design. By conventional definition, it is
the path left by a moving point or can be thought of as an extended mark.

A

Line

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2
Q

Functions of Line

A

It is used by an artist to control our vision by creating direction.
2) It is used to make an outline and define form.
3) It implies movement and emphasis.
4) It creates pattern and texture.
5) It creates shading and modelling

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3
Q

Lines can be classified into general and specific types. General types
of line are those actual lines which are shown when they are emphasized by making them thick and bold, implied lines which are formed when lines are suggested through formation of objects, and lines formed by edges to separate objects.

A

Types of lines

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4
Q

those straight and curved lines (vertical, horizontal, diagonal).

A

Specific lines

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5
Q

suggest aspiration, poise, exaltation, power and force, horizontal lines suggest calm and repose, infinity and stability, and diagonal lines suggest movement, action and life.

A

Vertical lines

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6
Q

Line of beauty

A

Curved lines

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7
Q

It is the most appealing element and one of the most expressive elements because its quality affects our emotions directly and immediately

A

Color

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8
Q

affects the psychological and physiological responses.

A

Color

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9
Q

Physical Properties of Color. Color has ____, _____ and ______.

A

Hue, value and intensity

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10
Q

the characteristic of a color that refers to that color’s position on the color wheel.

A

Hue

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11
Q

Primary hues

A

Ryb

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12
Q

Secondary hues

A

Orange, g and v

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13
Q

denotes the lightness or darkness of color, or the quantity of light a color reflects.

A

Value

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14
Q

the quality of light in a color. It is used to distinguish a brighter tone of a color from a duller one of the same hue, or to differentiate a color that has a high degree of saturation or strength from that is grayed or neutralized.

A

Intensity

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15
Q

Read the facts

A

When white is added to any hue, the tone becomes lighter in value, but it also loses its brightness or intensity of color.
2. When black is added to a hue, the intensity diminishes as the value darkens.
3. When gray of the same value is mixed with the color, the intensity diminishes while its value remains the same. The color becomes less bright but will not get lighter or
darker in tone.
4. When complementary hues such as yellow and violet, red and green, blue and orange
are mixed, it will result in a neutral grey.

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16
Q

We cannot change value without changing _____.

A

Intensity

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17
Q

Colors may also be complementary , split complementary,
analogous and monochromatic colors. Complementary color scheme is composed of one of the primary colors and the combinations of the two others.

A

Color relationships

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18
Q

scheme is composed of one color and two colors on either side of its complement.

A

Split complementary

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19
Q

scheme is composed of three neighboring colors in the color wheel, partly derived from a common color.

A

Analogous color

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20
Q

color scheme is the result of using different value of color.

A

Monochromatic

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21
Q

Red, orange and yellow are often associated with the sun and are considered ______

A

warm colors

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22
Q

any color containing blue such as violet, green or blue- green are associated with the air, water and sky and are called

A

Cool colors

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23
Q

two-dimensional area with identifiable boundaries. It is a space enclosed by lines, and is created by lines, color, value, contrasting texture, or by some combination of these.

A

Shape

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24
Q

Kinds of Shapes.

A

Natural
Abstract, non objective
Biomorphic and geometric

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25
are shapes that we see in nature. These may be interpreted realistically, or they may be distorted.
Natural shapes
26
formed after the artist has drawn out the essence of the original object and made it the subject of his work. (
Abstract shapes
27
seldom have reference to recognized objects, but most often they show a similarity to some organic forms.
Non objective shapes
28
are the curvilinear shapes in art that suggest the possibility of life. Geometric shapes are the rectilinear (straight line) shapes developed by the cubist in their dissection and reformulation of nature.
Biomorphic shapes
29
comes from the Latin word “spatium” which means “a limitless medium in which objects exist.”
Space
30
Types of Space.
Decorative and plastic
31
Methods of Creating the Illusion of Depth in Painting.
Overlapping planes Variation in size Color Volumes and planes Perspective Position on the Picture Plane
32
mechanical means of demonstrating the visual appearance of planes and volumes in space.
Linear perspective
33
is the relative degree of lightness or darkness in painting which indicates the presence or absence of light
Value
34
presumes that an object, no matter how small, covers a part of another object which is behind it.
Overlapping Planes or volumes
35
The use of light for expressive effects resulted in the development of two styles known as chiaroscuro and tenebrism.
Chiaroscuro and Tenebrism
36
refers to the technique which concentrates to the effects of blending of light and shade on objects to create an illusion of space and atmosphere. It establishes the mood in painting.
Chiaroscuro
37
is the style of painting which exaggerates the effects of chiaroscuro. Painters make use of a large amount of dark areas beside smaller areas of light for emphasis. This they do by deviating from the standard light source and making light come from an unexpected source.
Tenebrism
38
refers to the feel or tactile quality of the surface of an object, whether the surface is rough or smooth, grooved or ridged, furry or silk
Texture
39
Music is made of
Sound
40
the basic sound material with which the composer works.
Tone
41
The term pitch refers to the highness or lowness of a tonal sound in terms of its location in the musical scale.
Pitch
42
T/F Large objects vibrate more slowly than small ones, thus, produce lower tones.
True
43
Ways to Determine Pitch
Scale Key Signature.
44
is the arrangement of pitches.
Scale
45
indicates the key in which the composition is written.
Key signature
46
is the length of time in which vibration is maintained without interruption. It is not fixed. It is designed within musical notation.
Duration
47
It consists of series of symbols or notes.
Musical notation
48
Aspects which indicate Duration
Rhythm Tempo Measure Time signature meter
49
Also known as tone color; it refers to the quality of sound that distinguishes one voice or instrument from another.
Timbre
50
Voice timbre
Music voices
51
abbreviations or symbols used to signify the degree of loudness or softness of a piece of music. It also indicates whether there is a change in volume.
Dynamics
52
It refers to the tune of a song or piece of music. It is the memorable tune created by playing a succession or series of pitches.
Melody
53
Properties of melody
Dimension Range Register Direction Progression
54
determined by melody’s length and range.
Dimension
55
pitch distance from its lowest to its highest tone.
Range
56
the distance between is an octav
Moderate
57
the distance is less than an octave
Narrow
58
the distance is more than an octave
Wide
59
It is the relative highness or lowness of the aggregate tones of a melody. Register of melody may be high, medium or low.
Register
60
pertains to the movement of the melody. Melody may move upward or downward rapidly or gradually, or may be static.
Direction
61
refers to the intervals (pitch distance) between the tones as melody moves from one tone to the next.
Progression
62
refers to the combination of notes (or chords) played together and the relationship between a series of chords.
Harmony
63
the most common chord.
Triad
64
refers to the number of layers as well as the type of layers used in a composition and how these layers are related.
Texture
65
Texture may be ____, ______,_____.
Monophonic, poly, homo
66
also refer to musical structure, design or plan.
Forms
67
A choral music sung without instrumental accompaniment
A cappella.
68
song developed by the troubadours and trouveres with French text
Chanson
69
A strophic religious song often sung by a congregation
Chorale
70
religious or patriotic song
Anthem
71
A contrapuntal song without accompaniment
Madrigal
72
An extended solo song, usually accompanied by an orchestra, usually found in operas, cantatas, oratorio
Aria
73
A musical play
Opera
74
Based on religious subject for a varied combination of soloists, chorus and instruments
Cantata
75
A sacred opera
Oratorio
76
A piece of orchestral music played at the start of an opera
Overture
77
A composition usually in three movements which makes use of the formal pattern of fast, slow, and fast
Sonata
78
music played by an ensemble of two to nine instruments
Chamber music
79
piece of orchestral music based on the same principle of the sonata
Symphony
80
A composition for a solo instrument and orchestra
Concerto
81
A music for particular dances
Dance
82
A romantic or dreamy piece, usually for piano
Nocturne
83
An instrumental music which does not make use of a poem or story for its idea composer is interested only in the expressive pattern of sound
Absolute music
84
An instrumental music built around a story or poem; also descriptive music
Program music
85
The word theatre comes from the Greek word “teatron” which means ____
A place of seeing
86
Elements of theater
Script, directing, acting, performers, set, costume, properties, make up, lighting, sound, stage management
87
Types of theater
Proscenium Arena stage Thrust or open stage Amphitheater Black box Performer
88
an avenue for self-expression, resourcefulness, better understanding of human nature, and exercise in responsibility.
Theater production
89
contains the story to be performed--the plot, setting, character, theme and dialogue.
Script
90
responsible for all the creative decisions.
Directing
91
fundamental art of theatre.
Acting
92
Mediums of Actor
Voice Body
93
most identified by audience.
Performers
94
is the most obvious visual element, and perhaps the largest in theater production.
Set
95
It makes the most continuous impact.
Costume
96
Also known as ‘props’, it constitutes a highly important area of backstage responsibility.
Properties
97
Classifications of Props
Trim Set Hand Prop visual effects Prop sound effects
98
usually left to the individual actor
Make up
99
Kinds of make up
Straight Character Fantasy
100
together with set and costumes, account for most of the visual impact of a production.
Lighting
101
is a backstage mechanism.
Sound
102
orchestra located in the theatre pit which provides sound for incidental and background music.
Pit orchestra
103
It coordinates all the diverse activities in theater productions, from directing to sound
Stage management
104
though is a kind of movement, is different from the kind of motion that people do in performing everyday tasks.
Dance
105
is the area where movement is executed.
Space
106
Movement of dance has elements
space, time, duration, and force.
107
refers to the length of time expended by a movement.
Duration
108
energy which is always present when motion occurs.
Force
109
force of movement.
Dynamics
110
tells the message that the dance is trying to convey.
Theme
111
refers to the plan or organization of movement in time and space.
Design
112
It is the action of dancers as they use their bodies to create or organize a pattern.
Movement
113
refers to the skill in executing movement.
Techniques
114
motivates the movements of the dancers; it accompanies the movement; captivates the spectators.
Music
115
This enhance the effects of the dance. They are the visual elements which are reflective of the customs, beliefs and environment of the people.
Costume and props
116
refers to the forms, and arrangement and organization of dance steps and movements. A sophisticated dance requires who will display the movement that conveys the message and tells the story.
Choreography
117
refers to the setting or background, the place of action to make the dance more artistic and beautiful.
Scenery