Exam 3 Flashcards by Allison Marantz

The Last Supper

Da Vinci

High Renaissance 1495-1520

Would use a water based temper paint and oil paint

mentioned in all four gospels

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Mona Lisa

Da Vinci

High Renaissance 1495-1520

madonna and the womans name is how it was named

landscapes were common and added curiousity of what message he was trying to portray

flimato lighting (golden lighting)

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Ginevra de’Benci

Da Vinci

High Renaissance 1495-1520

Only painting done by him in america

used atmospheric perspective

her his dna on it painted branches on right with fingers

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Madonna of The Goldfinch

Sanzio

High Renaissance 1483-1520

st john and jesus are playing with a goldfinch

jesus is in controposto

mary is reading the bible

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The Small Cowper Madonna

Sanzio

High Renaissance 1495-1520

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School of Athens

Sanzio

High Renaissance 1495-1520

shows greek philosphers in athens

plato and aristol are in the center pointing toward their belief base

the man in the front is hericlites (said to be michelanglo)

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Pieta

Michelangelo

High Renaissance 1495-1520

mary holding jesus after the crucifixion

said he was going to make the most beautiful sculpture in rome

signed full name across marys chest only work with full name

shows a sense of regination

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Rondanini Pieta

Michelangelo

High Renaissance 1495-1520

was for michelangelos tomb

was never finished

mary is trying to hold up jesus

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David

Michelangelo

High Renaissance 1495-1520

was going to be on the roof of cathedril of flourence

head turned in controposto

tree trunk supported leg

david before he used the slingshot on galiath

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The Holy Family

Michelangelo

High Renaissance 1495-1520

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Sistine Chapel

Michelangelo

High Renaissance 1495-1520

was not intended to be used publicly

down the center is 9 scenes

sides show old and new testement profits and sibils

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Sistine Chapel Alter Wall

Michelangelo

High Renaissance 1495-1520

looks like one narrative

jesus is in upper center

upper sections show jesus’s fate

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Giuliano de’Medici with allegorical figures of day and night

Michelanglo

High Renaissance 1495-1520

men look like roman warriors

never completed because medici’s were thrown out of power

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St. Peters Plan

Michelangelo

High Renaissance 1495-1520

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St. Peter’s

Michelangelo

High Renaissance 1495-1520

never finished died before

gave a temple like front

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Plan for St. Peter’s

Bramante

High Renaissance 1495-1520

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The Tempest

Giorgione

High Renaissance 1495-1520

mary is breast feeding jesus looking at the viewer

storm clouds in the sky

man standing to the left

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Pesaro Madonna

Titian

High Renaissance 1495-1520

pesaro family in the lower corners

mary and jesus are main subjects

between mary and pesaro is peter with the key

st george is holding the flag

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Venus of Urbino

Titian

High Renaissance 1495-1520

dog shows fedelity

looks like olympia

used titian red

used flimado

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Descent From the Cross

Fiorentino

Mannerism 1520-1600

larger cross then normal

mary on the bottom

saint john crying on the right

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Dead Christ With Angels

Fiorentino

Mannerism 1520-1600

candles on the right and left

in the tomb

moments after he started to arise

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Deposition

Da Pontormo

Mannerism 1520-1600

no tomb or cross

shows jesus off the cross

light used to show jesus and mary as important

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Madonna of the Long Neck

Parmigianion

Mannerism 1520-1600

jesus is very large and looks dead

small man brings attention

has a long neck and stomach

column isnt holding anything and doesnt have a top

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Saltcellar of King Francis I

Cellini

Mannerism 1520-1600

made from gold and anamol

has neptune on the sculpture holding a tritant

is a boat holding the salt

has the earth mother with neptune holding her breast

Battle of the Sabine Woman Giambologna Mannerism 1520-1600 meant as a public piece has a lot of movement didn't have a narrative until he started it

Burial of Count Orgaz El Greco Mannerism 1520-1600 funeral took place in 1300's over the tomb of count orgaz said st. steve and st. augstein shown up to lower the body

Feast in the House of Levi Veronese Mannerism 1520-1600 could be the last supper jesus giving the blessing symbol usually just jesus and desipals shown now other people shown

The Last Supper Tintoretto Mannerism 1520-1600 used dramatic diagonal angels coming from the ceiling looks like smoke has become the angels jesus has a halo over his head judist is in orange on the other side of the table

San Giorgio Maggiore Palladio Mannerism 1520-1600 a church in venace on its own island front faces grand canal used engaged columns for pediment

Villa Rotonda Palladio Mannerism 1520-1600 on the highest point of the land used rational order 4 sides identical 4 enterance ways

St. Peter's Facade Maderno Baroque 1600-1750 how it looks today extended the nave a latin cross shape wide front added used a yellowish gold stone

David Bernini Baroque 1600-1750 made of marble is biting his lower lip while throwing the rock body showing movement

Baldacchino Bernini Baroque 1600-1750 alter only used by the pope on rare occassions is 10 stories high is like archetechure used curved columns

St. Peter's Piazza Bernini Baroque 1600-1750 public space in front of st peters looks like a key

Saint Teresa of Avila in Ecstasy Bernini Baroque 1600-1750 based off of her writings that are based off of her visions

The Calling of st. matthew Caravaggio Baroque 1600-1750 relious subject doesnt look relious light creates a diagnol matthew is pointing to himself

Conversion of St. Paul Caravaggio Baroque 1600-1750 dramatic lighting right in the action paul is recieving god

Entombment Caravaggio Baroque 1600-1750 viewer is in the tomb ideal like bodies

Judith and maidservant with the head of holofernes Gentileschi Baroque 1600-1750 viewer is in the action

Catharina Hooft and her nurse Hals Dutch Baroque 1600-1750 main subject is the child family is wealthy has a gold rattle

Woman holding a balance Vermeer Dutch Baroque 1600-1750 single light source could be a jewlers assistant last judgment scene in the background

Woman with a water jug Vermeer Dutch Baroque 1600-1750 in a front room going to water her window box

The Company of Caption Frans Banning Cocq Rembrandt Dutch Baroque 1600-1750 group portraits were a major art form have people in stopped action imposto (thick applied paint)

Self-portrait Rembrandt Dutch baroque 1600-1750 normal head wear of an artist looks sad

Three crosses Rembrandt dutch baroque 1600-1750 did etchings and printmaking no one would want the subject

Exam 3 Flashcards

(45 cards)