Cpar National artist 3rdQ gr12 Flashcards
(66 cards)
Born in Binondo, Manila, he pioneered modern Philippine architecture. He emphasizes function before elegance and the maximum use of natural light and cross ventilation in his design.
-‘s major works include the following: Far Eastern University Administration and Science buildings; Manila Polo Club; Ideal Theater; Galaxy Theater; Capitan Luis Gonzaga Building; Boulevard-Alhambra apartments; and Ramon Roces Publications Building.
Arki
Pablo S. Antonio (1976) Arki
Born in Malabon, Manila, he is considered as the “Father of Philippine Landscape Architecture.” His works include * Highland resort*; Mt. Malarayat Golf and Country Club in Lipa, Batangas; and Orchard Gold and Country Club in Imus, Cavite.
Arki
c. Ildefonso P. Santos (2006)
Arki
Born in Quiapo, Manila, he was known as the “Dean of Filipino Architects.” He espoused architecture reflective of Philippine traditions and culture.
His major works are: Geronimo de los Reyes Building, Magsaysay Building, Rizal Theater, Capitol Theater, Captain Pepe Building, Manila Jockey Club, Rufino Building, Philippine Village Hotel, University of the Philippines Administration and University Library, and the reconstructed Rizal house in Calamba, Laguna.
Arki
Juan F. Nakpil (1973) Arki
From Guagua, Pampanga, Zaragoza’s name became almost synonymous with modern ecclesiastical architecture. His major works include Meralco Building, Philbanking Building, Sto. Domingo Church and Convent, Metropolitan Cathedral of Cebu City, Villa San Miguel Church in Mandaluyong.
Arki
a. Jose Maria V. Zaragoza (2014)
Arki
Born in Silay, Negros Occidental, he believes that the true Philippine Architecture is “the product of two great streams of culture, the oriental and the occidental… to produce a new object of harmony.” He used themes of floating volume, the duality of light and heavy,
and buoyant and massive in his major works.
His largest single work is the Istana Nurul Iman, the palace of the Sultan of Brunei.
He designed the five buildings of the CCP Complex - the Cultural Center of the Philippines, Folk Arts Theater, Philippine International Convention Center, Philcite, and The Westin Hotel.
Arki
a. Leandro V. Locsin (1990)
Arki
Visuals
Born in Paco, Manila, the “Grand Old Man of Philippine Art” was the first to be awarded as National Artist in the country. The backlighting technique became his trademark where the figures are seen aglow on canvas.
His major works include the following: Maiden in a Stream (1921), El Ciego
(1928), Dalagang Bukid (1936), The Meztiza (1943), Planting Rice (1946), and Sunday Morning Going to Town (1958).
a. Fernando Amorsolo (1972)
Bisual
A pioneer “Neo-Realist of the country, he is remembered for refining cubism in the Philippine context. He made use of geometric fragmentation technique, weaving social comment and juxtaposing the mythical and modern into his overlapping, interacting forms with disturbing power and intensity.
Among his works are Gadgets I, Gadgets I, Diggers, Idols of the Third Eye, Facade, Ovary, Flora and Fauna, Triptych, Flight, Bayanihan, Struggle, Avenging Figure, Turning Point, Peace, The Survivor, and The Ritual.
b. Cesar Legaspi (1990)
Visual
A self-taught painter from Sta. Cruz, Manila, his canvases evoked the lush Philippine landscape, its flora and fauna, under the sun and rain in fierce and bold colors.
He also played a pivotal role in sustaining the Philippine Art Gallery, the country’s first. His acknowledged masterpiece “Genesis” served as the basis of CCP Main Theater’s curtain design. His other major works include Ina ng Balon, Calvary, Slum Dwellers, Nude with Candle and Flower, Man and Carabao, Angel’s Kiss, Palayok at Kalan, Ancestors, Isda at Manga, The Resurrection, Fifty-three “O”,
Backdrop, and Fiesta.
Visual
c. Hernando Ocampo (1991)
Visual
He established the Luz Gallery that professionalized the art gallery as an institution.
Among his other significant paintings are Bagong Taon, Vendador de Flores, Skipping Rope, Candle Vendors, Procession, Self-Portrait, Night Glows, Grand Finale, Cities of the Past, and Imaginary Landscapes. His mural painting Black and White is displayed in the lobby of the CC’s Bulwagang Carlos V. Francisco (Little Theater). His sculpture of a stainless steel cube is located in front of the Benguet Mining Corporation Building in Pasig.
Visual
d. Arturo Luz (1997)
Visual
He pioneered abstract expressionism in the Philippines. He distinguished himself by creating an authentic Filipino abstract idiom that transcended foreign influences.
Most of his paintings of harmonious colors were inspired by Philippine landscapes and his use of rice paper in collages placed value on transparency, a common characteristic of folk art.
Visual
e. Jose T. Joya (2003) Visual
He is from Malabon and has been noted as the best selling painter of his generation of Filipino artist.
He has christened the emblematic scavenger figure “Sabel” who is a melancholic symbol of dislocation, despair, and isolation - the personification of human dignity threatened by life’s ups and downs, and vast inequities of Philippine society.
Visual
f. Benedicto Cabrera (2006)
Visual
He is a painter and a sculptor from Sta. Cruz, Manila. An artist of voluminous output, he was known mainly for his gestural paintings in acrylic and oil, as well as sketches in ink, watercolor, and pencil.
After his exhibit at Philippine Art Gallery, he received a fellowship from the Ministry of Foreign Affairs in Spain and proceeded to study at the Academia de Bellas Artes de San Fernando in Madrid, where other Filipino expatriates like Juan Luna, Felix Resurreccion Hidalgo, Fernando Amorsolo, Fabian dela Rosa and Jose Ma. Asuncion received a similar classical training.
Visual
g. Federico Aguilar Alcuaz (2009)
Visual
Born in Buting, Pasig, was acknowledged as the “King of Komiks” and
“Dean of Filipino Illustrators.” Starting his career in 1934, he was a central force in the formation of the popular art form of comics.
He was a part of the golden age of the Filipino comics in the 50’s and 60’s. Until his early retirement in 1973, Coching mesmerized the comics-reading public as well as his fellow artists, cartoonists, and writers.
h. Francisco Coching (2014)
Visual
The “Father of Modern Philippine Painting” grew up in Barrio Bolosan, Dagupan, Pangasinan. Unlike Amorsolo’s cheerful hues, Edades’ colors were dark and somber. His favorite subject matter are laborers, factory workers or the simple fold in all their dirt, sweat and grime.
Among his works are The Sketch, The Artist and the Model, Portrait of the Professor, Japanese Girl, Mother and Daughter, The Wrestlers, and Poinsettia Girl.
Visual
a. Victorio Edades (1976)
Visual
Born in Malolos, Bulacan, he is hailed as the “Father of Philippine Arts.” His famous works include the Bonifacio Monument in Caloocan, and the UP Oblation in Diliman, Quezon City.
He also designed the gold and bronze medals for the Ramon Magsaysay Award and did the seal of the Republic of the Philippines.
V Isual
- Region 3 - Central Luzon
a. Guillermo Tolentino (1973)
Visual
was a cubist painter and illustrator from Macabebe, Pampanga. His paintings are described as “visions of reality teetering on the edge of abstraction.” He trained at Paris and at Otis School of Drawing in Los Angeles. believes that the beauty of art is in the process, in the moment of doing a particular painting, closely associating it with the act of making love. The climax is just when it’s really finished.”
Manansala’s works include A Cluster of Nipa Hut, San Francisco Del Monte, Banaklaot, I Believe in God, Market Venders, Madonna of the Slums, Still Life with Green Guitar, Via Crucis, Whirr, Nude.
Visual
b. Vicente Manansala (1981)
Visual
He was born in Antique. A versatile artist, being both a proficient painter and sculptor, devotion to the visual arts spans 40 years of drawing, printmaking, graphic designing, painting, and sculpting.
Three of his major mixed media works are I’m Sorry Jesus, I Can’t Attend Christmas This Year (1965), and his Homage to Dodjie Laurel (1969: Ateneo Art Gallery collection), and A Flying Contraption for Mr. Icarus (1984: Lopez Museum).
a. J. Elizalde Navarro (1999)
Visual
A poet from Angono, Botong single-handedly revived the forgotten art of mural and was best known for his historical pieces.
His other major works include the following: Portrait of Purita, The Invasion of Limahong, Serenade, Muslim Betrothal, Blood Compact, First Mass at Limasawa, The Martyrdom of Rizal, Bayanihan, Magpupukot, Fiesta, Bayanihan sa Bukid, and Sandugo.
Visual
Region 4A - CALABARZON
a. Carlos “Botong* Francisco (1973)
Bisual
Born Ang Hwa Shing, he was a painter from Davao City. He fused influences from cubism, surrealism, and expressionism in his style. He favored subjects such as fighting cocks, rabid dogs, and people enraptured by rage. He also painted multiple depictions of the crucified Christ.
Some of his works include Geometric Landscape (1969); Pieta, which won for him the bronze medal in the 1st International Art Exhibition held in Saigon (1962); and the Seated Figure (1979), auctioned at Sotheby’s in Singapore.
Visual
Davao
a. Ang Kiukok
Visual
Abueva, a native of Bohol, was the youngest awardee (He was only 46 when he was given the title) and was considered as the “Father of Modern Philippine Sculpture.
99
Being adept in either academic representational style or modern abstract, he has utilized almost all kinds of materials from hard wood (molave, acacia, langka wood, ipil, kamagong, palm wood and bamboo) to adobe, metal, stainless steel, cement, marble, bronze, iron, alabaster, coral and brass.
Some of his major works include Kaganapan (1953), Kiss of Judas (1955), Thirty Pieces of Silver, The Transfiguration (1979), Eternal Garden Memorial Park, UP Gateway (1967), Nine Muses (1994), UP Faculty Center, Sunburst (1994)-
Peninsula Manila Hotel, the bronze figure of Teodoro M. Kalaw in front of National Library, and murals in marble at the National Heroes Shrine, Mt. Samat, Bataan.
Visual
- Region 7 - Central Visayas
a. Napoleon Abueva (1976)
Visual
He was a fashion designer from Abra. His contribution lies in the tradition of excellence of his works, and his commitment to his profession, performing his magical seminal innovations on the Philippine terno.
Fashion
- Region 14 - Cordillera Administrative Region
a. Ramon Valera Fashion
A native of Sulu, he is a sculptor, painter, photographer, ceramist, documentary film maker, cultural researcher, writer, and articulator of Philippine Muslim art and culture.
Through his works, the indigenous ukkil, sarimanok and naga motifs have been popularized and instilled in the consciousness of the Filipino nation and other peoples as original Filipino creations.
Some of his works include Industry Brass Mural, Mural Relief in Filmmaking, Industrial Mural, and Sulu Warriors.
Visual
- Region 15 - Autonomous Region of Muslim Mindanao
a. Abdulmari Asia Imao (2006)
Visual
is considered as one of the finest contemporary poets. He introduced reversed consonance rhyme scheme, including the comma poems that made full use of the punctuation mark in an innovative, poetic way.
Villa’s works have been collected into the following books: Footnote to Youth, Many Voices, Poems by Doveglion, Poems 55, Poems in Praise of Love: The Best Love Poems of Jose Garcia Villa as Chosen By Himself, Selected Stories, The Portable Villa, The Essential Villa, Mir-i-nisa, Storymasters 3: Selected Stories from Footnote to Youth, 55 Poems: Selected and Translated into Tagalog by Hilario
S. Francia.
Literature
National Capital Region
a. Jose Garcia Villa (1973)
Literature
He is considered as the most distinguished Filipino writer in English writing. Nick Joaquin has also enriched the English language with critics coining “Joaquinesque” to describe his baroque Spanish-flavored English or his reinventions of English based on Filipinisms.
Among his works are The Woman Who Had Two Navels, A Portrait of the Artist as Filipino, Manila, My Manila: A History for the Young, The Ballad of the Five Battles, Rizal in Saga, Almanac for Manileños, and Cave and Shadows.
Literature
b. Nick Joaquin (1976) Literature