Exam 2 Flashcards
(39 cards)

Sacrifice of Isaac
Brunelleschi
Early Italian Renaissance 1400-1495
Was a clear representation
Has 28 panels
Shows the baptism of Christ

Sacrifice of Isaac
Ghiberti
Early Italian Renaissance 1400-1495
Jesus looks like he is in the water
The bird looks like it is flying
Shows the baptism of Christ
Had to have quatrofoyle

The Four Crowned Martyrs
Di Banco
Early Italian Renaissance 1400-1495
Made in marble
A shallow nitch
Relief below figures shows the stoneworkers and woodworkers
Shows Di Banco has knowledge of classical sculpture
In early renissance style (in controposto, in toga like clothes, curly hair)

St. George
Di Banco
Early Italian Renassiance
Is the symbol of protection
Is close to the edge of the nitche
In a small nitche to give a shadow
Looks like he is looking down at the street

Feast of Herod
Donatello
Early Italian Renaissance 1400-1495

The Gates of Paradise
Ghiberti
Early Italian Renissance 1400-1495

Jacob and Esau Panel
Ghiberti
Early Italian Renissance 1400-1495

David
Donatello
Early Italian Renaissance 1400-1495

David
Verrocchio
Early Italian Renaissance 1400-1495

Erasmo Da Narni
Donatello
Early Italian Renaissance 1400-1495

Mary Magdalen
Donatello
Early Italian Reniassance 1400-1495
Is usually shown in her youth
In the process of repenting her sins
She fasted for 30 years
Made of wood

Dome of Florence Cathedral
Brunelleschi
Early Italian Reniassance 1400-1495
Is 30 stories high
Don’t know how it was built
Is believed to be built in two stages
Had to invent equitment to make this

Foundling Hospital
Brunelleschi
Early Italian Reniassance 1400-1495
Hospital for orphans
Unwanted children and orphans were educated and looked after here
Built to reflect light
Pediment over the windows
Dellarobbia made panels circular panel show what it is made from terricata

San Lorenzo
Brunelleschi
Early Italian Renaissance 1400-1495
Donatello is buried there
In a bastilica floor plan
Everything is a gray stone on a white wall
Coffers in the ceiling
Inspired by early christian churches

Palazzo Medici-Riccardi
Di Bartolomeo
Early Italian Renaissance 1400-1495
Three story house
Built on the widest street of Florence
Has rough stone on the bottom and gets softer as you go up
Donatello’s David was in the courtyard
On the corner was the families code of arms

Palazzo Rucellai
Alberti
Early Italian Renaissance 1400-1495
Meant to look like Medici house
At one point part of the building was an art school
On a narrow street
Used doric columns on the 1st floor

Virgin and Child
Masaccio
Early Italian Renaissance 1400-1495
Angels in the foreground
Gold background and halos out of bisatine traditions
Mary is in controposto
Mary looking out past viewer
Direct light source from the left
Throne has classic qualities

Trinity with the Virgin, St. John the Evangelist, and Donors
Masaccio
Early Italian Renaissance 1400-1495
Meant as a funeral monument
Believed Lenzi family is buried in the floor
Has a slab of stone that was an alter table
Mary is looking at the viewer point to Christ
Used one point linear perspective
Inspired by Bruneleshi

Interior of the Brancacci Chapel
Masaccio
Early Italian Renaissance 1400-1495
Shows scenes from the life of St. Peter
Upper left isn’t St. Peter’s life
Upper left is getting thrown out of Garden of Eaden
A fresco painting

The Tribute Money
Massacio
Early Italian Renaissance 1400-1495
Comes from life of St. Peter
In three group design (male by river, group in middle, males shaking hands)
Jesus met with aposels (tax collector trying to get taxes from Jesus and aposels)

Annunciation
Fra Angelico
Early Italian Renaissance
Gabriel looks more feminan
No touching of the figures(monistary is against sex)
Background looks like a monistary
Usually there is a bible and white lillys (not here)
Mary doesn’t look in shock

The Battle of San Romano
Uccello
Early Italian Renaissance 1400-1495
1 of 3 panels showing this panel
Emphaxing the game like quality of war
Used one point perspective
Used gold leaf

Madonna and Child with Four Saints (St.Lucy Altar Piece)
Veneziano
Seperated into three sections with the columns
Jesus is standing controposto
Used one point perspective
Shows saints Lucy, John, Francis, and Zenobies
St. john and jesus are 6 month apart (shown years apart)
sacra conversazione - mary and child surrounded by saints from different types and look connected

Duke and Duchess of Urbino
Francesca
Early Italian Renaissance 1400-1495
Duke liked what man could achieve
Landscapes are common in this style
Postitioned the heads above the horizon lines
Rules shown in profile view (classical tradition)
Duchess is very detailed shown in the traditional way
Duke isn’t altered at all














