Dynamic Aspects Of Compression Flashcards

1
Q

Expansion

A

Opposite of compression
Reduces gain for very soft sounds. Gain increases rapidly as input increases up to first kneepoint of compression
Less than linear gain for very quiet sounds, increasingly gain at kneepoint
Does work of OHC gain is greatest at kneepoint, to give max gain to soft speech sounds

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2
Q

WDRC vs Expansion re output

A

Above knee both are the same
Below knee WDRC is linear

Expansion provides same gain as linear at the knee but less for soft sounds

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3
Q

Purpose of expansion

A

Reduce audibility of hearing aid components for clients with some normal-moderate thresholds

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4
Q

2 ways to reduce audibility of components

A

Use expansion or increase TK

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5
Q

Dynamic aspects of compression

A

Compression ratios and kneepoint are static and unchanging over time

Dynamic aspects deal with the constantly changing intensities of input in the environment

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6
Q

Attack

A

When input SPL exceeds TK, aid attacks the sound and goes into compression, reducing gain

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7
Q

Release

A

When input SPL drops below TK, hearing aid releases from compression, restoring gain

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8
Q

Attack times

A

How quickly the aid goes into compression after input increases

Adjustable

Time dimension

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9
Q

Why are attack times very short <50 ms to react to rapid changes in SPL

A

If the attack time is too slow, aid will not react quickly enough to ongoing changes in loudness in the environment

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10
Q

Release

A

When input SPL drops below kneepoint, hearing aid releases from compression, restoring gain

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11
Q

Release times

A

How quickly the aid goes out of compression

Adjustable

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12
Q

Release times versus attack times

A

Always longer than attack times

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13
Q

What would happen if release times were too fast

A

If release time is too fast, can result in client perception of pumping as aid tracks the amplitude of individual sound waves

Fast release times that are too fast can also cause distortion

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14
Q

What would happen if release times were too slow?

A

Gain may not return to higher levels once the loud sound has stopped. May result in under amplification of soft consonants following loud vowels or environmental sounds such as pen click

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15
Q

Attack and release time strategies

A
Peak detection 
Adaptive compression 
Average detection
Syllabic compression 
Automatic volume control
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16
Q

What is peak detection?

A

Developed in 1980s

Tracks peaks of incoming signal and compresses if kneepoint is exceeded

17
Q

What are attack times for peak detection

A

Fixed attack time, short, around 50 msec

18
Q

Release time for peak detection

A

Fixed release time, longer, around 150 msec

19
Q

Adaptive compression

A

Developed in 1980s

20
Q

Adaptive compression attack time

A

Fixed attack time

21
Q

Release times for adaptive compression

A

Variable release times
Depends on duration of intense incoming sounds so reduced pumping heard by clients
Long sound, long release time - machine noise, background chatter are suppressed
Short sound, short release time - spoon dropping won’t affect speech audibility as much with a short release time

22
Q

Average detection

A

Developed in the early 1990s
Sounds very natural
Adjustable attack and release times
If average SPL of the incoming signal over time exceeds kneepoint, gain is reduced

23
Q

Slow attack and release times for average detection

A

Average over 220 msec. Interval
If intensity over kneepoint, compression kicked in and was altered slowly, not noticeable to client - used most of the time

24
Q

Fast attack and release times for average detection

A

Average - over 10 msec. Worked to reduce gain for sudden sounds

25
Q

Syllabic compression

A

Late 1990s
Often used with BILL. loud low frequency sounds are compressed quickly to prevent lows from masking highs
Somewhat controversial - does reduce peaks of sound signal, making it easier for noise to fill in valleys, which would then be amplified by the aid

Distortion due to fast attack and release times

Compressor is trying to respond to all quiet environmental sounds as well as soft consonants so noise often fills in the valleys between louder consonants,

26
Q

Automatic volume control

A

Designed to mimic the length of time it takes a client to put their hand up and reduce the volume on their aid
Usually found with WDRC

27
Q

Advantage of automatic volume control

A

Reduces the need for the client to adjust the volume control; responds to general overall changes in sound intensity

28
Q

Which attack and release times are usually used

A

Average detection or average detection in the highs and syllabic compression in the lows

29
Q

Fast attack and release times combined with a high compression ratio

A

Distortion
Therefore syllabic compression is usually used only with WDRC

Long attack and release times can be used with either high or low compression ratios