Creative Content Creation Flashcards

1
Q

Try to come up with a great idea that works in a few minutes. Keep the concept simple and focused. A good logline can help you focus your idea and keep you from wandering too far off course.

A

Story

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2
Q

Come up with a story that can believably occur in a very short amount of time, even ten minutes. Your actual film’s running time doesn’t need to be that long, but you will be able to dramatize shorter events in a more grounded way.

A

Story

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3
Q

Cast carefully. Some actors may be more
comfortable with ample rehearsal time, so
make sure they know the time restrictions of your shoot.

A

Actors

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4
Q

Let your actor know what their objective in each scene is.

A

directing your actors

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5
Q

Allow your actors to contribute. If they’re
inventive, give them a chance to improvise.
Shoot takes with alternate lines of dialogue. This can be especially effective in comedies.

A

Actors

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6
Q

Make sure you and your actor are on the same page about their character and their motivations. If you disagree, take a few minutes to discuss, listen, and compromise.

A

directing your actors

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7
Q

Be there for your actor. While some actors may prefer to do things their own way, most seek and thrive on direction, even if it’s just pointing them the right way, metaphorically speaking.

A

directing your actors

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8
Q

Or literally speaking! Blocking is very important not just for your framing but for the intensity of the scene itself. Work with your actors to find the right blocking for each scene–what feels right for them
and what looks best for the camera.

A

directing your actors

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9
Q

How to help Actors

A

Script-reading

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10
Q

How to help Actors

A

Acting workshop

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11
Q

Make sure your schedules are detailed out to the minute and remember that communication between cast and crew is key. By having everyone’s contact information and by communicating clearly where everyone is expected to be and when, you can avoid unnecessary delays in production. Give them directions and expected travel times to the set.

A

Producing

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12
Q

Organize your days so you can shoot several scenes in one day. If you have multiple locations, select the key location for the day and then find your other locations in the
immediate area. Moving locations can be a killer and waste tons of time. Try to group scenes together that use the same cast members and costumes. Be efficient in your
scheduling and don’t be afraid to shoot out of order or out of sequence.

A

Producing

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13
Q

Put together an inexpensive but effective
equipment list. Your story won’t be improved with more pixels, but you also don’t want your camera breaking down in the middle of your shoot. Test all the gear before you leave for the set.

A

Equipment

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14
Q

Make sure all batteries and other accessories are charged before the shoot, and spares are being charged during the shoot. Remember, with only three days to shoot, every minute counts and every
delay needs to be avoided at all costs.

A

Equipment

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15
Q

Don’t be afraid of using natural lights and don’t be afraid if not everything is lit and bright. Often enough, beauty lies in the darkness. Silhouettes, high contrast, backlighting, and dramatic shadows
can create a very dynamic and powerful
cinematographic look.

A

Cinematography

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16
Q

on the other hand, is another issue. Bad sound is often said to be the hallmark of amateur filmmaking. If your audience is struggling to understand what your actors are saying, there won’t be much room left for emotional involvement. So do everything you can, within your limitations, to get the best sound/dialogue recorded on the set.

A

Sound

17
Q

Keep sound in mind before you even begin
filming–make sure the locations you choose and even the story you tell will make your sound recording as easy as possible. If you can, have a good portion of your film dialogue free.

A

Sound

18
Q

When working in post-production, remember it’s ok to be ruthless–do not be afraid to cut, even if it means undoing hours of work. Always, always, always back
up your project and footage in different locations. Save often so you don’t lose any time due to a computer error.

A

Digital Editing

19
Q

Keep your productions simple.

Limit the number of cast members.

Limit the number of locations.

Avoid big scenes with elaborate sets,
costumes and props.

Stay away from period pieces,
children and animals—they are far
too unpredictable.

A

General Production
Do’s and Don’ts