EFA terms & authors Flashcards

(78 cards)

1
Q

Intro: Nettl 2015

A

study music as an aspect of human culture

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2
Q

Intro: Herndon 1992

A

culture impacts how song is used; song as powerful communication tool

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3
Q

Intro: Dawe 2003

A

studying musical instruments gives insights into culture

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4
Q

Intro: Bauman and Braid 1998

A

studying ovas increases understanding of culture

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5
Q

Intro: Sklar 1991, 2001, 2011

A

study movements of dance to understand culture

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6
Q

Intro: Dyrness 2001

A

visual art reflection of what is taking place in a culture

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7
Q

Intro: Myers 1992

A

this is etic analysis, not emic

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8
Q

seven lenses

A

space, shape of the event through time, participant organization, materials, performance features, content, underlying symbolic systems

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9
Q

acrostic for seven lenses

A

Spinach shouldn’t paralyze our muscles. Perfectly fed cowboys understand.

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10
Q

references for music terms

A

Bakan 2012; Apel 1970

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11
Q

proportional rhythm

A

smaller units simple proportions of larger units

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12
Q

polyrhythm

A

simultaneous use of contrasting rhythms

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13
Q

types of rhythm

A

proportional, polyrhythm, speech rhythm, free rhythm, syncopation

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14
Q

musical elements

A

form, tempo, rhythm, melody, timbre, text setting, dynamics, meter, scale

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15
Q

textures of melodies

A

heterophony, polyphony, drone, homophony, fugal, canon

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16
Q

heterophony

A

hocket

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17
Q

polyphony

A

two or more different notes but not octaves

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18
Q

drone

A

melody supported by one or two unchanging pitches

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19
Q

homophony

A

melody supported by chords

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20
Q

terms for timbre

A

rough, smooth, raspy, breathy, nasal

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21
Q

types of timbre

A

vibrato, yodeling, Sprechstimme

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22
Q

types of text settings

A

syllabic, neumatic, melismatic

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23
Q

syllabic lyrics

A

one note per syllable

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24
Q

neumatic lyrics

A

2-3 notes per syllable

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25
melismatic lyrics
frequent use of one syllable sung on 2 or more notes
26
other song elements
pitch inventory, range, tonal center, modulation, contour
27
types of scales
diatonic, pentatonic, raga
28
types of stages
arene-trouvee (found stage), theater-in-the-round, thrust theater, three-quarter round, proscenium stage, end stage
29
thrust theater stage
audience on three sides of actors
30
three-quarter round stage
one wall with audience all around
31
proscenium stage
audience on one side, arches
32
end stage
audience on one side, no arches
33
types of materials
realistic, impressionistic, minimalistic, improvised, mimed
34
types of clothing
street clothes, traditional dress, costumes
35
types of scenes
American scene, French scene
36
American scene
when the set is changed
37
French scene
when the characters change
38
elements of the dramatic setting
costuming, lighting, set pieces, scenery, props
39
types of plays based on audience participation
representational, presentational, monologue, asides
40
representational scene
acting as if in real life, unaware of audience, fourth wall separates
41
presentational
interaction with audience, breaking the 4th wall, acknowledge presence of audience
42
citation for drama terms
Greenwald, Schulz, and Pomo 2002
43
dance elements
form, organization, relationships, connectivities, kinesphere, phrasing, effort
44
dance forms
homogenous, chain, variation chain, heterogeneous chain, rondo
45
homogeneous dance form
unlimted repetitions of one segment
46
variation chain dance form
each repeated segment a variation of the basic one
47
heterogeneous chain form
individual segments are different without consistent organization
48
rondo dance form
regular recurrence of one or more basic segments in a certain order
49
types of dance organization
solo, ensemble, corps
50
dance relationships
addressing, contact, grasping, supporting
51
dance connectivites
breath, core-distal, head-tail, homologous, homolateral, contralateral
52
dance kinesphere 1
one dimensional: high/low; side/side; forward/backward
53
dance kinesphere 2
planes (vertical, horizontal, sagittal); diagonals
54
types of dance phrasing
even, increasing, decreasing, accented, vibratory, resilient (springy, buoyant, weighty)
55
citation for most dance terms
Hackney 2002
56
citation for effort dance terms
Maletic 2004
57
spatial relationships in visual art
unity, balance, rhythm, movement, proportion, negative space, emphasis
58
visual art unity
proximity, repetition, continuation
59
visual art balance
symmetrical, asymetrical, radial
60
citation for visual art
"Visual Arts Vocabulary" Spark in Education website
61
content elements for visual art
what message is being communicated, how is it being communicated, what emotions are being communicated
62
oral verbal art elements
type of language (vernacular, LWC), type of translation (word-for-word gloss, free), gestures, content
63
types of ovas
narrative story, poetry, song lyrics, speech surrogates, proverbs, riddles
64
characteristics of ovas
metaphor, allegory, puns, humor
65
ova devices
repetition, acrostic, assonance, rhyme, vocables, ideophones, alliteration, rhythmic speech, similes, gestures, vocal modulations
66
citation for OVA analysis
Dooley & Levinsohn
67
visual features in visual art
line, shape, value, color, texture
68
visual art shape terms
dimension, geometric shapes, organic shapes, positive/negative space, form
69
visual art value terms
lightness or darkness
70
visual art color terms
primary, secondary, hue, shades, tint
71
hue
the color definition in the culture
72
shades
darker variants by adding black
73
tint
lighter variants by adding white
74
visual art frames
storytelling, background knowledge, symbolic
75
storytelling frame
portray characters, actions, and emotions; show a key event in a story
76
background knowledge frame
teach about unknown objects and places
77
symbolic frames
evokes concepts (filigree borders around sacred texts)
78
citation for frames
Petersen 2015