CHROMATIC ENERGY OF ARCHITECTURAL DESIGN (COLOR)

Question 1

-HAS COLOR
-VISIBLE PORTION OF THE ELECTROMAGNETIC SPECTRUM

Answer 1

LIGHT

Question 2

3 TYPES OF LIGHTING

Answer 2

GENERAL, ACCENT, TASK

Question 3

-LIGHT WHEN U ENTER A ROOM
-AMBIENT LIGHT
-GENERAL ILLUMINATION OF SPACE
-PARA MAKAKITA, HINDI MAPAGANDA

Answer 3

GENERAL LIGHTING

Question 4

-HIGHLIGHTS DISPLAYS/ARKI FEATURES
-PLAYES IMPORTANT ROLE IN INTERIOR DESIGN SCHEME
-CREATE VISUAL INTEREST

Answer 4

ACCENT LIGHTING

Question 5

-LIGHTING FOR SPECIFIC TYPE OF WORK
-FOR WORKSPACES
-PROVIDES INCREASED LIGHT FOR TASKS THAT REQUIRE ACCURACY
-EG. KITCHEN HOOD

Answer 5

TASK LIGHTING

Question 6

2 TYPES OF LIGHTING DESIGN

Answer 6

DIRECT, INDIRECT

Question 7

-GREATER PART OF LIGHT
-GOES DIRECTLY FROM SOURCE TO AREA
-BRIGHT AND HARSH

Answer 7

DIRECT LIGHT

Question 8

-COOMONLY USED IN DRESSING ROOM/SHOWROOM
-DIRECTS LIGHT UPWARD TO BOUNCE OFF THE CEILING
-DIFFEUSED, SOFTER EFFECT
-SPECIAL LIGHTING

Answer 8

INDIRECT LIGHT

Question 9

3 THINGS THAT AFFFECTS LIGHT

Answer 9

GLARE, REFLECTION, REFRACTION

Question 10

SHINE W A STRONG & DAZZLING LIGHT (NAKAKASILAW)

Answer 10

GLARE

Question 11

-THROWING BACK OF LIGHT WITHOUT ABSORBING
-REFLECTING ON A SURFACE/ MIRROR

Answer 11

REFLECTION

Question 12

THINGS THAT AFFECT REFLECTION

Answer 12

TYPE OF LIGHT
KIND OF MATERIAL

Question 13

-LIGHT BEING DEFLECTED BY PASSING THROUGH THE INTERFACE
-USING SOMETHING TO FILTER THE LIGHT
-OPAQUE/LANTERN

Answer 13

REFRACTION

Question 14

T OR F
COLOR IS NOT A DECORATION ALONE

Answer 14

TRUE

Question 15

WHAT DOES COLOR AFFECTS IN ARCHITECTURE

Answer 15

-PSYCOLOGICAL
-HOW WE UNDERSTAND & FEEL COMFORTABLE
-VISUAL LANGUAGE

Question 16

-PIGMENT/VIVIDNESS
-PHENOMENON OF LIGHT AND VISUAL PERCEPTION OF HUE, SATURATIO, TONAL VALUE

Answer 16

COLOR

Question 17

WHAT DETERMINES COLOR

Answer 17

HUE, SATURATION, TONAL VALUE

Question 18

SHADE OF COLOR
NAME OF COLOR

Answer 18

HUE

Question 19

BRIGHTNESS OR DULLNESS OF COLOR

Answer 19

SATURATION/CHROMA/INTENSITY

Question 20

LIGHTNESS OR DARKNESS OF COLOR

Answer 20

TONAL VALUES

Question 21

4 TYPES OF COLORS

Answer 21

PRIMARY
SECONDARY
TERTIARY
COMPLEMENTARY

Question 22

WHAT TYPE OF COLOR IS THE 3 BASIC COLOR

Answer 22

PRIMARY

Question 23

TYPE OF COLOR WHEN 2 PRIMARY COLORS ARE MIXED

Answer 23

SECONDARY

Question 24

TYPE OF COLOR WHEN 1 PRIMARY AND SECONDARY ARE MIXED

Answer 24

TERTIARY

Question 25

TYPE OF COLOR THAT OPPOSITES EACH OTHER

Answer 25

COMPLEMENTARY

Question 26

BY ADDING BLACK

Answer 26

SHADE

Question 27

BY ADDING WHITE

Answer 27

TINT

Question 28

BY ADDING GRAY

Answer 28

TONE

Question 29

WHAT ARE THE PRIMARY COLORS

Answer 29

RED BLUE YELLOW

Question 30

+STIMULATING/EXCITING/AGGRESSIVE/ACTIVE/STRONG -INTENSE/RAGING/BLOODY *MAKUNARI BAY

Answer 30

RED

Question 31

+CHEERING/SUNNY/CHEERFUL/HAPPY/ -GLARING/EGOCENTRIC *APARTMENT BLOCKS IN NANTERRE

Answer 31

YELLOW

Question 32

+RETIRING/RELAXING/CALM/COMFORTABLE/WET/COOL -DEPPRESSING/COLD

Answer 32

BLUE

Question 33

T OR F -GREEN IS THE OPPOSITE OF RED -WILL DECREASE BP AND HEART RATE

Answer 33

FLASE BLUE

Question 34

T OR F -RED IS PAPANSIN/TO HIGHLIGHT -HAPPIEST COLOR OF ALL

Answer 34

FALSE YELLOW

Question 35

T OR F -RED OBJECTS APPEARS CLOSER THAN THEY ACTUALLY ARE -MOST DOMINANT & DYNAMIC COLOR

Answer 35

TRUE

Question 36

3 SECONDARY COLORS

Answer 36

ORANGE GREEN PURPLE

Question 37

+EXTROVERTED/ENERGETIC/STIMULATING/EXCITING -CHEAP/INTRUSIVE *CASA BLANCA,PERU BY MARTIN DULANTO

Answer 37

-ORANGE

Question 38

+RETIRING/RELAXING/QUIET/NATURAL/REFRESHING -COMMON/TIRESOME *SARPHATISTRAAT OFFICES, NETHERLANDS BY STEVEN HALL

Answer 38

GREEN

Question 39

T OR F -ORANGE IS LESS MASCULINE THAN RED -APPEARS CHEAP IF LOW SATURATION

Answer 39

TRUE

Question 40

T OR F BLUE CAN SYMBOLIZE NATURE

Answer 40

FALSE GREEN

Question 41

+DIGNIFIES/EXCLUSIVE/MAGICAL -MOURNFUL *CHUNGHA BLDG., KOREA

Answer 41

PURPLE

Question 42

T OR F -PURPLE CAN APPEAR DELICATE AND RICH -IT IS UNSETTLING/DEGENERATE

Answer 42

TRUE

Question 43

5 OTHER COLORS

Answer 43

BLACK PINK BROWN GRAY WHITE

Question 44

+LIVELY/CALMING/DELICATE/COMFORTING/FEMININE -TOO SWEET/ WEAK/NOT USED TOO OFTEN *NORMANN COPPENNAGEN SHOWROOM

Answer 44

PINK

Question 45

+WARM/SECURE/STABLE -OPPRESIVE/HEAVY *PRIVATE HOUSE KENSINGTON BY DAVID CHIPPERFIELD

Answer 45

BROWN

Question 46

+DISCONCERNING/CLEAN/BRIGHT -EMPTY/STERILE/MONOTONOUS *CASA DEL ALCANTILADO BY FRAN SILVESTRE

Answer 46

WHITE

Question 47

+NEUTRAL/CALMING -BORING *FAB UNION SPACES ON THE WEST BUND

Answer 47

GRAY

Question 48

+DEEP/ABSTRACT -OMINOUS/NIGHT/GRIEF/DEATH *RIDGE ROAD RESIDENCES, AUSTRALIA BY SHANON MCGRATH

Answer 48

BLACK

Question 49

6 CLASSES OF COLOR SCHEME

Answer 49

COMPLEMENTARY TRIADLE/TRIADIC MONOCHROMARIC ANALOGOUS SPLIT COMPLEMENTARY DOUBLE COMPLEMENTARY

Question 50

-USES VARIATIONS IN LIGHTNESS & SATURATION OF A SINGLE COLOR -LOOKS CLEAN AND ELEGANT -GOES WELL TOGETHER -VERY EASY ON THE EYES

Answer 50

MONOCHROMATIC

Question 51

T OR F -COMPLEMENTARY CAN ESTABLISH OVERALL MOOD -EASY TO MANAGE & LOOKS BALANCED AND VISUALLY APPEALING -LACKS COLOR CONTRAST

Answer 51

FALSE MONOCHROMATIC (COMPLEMENTARY HAS HIGH CONTRAST)

Question 52

-USES COLOR THAT ARE ADJACENT TO EACH OTHER -EASY TO CREATE AS MONO BUT LOOKS RICHER -LACKS COLOR CONTRAST *RESIDENTIAL BLDGS. IN ISTANBUL

Answer 52

ANALOGOUS

Question 53

-2 COLORS THAT ARE OPPOSITE TO EACH OTHER -HAS STRONG CONTRAST -HARD TO BALANCE *PARADISE OF COLOR CHINA

Answer 53

COMPLEMENTARY

Question 54

T OR F -COMPLIMENTARY SCHEME DRAWS MAXIMUM ATTENTION -DONT AGE WELL

Answer 54

TRUE

Question 55

-PROVIDES HIGH CONTRAST -OFFERS NUANCES BUT RETAINS STRONG VISUAL CONTRAST *DANCING PAVILLION BY ESUDIO GUTO REQUENA *LOTUS BLDG., CHINA BY STUDIO505

Answer 55

SPLIT COMPLEMENTARY

Question 56

-3 COLORS THAT IS EVENLY SPACED -NOT SO CINTRAST BUT BALANCED *TORRE DE SATELITE, MEXICO BY LUIS BARRGAN & MATHIAS GOENITZ *SUGANO SHINKIN BANK, JAPAN *MONDRIAN CONDOMINIUM = NOT WORKING

Answer 56

TRIADLE/TRIADIC

Question 57

T OR F SPLIT COMPLEMENTARY IS POPULAR AMONG ARTIST COZ OF STRONG VISUAL CONTRAST WHILE RETAINING BALANCE

Answer 57

FALSE TRIADLE

Question 58

-RICHEST OF ALL THE SCHEMES COZ IT USES 4 COLORS -HIGH CONTRAST *THE WHY FACTORY *REVERSIBLE RESTING LOFTS, TOKYO

Answer 58

DOUBLE COMPLEMENTARY

Question 59

T OR F DOUBLE COMPLEMENTARY IS THE HARDEST TO BALANCE

Answer 59

TRUE

Question 60

T OR F OFFICES SHOULD USE PSTEL COLORS

Answer 60

TRUE