ELEMENTS OF CIRCULATION

Question 1

HOW PEOPLE MOVE THROUGH SPACE

Answer 1

CIRCULATION

Question 2

WHAT DOES AFFECT CIRCULATION (5)

Answer 2

TIME
TYPE
DIRECTION
EFFICIENCY AND ECONOMY
FREQUENCY

Question 3

FOR WALKING (AFFECTS CIRCULATION)
HORIZONTAL=HALLWAYS VERTICAL=STAIRS/ELEV

Answer 3

DIRECTION

Question 4

IS IT USED AM, PM OR 24HR (AFFECTS CIRCULATION)

Answer 4

TIME

Question 5

IS IT USED COMMONLY OR RARELY (AFFECTS CIRCULATION)

Answer 5

FREQUENCY

Question 6

IS IT PRIVATE OR PUBLIC (AFFECTS CIRCULATION)

Answer 6

TYPE

Question 7

FOR EVERYONES COMFORT/USE (AFFECTS CIRCULATION)

Answer 7

EFFICIENCY AND ECONOMY

Question 8

5 ELEMENTS OF CIRCULATION

Answer 8

APPROACH
ENTRANCE
PATH
PATH-SPACE RELATIONSHIP
FORM OF CIRCULATORY SPACE

Question 9

DOES APPROACH EVER END?

Answer 9

NO. U APROACH ENTRANCE, U APPROACH EXIT

Question 10

PURPOSE TO PREPARE
PLAN HOW TO ENTER A CERTAIN BLDG

Answer 10

APPROACH

Question 11

4 KINDS OF APPROACH

Answer 11

FRONTAL
OBLIQUE
SPIRAL
DISTANT VIEW

Question 12

DIRECT/STRAIGHT APPROACH
*MILL OWNER’S ASSOC. BLDG

Answer 12

FRONTAL

Question 13

T OR F
MILL OWNER’S ASSOC. BLDG. IS BY LE CORVURBUSIER IN FRANCE

Answer 13

FALSE
IT IS IN INDIA AND THE RAMP IS DIRECTED TO 2ND FLOOR

Question 14

APPROACH FROM THE BEST VIEW POSSIBLE OF THE BLDG.
*GLASS HOUSE

Answer 14

OBLIQUE

Question 15

T OR F
GLASS HOUSE IS BY LE CURBUSIER IN USA
GOAL IS NOT TO RESTRUCT GLASS SIZE

Answer 15

FALSE
IT IS BY PHILIP JOHNSON

Question 16

REGULATED APPROACH

Answer 16

SPIRAL (IKOT TO APPRECIATE MUNA BEFORE PASOK)

Question 17

IMPACT FROM AFAR
APPROACH THAT DRAWS U TOWARDS IT

Answer 17

DISTANT VIEW

Question 19

POINT OF CONNECTION FROM OUTSIDE TO INSIDE
SEPARATION AND CONNECTION

Answer 19

ENTRANCE

Question 20

4 TYPES OF ENTRANCE

Answer 20

IMPLIED
FLUSHED
PROJECTED
PRESSED

Question 21

NOT REALLY ENTRANCES W DOORS
GATEWAYS/PORTALS/SYMBOLIC PILLARS ONLY
JUST TO SIGN THAT THERE IS CHANGE

Answer 21

IMPLIED

Question 22

2 EXAMPLE OF IMPLIED ENTRANCE

Answer 22

TOSHOGU SHRINE, JAPAN
PIAZZA SAN MARCO, VENICE

Question 23

2 COLUMN IN PIAZZA SAN MARCO

Answer 23

LION AND ST. THEODORE

Question 24

MOST COMMON ENTRANCE
IT HAS DOORS
CONTINUITY OF WALL

Answer 24

FLUSHED

Question 25

EXTROVERTED ENTRANCE *KITANG-KITA

Answer 25

PROJECTED

Question 26

RESERVED ENTRANCE *NAKALOOB

Answer 26

PRESSED

Question 27

NOT SO FRIENDLY ENTRANCE

Answer 27

PRSESSED

Question 28

T OR F ENTRANCE CAN BE EMPHASIZED/ARTICULATED JUST LIKE THE MECHANT'S NATIONAL BANK BY FRANK LLOYD WRIGHT

Answer 28

FALSE IT IS BY LOUIS SUVILLIAN

Question 29

T OR F ENTRANCE CAN BE CENTERED/OFF-CENTERED JUST LIKE THE GIFT SHOP IN FRANCISCO BY FRANK LLOYD WRIGHT

Answer 29

TRUE IT HAS OFF-CENTERED ARCH ENTRANCE

Question 30

SEQUENCE HAS A NARRATIVE STORY; WHAT IS UR STORY? HOW DO WE MAKE USERS UNDERSTAND? HAS INTERSECTION AND STOPPING POINTS

Answer 30

PATH/ PATH CONFIGURATION

Question 31

6 TYPES OF PATH

Answer 31

LINEAR RADIAL SPIRAL GRID NETWORK COMPOSITE

Question 32

PATH THAT IS STRAIGHT AND CAN BE SEGMENTED/LOOPED

Answer 32

LINEAR

Question 33

PATH THAT IS DIFFICULT TO NAVIGATE

Answer 33

RADIAL

Question 34

PATH USED IN BAZARRES/ OFFICES

Answer 34

GRID

Question 35

ORGANIC/RANDOM PATH FROM LINEAR MAIN PATH TO RANDOM SMALLER PATHS

Answer 35

NETWORK

Question 36

PATH THAT IS ANY COMBINATION OF PATH

Answer 36

COMPOSITE

Question 37

T OR F CHAMPS OF ELYSEES HAS A LINEAR PATH IN FRANCE

Answer 37

FALSE IT HAS RADIAL PATH

Question 38

T OR F FORBIDDEN CITY, CHINA HAS LINEAR PATH

Answer 38

TRUE

Question 39

T OR F SOLOMON. R MUSEUM IN USA BY FRANK LLOYD WRIGHT HAS RADIAL PATH

Answer 39

FALSE IT HAS SPIRAL RAMP

Question 40

T OR F PINE EPHESUS AND ROMAN FORTIFIED CAMP HAS GRID PATH

Answer 40

TRUE

Question 41

T OR F TAGAYTAY IS AN EXAMPLE OF NETWORK PATH

Answer 41

TRUE

Question 42

T OR F BAGUIO AND MANILA BY DANIEL BURNHAM HAS NETWORK PATH

Answer 42

FALSE BOTH HAS COMPOSITE PATH

Question 43

HAS EDGES/NODES/TERMINATIONS -HOW PATH AFFECTS SPACE

Answer 43

PATH-SPACE RELATIONSHIP

Question 44

3 KINDS OF PATH-SPACE RELATIONSHIP

Answer 44

PASS BY PASS THROUGH PATH TERMINATES IN SPACE

Question 45

-CAN FREELY MOVE IN A SPACE W/O DISTRACTING FROM ANOTHER SPACE -INTEGRITY OF SPACE IS MAINTAINED

Answer 45

PASS BY

Question 46

T OR F CIRCULATION OF SPACE IS JUST A CORRIDOR

Answer 46

FALSE IT IS NOT JUST A CORRIDOR

Question 46

UP TO YOU WHERE U WALK CREATES PATTERNS OF REST AND MOVEMENT

Answer 46

PASS THROUGH

Question 47

HIGHLIGHTS FUNCTION LOCATION OF SPACE ESTABLISHES THE PATH USED IN CHURCHES

Answer 47

PATH TERMINATES IN SPACE

Question 48

ACCOMODATES THE NEEDS/MOVEMENT OF THE PEOPLE HAS PROMENASE/REST/VIEW CONNECTS AND SEPARATE DIFFERENT SPACES

Answer 48

FORM OF CIRCULATORY SPACE

Question 49

IT IS DETERMINED BY -ARTICULATION OF BOUNDARIES -SCALE/PROPORTION -ENTRANCES -CHANGES IN LEVEL

Answer 49

FORM OF CIRCULATORY SPACE

Question 50

2 TYPES OF FORM OF CIRCULATORY SPACE

Answer 50

EXTERIOR FORM INTERIOR FORM

Question 51

CORRIDORS/BALCONIES/GALLERIES /STAIRS/ROOMS (FORMOF CIRCULATORY SPACE)

Answer 51

INTERIOR FORM

Question 52

PROMENADE/MALLS

Answer 52

EXTERIOR FORM

Question 53

T OR F AUBE WEDDING, THAI LOUVRE MUSEUM, PARIS GRAND STAIRCASE AT PALAIS GARNIER BRITISH MUSEUM THE MIRACUOUS STAIRCASE OF TH ELORETTO CHAPEL PARIS OPERA ARE EXAMPLES OF PATH-SPACE RELAIONSHIP

Answer 53

FALSE FORM OF THE CIRCULATORY SPACE

Question 54

3 BASIC FORM OF CIRCULATION OF SPACE

Answer 54

ENCLOSED OPEN ON ONE SIDE OPEN ON BOTH SIDES

Question 55

CIRCULATORY SPACE THAT SEGREGATES PUBLIC AND PRIVATE RELATES SPACES THAT IT LINKS ENTRANCES THROUGH WALL PLANE

Answer 55

ENCLOSED

Question 56

BASICFORM OF CIRCULATION SPACE VISUAL AND SPATIAL CONTINTUITY W SPACES IT LINKS BALCONY/GALLERY

Answer 56

OPEN ON ONE SIDE

Question 57

COLONNADED PASSAGEWAY PHYSICAL EXTENSION OF THE SPACE IT PASSED THROUGH

Answer 57

OPEN ON BOTH SIDES