Exam 2 Flashcards

(39 cards)

1
Q
A

Sacrifice of Isaac

Brunelleschi

Early Italian Renaissance 1400-1495

Was a clear representation

Has 28 panels

Shows the baptism of Christ

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2
Q
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Sacrifice of Isaac

Ghiberti

Early Italian Renaissance 1400-1495

Jesus looks like he is in the water

The bird looks like it is flying

Shows the baptism of Christ

Had to have quatrofoyle

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3
Q
A

The Four Crowned Martyrs

Di Banco

Early Italian Renaissance 1400-1495

Made in marble

A shallow nitch

Relief below figures shows the stoneworkers and woodworkers

Shows Di Banco has knowledge of classical sculpture

In early renissance style (in controposto, in toga like clothes, curly hair)

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4
Q
A

St. George

Di Banco

Early Italian Renassiance

Is the symbol of protection

Is close to the edge of the nitche

In a small nitche to give a shadow

Looks like he is looking down at the street

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5
Q
A

Feast of Herod

Donatello

Early Italian Renaissance 1400-1495

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6
Q
A

The Gates of Paradise

Ghiberti

Early Italian Renissance 1400-1495

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7
Q
A

Jacob and Esau Panel

Ghiberti

Early Italian Renissance 1400-1495

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8
Q
A

David

Donatello

Early Italian Renaissance 1400-1495

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9
Q
A

David

Verrocchio

Early Italian Renaissance 1400-1495

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10
Q
A

Erasmo Da Narni

Donatello

Early Italian Renaissance 1400-1495

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11
Q
A

Mary Magdalen

Donatello

Early Italian Reniassance 1400-1495

Is usually shown in her youth

In the process of repenting her sins

She fasted for 30 years

Made of wood

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12
Q
A

Dome of Florence Cathedral

Brunelleschi

Early Italian Reniassance 1400-1495

Is 30 stories high

Don’t know how it was built

Is believed to be built in two stages

Had to invent equitment to make this

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13
Q
A

Foundling Hospital

Brunelleschi

Early Italian Reniassance 1400-1495

Hospital for orphans

Unwanted children and orphans were educated and looked after here

Built to reflect light

Pediment over the windows

Dellarobbia made panels circular panel show what it is made from terricata

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14
Q
A

San Lorenzo

Brunelleschi

Early Italian Renaissance 1400-1495

Donatello is buried there

In a bastilica floor plan

Everything is a gray stone on a white wall

Coffers in the ceiling

Inspired by early christian churches

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15
Q
A

Palazzo Medici-Riccardi

Di Bartolomeo

Early Italian Renaissance 1400-1495

Three story house

Built on the widest street of Florence

Has rough stone on the bottom and gets softer as you go up

Donatello’s David was in the courtyard

On the corner was the families code of arms

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16
Q
A

Palazzo Rucellai

Alberti

Early Italian Renaissance 1400-1495

Meant to look like Medici house

At one point part of the building was an art school

On a narrow street

Used doric columns on the 1st floor

17
Q
A

Virgin and Child

Masaccio

Early Italian Renaissance 1400-1495

Angels in the foreground

Gold background and halos out of bisatine traditions

Mary is in controposto

Mary looking out past viewer

Direct light source from the left

Throne has classic qualities

18
Q
A

Trinity with the Virgin, St. John the Evangelist, and Donors

Masaccio

Early Italian Renaissance 1400-1495

Meant as a funeral monument

Believed Lenzi family is buried in the floor

Has a slab of stone that was an alter table

Mary is looking at the viewer point to Christ

Used one point linear perspective

Inspired by Bruneleshi

19
Q
A

Interior of the Brancacci Chapel

Masaccio

Early Italian Renaissance 1400-1495

Shows scenes from the life of St. Peter

Upper left isn’t St. Peter’s life

Upper left is getting thrown out of Garden of Eaden

A fresco painting

20
Q
A

The Tribute Money

Massacio

Early Italian Renaissance 1400-1495

Comes from life of St. Peter

In three group design (male by river, group in middle, males shaking hands)

Jesus met with aposels (tax collector trying to get taxes from Jesus and aposels)

21
Q
A

Annunciation

Fra Angelico

Early Italian Renaissance

Gabriel looks more feminan

No touching of the figures(monistary is against sex)

Background looks like a monistary

Usually there is a bible and white lillys (not here)

Mary doesn’t look in shock

22
Q
A

The Battle of San Romano

Uccello

Early Italian Renaissance 1400-1495

1 of 3 panels showing this panel

Emphaxing the game like quality of war

Used one point perspective

Used gold leaf

23
Q
A

Madonna and Child with Four Saints (St.Lucy Altar Piece)

Veneziano

Seperated into three sections with the columns

Jesus is standing controposto

Used one point perspective

Shows saints Lucy, John, Francis, and Zenobies

St. john and jesus are 6 month apart (shown years apart)

sacra conversazione - mary and child surrounded by saints from different types and look connected

24
Q
A

Duke and Duchess of Urbino

Francesca

Early Italian Renaissance 1400-1495

Duke liked what man could achieve

Landscapes are common in this style

Postitioned the heads above the horizon lines

Rules shown in profile view (classical tradition)

Duchess is very detailed shown in the traditional way

Duke isn’t altered at all

25
Last Supper Del Castagno Early Italian Renaissance 1400-1495 Painted for a convent It is fresco on the walls of a dining hall They wanted the wall to look like it had a niche When Jesus broke the bread he said someone will betray him Judist is seperated from the group to show guity Jesus is framed by Judist and St. John
26
The Battle of The Nudes Del Pollaiuolo Early Italian Renaissance An engraving printed on paper Shows nude men in controposto Not an actual battle
27
The Birth of Venus Botticelli Early Italian Renaissance 1400-1495 Done on canvas First mythology painting Three part composition (wind, venus, flora) Venus shown with humility (covering herself, head turned) Venus in controposto
28
Delivery of the Keys to Saint Peter Perugino Early Italian Renaissance 1400-1495 Vanishing point is on the horizon Used atmospheric perspective Activity takes place in the dead center 3 part design
29
Merode Altarpiece Master of Flemalle Early Flemish Renaissance 1400-1500 Was named after the last owner Set up in triptych panels Middle panel is the annunciation One of the earliest works in oil paint
30
The Annunciation Van Eyck Early Flemish Renaissance 1400-1500 Shown in a church (no churches yet) Can see outside the window behind Mary Can see the words going from Gabrial to Mary Believed it could be the left side of a Triptych
31
Ghent Altarpiece Van Eyck Early Flemish Renaissance 1400-1500 Believed Hubert did the frame and Jan did the painting Painted on both sides The holy trinity in the center The upper left shows adam and eve
32
Double Portriat of Giovanni Arnolfini and His Wife Van Eyck Early Flemish Renaissance 1400-1500 Signed his name saying he was there as a witness Bride has a bloated stomach which was fashionable in two parts (bride and groom) bride near bed for fertility groom by window meant to be watched by god (no one wearing shows)
33
Man in a Red Turban Van Eyck Early Flemish Renaissance 1400-1500 Believed to be a self portrait of Van Eyck On top of frame says As best as I can do Can see all the details
34
Deposition Van Der Weyden Early Flemish Renaissance 1400-1500 You look like you are in the tomb Includes realism and emotional tone Christ and Mary have the same body language Skull and bones refure to the calvery where the cruxifixion took place
35
St. Luke Drawing The Virgin and Child Van Der Weyden Early Flemish Renaissance 1400-1500 Landscape is a flemish scene Male isn't Joseph
36
Crucifixion with Mourning Virgin and St. John Van Der Weyden Early Flemish Renaissance 1400-1500 Walls connect the panels Skulls show its at calvery Tree built over adams grave and then wood is used to built cross Red panel becomes background for lent
37
Portinari Altarpiece Van Der Goes Early Flemish Renaissance 1400-1500 Triptych altarpiece When closed it shows the annunciation When open the center is the adoration of the shepards No attempt to go back to historic ways Installed in a hospital in Florence
38
Garden of Earthly Delights Bosch Early Flemish Renaissance 1400-1500 Don't know why it was made Story goes left to right with Adam and Eve and ends with hell Beleived an alcumist may have commissioned this
39
The Virgin of The Rocks Lenardo High Renaissance 1495-1520 Isn't shown on a throne is in nature Sfumato - smokey or haxey Shows Jesus and John the Baptist Uses chiaroscuro - light against dard to build up form