chapter 5 notes Flashcards

(41 cards)

1
Q

Who performed court ballets in the sixteenth century?

A

The nobility performed and attended court ballets.

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2
Q

What was King Louis XIV’s role in the development of ballet?

A

He was a major supporter of court ballets, which featured elaborate sets and costumes and could last for hours.

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3
Q

What stage innovation helped make ballet more theatrical?

A

The creation of the proscenium stage.

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4
Q

What key position of the legs became standard in ballet?

A

The turned-out position.

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5
Q

What development helped structure ballet technique and movement?

A

A specific vocabulary of movement was developed.

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6
Q

Who began training dancers in ballet technique during the 17th century?

A

Ballet masters.

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7
Q

What began to be emphasized in ballet during the 18th century?

A

Movements that depicted meaning or carried a message.

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8
Q

Who developed ballet d’action and what was its purpose?

A

Jean Georges Noverre; it included plot and emotion in ballet.

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9
Q

What style of ballet rose to prominence in the 19th century?

A

The Romantic ballet.

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10
Q

What are two famous examples of Romantic ballets?

A

La Sylphide and Giselle.

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11
Q

Who began presenting classical ballets in the late 1800s?

A

Marius Petipa.

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12
Q

What structure do classical ballets typically follow?

A

A specific look and prescribed pattern, including principals and corps de ballet.

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13
Q

Who are the principals in a classical ballet and what is their role?

A

The male and female leads; they are the main focus and move the storyline from beginning to end.

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14
Q

Which composers created many scores for classical ballets?

A

Igor Stravinsky and Peter Tchaikovsky.

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15
Q

What elements are always found in a classical ballet?

A

Pas de deux, pantomime, and pointe shoes worn by female dancers.

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16
Q

What are the parts of a grand pas de deux in classical ballet?

A

Entrance, Adagio (slow duet), Variations (solo for each dancer), and Final Coda.

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17
Q

What was Maria Camargo’s contribution to ballet?

A

She shortened skirts and was the first to wear a non-heeled shoe.

18
Q

What ballet innovation was invented by Charles Didelot in 1795?

A

The “flying machine.”

19
Q

What shoe modifications were developed in the 19th century for ballet?

A

Satin slippers with leather soles and darned toes/sides for shape; dancers padded their toes and relied on foot and ankle strength.

20
Q

When did the first reinforced pointe shoes appear?

A

In the 1860s.

21
Q

What is the purpose of the ballet barre?

A

To warm up, stretch muscles, loosen joints, and prepare the body for dancing.

21
Q

When were tights introduced into ballet?

22
Q

Where and when did contemporary ballet originate?

A

In Russia, in the early 1900s.

23
Q

Who was the first master choreographer of the Ballet Russes and helped develop the contemporary ballet aesthetic?

A

Michel Fokine.

24
Who created the Ballet Russes?
Serge Diaghilev.
25
What is significant about Fokine’s contributions to contemporary ballet?
He developed principles that are still found in contemporary ballets today
26
Who was Vaslav Nijinsky and what did he contribute to ballet?
A dancer and choreographer with the Ballet Russes who created controversial works like The Rite of Spring (1913), pushing the boundaries of ballet aesthetics.
27
How do classical and contemporary ballets compare?
They share many similarities and differences in form, style, and storytelling.
28
Who founded the New York City Ballet and helped spread contemporary ballet in the U.S.?
George Balanchine, with Lincoln Kirstein.
29
What are key features of neoclassical ballet?
Elimination of elaborate sets and costumes Equal presentation of dancers (no strict hierarchy) Rejection of pantomime and literal gestures More freedom in torso and upper body movement Often plotless
30
Which modern choreographer is known for blending modern dance and ballet?
Twyla Tharp.
30
Name two modern choreographers known for their contemporary ballets.
Maurice Béjart and Matthew Bourne.
31
How are contemporary ballet movements typically described?
Light, effortless, soundless—jumps appear to defy gravity, and even the sound of ballet shoes is considered a distraction
32
At what age do most ballet dancers retire from performance?
In their 40s.
33
When and where did Kabuki theatre originate?
In 1603, when Okuni began performing a new style of dance drama in the dry riverbeds of Kyoto.
34
What was women’s Kabuki called, and why was it banned?
Onna-kabuki; it was banned in 1629 for being too erotic and for economic concerns
34
What form of Kabuki replaced onna-kabuki in the mid-1600s?
Yaro-kabuki, performed by adult male actors.
35
In traditional Kabuki, who plays female characters?
Male actors known as onnagata.
36
How were Kabuki actors typically chosen or trained?
They were either born into Kabuki families or adopted into one.
37
How long do Kabuki performers typically continue performing?
Many continue into their 70s, with skill improving with age.
38
How would you describe Kabuki movement style?
Grounded, weighted, still, with effort clearly shown; it is sounded, with no attempt to hide the physical nature of the performance.