Exam 2 Flashcards

(61 cards)

1
Q

bringing together different channels of communication and eroding their distinctly different traits

A

convergence

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2
Q

platforms that bring together buyers and sellers of different products and services

A

aggregators

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3
Q

constantly shifting and always liminal

A

interdependency

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4
Q

the idea that television shows literal reality

A

magic window

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5
Q

skepticism about the literal reality of media messages

A

adult discount

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6
Q

the message is presented as reality to resonate with the audience’s experience and to be useful in everyday situations with something extra that’s different from reality

A

next step reality

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7
Q

the number of times that people hear and see events

A

flow density

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8
Q

people experience others’ reactions to and perceptions about the events

A

emotional density

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9
Q

(Doug McAdam) degree of personal connection and “a strong tie phenomenon” is what matters

A

disciple

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10
Q

ties that bind people to the group are loose in social media while organization has hierarchy

A

organization

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11
Q

specifies what news should be and builds from the first amendment

A

political philosophy perspective

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12
Q

encapsulates what journalists believe to be the purpose and nature of news and presents a template for what news should be

A

traditional journalistic perspective

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13
Q

how scholars view what to be the purpose of news and its nature

A

news working perspective

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14
Q

the most popular formula for tellings tories in the news

A

simplified extended conflict

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15
Q

focuses on how news businesses allocate their resources to achieve the primary goals of business

A

economic perspective

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16
Q

journalists operating under the _________ perspective are more likely to write sensational stories

A

marketing perspective

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17
Q

people seek info that most strategically benefits them instead of waiting for people to tell them what they need to know

A

consumer personal perspective

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18
Q

the idea that the audience for news fragments and vehicles are getting more specialized

A

hyper-localism

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19
Q

the idea that people selectively expose themselves to news content

A

selective exposure

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20
Q

impossible to achieve because it requires journalists to perceive events without bias or limitations

A

news objectivity

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21
Q

refers to criteria such as truthfulness, neutrality, and accuracy which are possible but still difficult for journalists to meet

A

news quality

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22
Q

reflected in the scope of your perspective

A

media literacy

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23
Q

a nickname of news because it is included in the checks and balances system of government

A

the fourth estate

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24
Q

doing work without undue influence

A

autonomy

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25
how you are organized with your peers
organization
26
focusing only on the messages you want/ selection
filter bubbles or echo chambers
27
secretive versions of marketing compared to long-tail marketing
dark posts
28
how to judge the quality of news
objectivity, truthfulness, neutrality, accuracy
29
entertaining vehicles for communicating meaning
sotires
30
different types of stories
genres
31
unspecific ways of writing a story
general story formulas
32
involves tragedy, mystery, or action/ horror
drama
33
minor conflict, verbal conflict primarily, character development through quick wit
comedy
34
someone has a bad or nonexistent relationship and eventually gets one through hard work and virtue, very emotional
romance
35
presents the elements that media stories should have to attract and hold an audience
general story formula
36
builds off the general story formula by adding elements of a particular genre
genre story formula
37
a scientific technique of counting occurrences of various things and relies on analyzing samples representative of the total population being analyzed
content analysis
38
provide us with a set of expectations that we can access quickly as we encounter people and events
stereotypes
39
a significant or recurrent theme; a motif or pattern of representation often applied toward a form of identity
trope
40
the ______ cannot hold
center
41
The Work of Art in the Age of Mechanical Reproduction
Walter Benjamin
42
the sanctified role high culture an play
aura
43
how easy it is to experience culture and the potential to expose more people to culture
accessibility
44
A Theory of Mass Culture
Dwight MacDonald
45
taking forms of high culture and making them mass
midcult
46
popular but not aspiring to be high culture
masscult
47
provides a useful framework for examining the media industries because it focuses your attention on how the industries have gone through changes and why
life cycle pattern
48
five stages of the life cycle pattern
innovation, penetration, peak, decline, adaptation
49
development is characterized by a technological innovation that makes a channel of transmission possible
innovation stage
50
engineering type inventions that have created new ways to capture, store, and transmit info in print, graphic, photographic, audio, and video formats
technological innovations
51
strategic type inventions that have created new ways to identify audiences and their needs, attract their attention, and present messages in a way that holds their attention and conditions those audiences for repeated exposures
marketing innovations
52
development is characterized by the public's growing acceptance of that medium
penetration stage
53
when the medium commands the most attention from the public and generates the most revenue compared to other media
peak stage
54
the medium is characterized by a loss of audience acceptance and a loss in revenues
decline stage
55
when a medium begins to redefine its position in the media marketplace after a decline
adaptation stage
56
how innovations about transmitting info have brought about changes to the mass media industries
technological convergence
57
replaced analog coding
digital coding
58
powerful influence that has changed the way media programmers regard audiences and how they develop their messages
marketing convergence
59
a strategy of identifying smaller niche audiences that have been ignored by other media companies, ignoring the fat middle of the bell curve where the majority is represented
long tail marketing
60
a programming principle where a media company tries to attract the largest audience possible by creating messages that will not offend anyone and appeal to a wide range of people
lowest common denominator
61
changes in people's perceptions about barriers that previously existed that are now breaking down or totally eliminated due to recent changes in the media
psychological convergence