Chapter 8 Flashcards

(40 cards)

1
Q

Natural, irregular-like living things; non-mathematical

A

Organic

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2
Q

Valuing individual experience and the freedom of thought and feeling apart from classical restraint

A

Romantic

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3
Q

A literary work using irony or derisive wit to attack folly or wickedness

A

Satire

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4
Q

A print made by burning lines into a metal plate with acid, inking the plate, and then printing it on paper

A

Etching

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5
Q

The re-birth of classical art, naturalistic in style, from the fifteenth through the sixteenth century

A

Renaissance

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6
Q

Art that emphasizes reason, objective, and restraint in style and content

A

Classicism

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7
Q

Rustic, peaceful, pastoral in look or in spirit

A

Arcadian

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8
Q

A charming or picturesque rural scene

A

Idyllic

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9
Q

Disorderly, or rough view of untamed nature

A

Picturesque

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10
Q

The implied distance from the nearest part of the picture to the farthest

A

Picture space

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11
Q

The part of a picture that appears nearest the viewer

A

Foreground

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12
Q

The area of a picture that extends from the nearest objects to the most distant

A

Middle ground

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13
Q

The flat surface of the painting; of the picture were a window, the - would be the glass

A

Picture plane

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14
Q

Shapes or forms that come from mathematical relationships; circles, spheres, squares, cubes, cylinders, and so forth

A

Geometric

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15
Q

Parallel to the horizon; side to side in direction

A

Horizontal

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16
Q

Perpendicular to the horizon; up and down in direction

A

Vertical

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17
Q

Using cool colors, lack of detail, and lack of contrast to create an illusion of distance

A

Aerial perspective

18
Q

Leaning to any degree; neither vertical nor horizontal

19
Q

A copy of an original artwork made by printing it

20
Q

What year was Salvador Rosa born?

21
Q

Born in - to a family of -/ lots of -

A

Italy, artists, training

22
Q

Went to study in -, after making the right - he eventually was commissioned by the – a painting for his church

A

Rome, contacts, Cardinal Brancacci

23
Q

Also a - of -, his sense of humor got him in trouble. He wrote a - against a prominent -…. he was not amused

A

Writer, satire, satire, sculptor

24
Q

As a result, Salvador Rosa had to go - to find work

25
Eventually he was hired as a --
Court painter
26
He also wrote - plays, loved -, -, and -
Satirical, music, drama, literature
27
In his middle age he took up-, producing-of quality-
Etching, hundreds, etchings
28
In-he began to lose his-and took off several- to rest his-. Several other-had an effect on him and his artwork took a-feel
1664, eyesight, years, eyes, tragedies, pessimistic
29
Salvador Rosa was known as a-in his writings and in his-style, always finding himself-the circle of-artists... possibly painting ahead of his time
Antiauthoritarian, painting, outside, accepted
30
The Renaissance began in-in the-century and spread to-
Florence, 15th, Rome
31
Renaissance art sought to-the convincingly-style of the ancient-and-; solid-forms, lights and-, realistic-of figures
Rediscover, Real, greeks, Romans, three dimensional, shadows, movement
32
High-artists:-and-developed these discoveries but few-painted-. Often just as a-
Renaissance, Rafael, da Vinci, artists, landscapes, background
33
The landscapes became popular in-, Influenced by the-spirit. Citizens became-and built-homes on the water.-Of the-invaded their-
Venice, arcadian, wealthy, vacation, consciousness, countryside, art
34
The landscape painting was not so much the-of an actual place but are the-vision of nature-and paint
Portrayal, idealized, clothed
35
The landscapists-his scenery from-sources. A-usually still has a-but-place in the painting
Composed, various, story, small, central
36
During the-century- types of landscapes developed
17th, 3
37
What are the three types of landscapes that developed during the 17th century?
Landscapes of the heart Landscapes of the mind Landscapes of the Eye
38
Landscapes of the heart
Pastoral and picturesque Salvador Rosa
39
Landscapes of the mind
Ideal and classical
40
Landscapes of the eye
Faithful representations of an actual place