Exm 4 Flashcards

(71 cards)

1
Q

Where the audience members stood

A

Pit

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2
Q

Seating for upper class

A

Boxes

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3
Q

Upper tiers with open seating

A

Galleries

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4
Q

Method of scene shifting. (On and off stage)

A

Groove system

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5
Q

Newer, innovative scene changing system

A

Pole-and-chariot

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6
Q

What place was the center of activity?

A

Italy

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7
Q

What was the Italian renaissance period?

A

A period of exploration and invention. Are treated subjects as human beings, rather than religious subjects 

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8
Q

Short pieces, depicting, mythological tails. Presented between the acts of bowling place. Often required spectacular scenic affects.

A

Intermezzi

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9
Q

Short, ribald comic pieces. Subject matter is romance. Characters are Shepherd and mythological creatures.

A

Pastoral

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10
Q

How was commedia dell arte performed?

A

With no set text. Invented words and actions as they went along. (Just a scenario and improv)

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11
Q

Harlequins prop

A

Slap stick

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12
Q

Italian critics formulated dramatic rules

A

Neoclassical ideas

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13
Q

Drama should be “true to life” (plausible)

A

Verisimilitude

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14
Q

Three unities of neoclassical ideals.

A
  1. Unity of time
  2. Unity if place
  3. Unity of action
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15
Q

What is violence forbidden in neoclassical ideals?

A

Yes

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16
Q

The chorus and supernatural characters were acceptable 

A

False

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17
Q

Opposed to the soliloquy (long monologue)

A

True

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18
Q

The oldest surviving theatre built during the renaissance

A

Teatro olimpico in Vicenza

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19
Q

Who were intrigued by language

A

The english

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20
Q

The two primary playwrights during the Elizabethan period

A

Christopher Marlowe and William Shakespeare

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21
Q

Who created the “mighty line”

A

Christopher Marlowe

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22
Q

Who perfected dramatic poetry?

A

Marlowe

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23
Q

Doctor Faustus, Tamburlaine, Edward II

A

Marlowes works

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24
Q

▪ Senecan dramatic devices
▪ Platform stage
▪ Powerful dramatic verse
▪ Source material from English history, Roman history and
drama, and Italian literature
▪ Episodic plot structure with roots in medieval theatre

A

Shakespeare

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25
 Romeo and Juliet  Julius Caesar  Hamlet  Othello  Macbeth  King Lear
Shakespeares tragedies
26
 The Comedy of Errors  A Midsummer Night’s Dream  As You Like It  Twelfth Night
Shakespeares comedies
27
Richard III Henry IV Henry V
Shakespeares history
28
Who wrote the Spanish tragedy?
Thomas kyd
29
Who wrote valpone, the alchemist
Ben Johnson
30
Who wrote trick to catch the old one?
John middleton
31
Private theatres
Indoor space is, lit by candles in high windows. Open to general public but smaller, and therefore more expensive.
32
Blackfriars
Private
33
The theatre
(Later the globe)
34
The rose
Public
35
The swan
Public
36
Globe
Public (Shakespeare)
37
Rarely used painted scenery. The stage space did not represent a specific locale. Required rapid scene changes. Most costumes were simply contemporary clothing, reflective of social classes been depicted. If needed, they would ask people for certain costumes
The scenery and costumes in Elizabethan period 
38
included Philip Henslowe (manager); Edward Alleyn (tragic actor); Christopher Marlowe (playwright)  They generally resided in the Rose
Lord Admirals men
39
under rule of Queen Elizabeth and later known as King’s Men when King James I took the thrown.  -Shakespeare was a member  -performed in the Theatre at first and later the Globe
Lord Chamberlins men
40
companies made up entirely of boys.  It was unique then and would be today.
Boys company
41
elite members of the company; received a percentage of the troupe’s profits as payment
Shareholders
42
actors contracted for a specific period of time and salary
Hirelings
43
young performers training for the profession; were assigned to shareholders
Apprentices
44
mocked contemporary types and behaviors (Ben Johnson-Valpone)
Satiric comedy
45
mild comedy of love and it’s follies (Shakespeare – As You Like It)
Romantic comedy
46
London audience mirror of itself (Thomas Dekker – Shoemaker Holiday)
City comedy
47
tragedy of the average citizen (Arden of Fevershan -anonymous)
Domestic tragedy
48
gaining revenge over one’s evil doer (Thomas Kyd – Spanish tragedy)
Revenge tragedy
49
had great vigor and focused on Renaissance problem of aggressive individual behavior with the Christian precept. Make the individual a villain at some time a heroic figure. (Macbeth – Shakespeare)
Villain tragedy
50
showed English history usually in a favorable light (Shakespeare – Richard III)
History plays
51
The theatre after Elizabeth’s reign
Jacobean period
52
Masques ▪ Featured at the court and not found in public or private theatres ▪ They were mythological allegories intended to praise the monarch
Jacobean period
53
Both religious and secular forms of theater flourish during the inquisition
In the Spanish golden age
54
Who adopted the techniques of medieval religious drama, and continue to produce religious drama throughout their era and beyond
Spain
55
Full length, secular place that usually dealt with love and honor
Comedias
56
Given credit for writing 1800 plays in several hundred shorter dramatic pieces
Lope de Vega
57
Who hired a young play writers and takes their credit
Vega
58
The writer of the sheep’s well
Lope de Vega
59
Who wrote life is a dream
Calderon de la Barca
60
The theaters in Spain
The corrales
61
▪ Where nonreligious plays by writers like Lope de Vega and Calderón were staged ▪ Constructed in existing courtyards ▪ Open-air spaces with galleries and boxes protected by a roof
The corrales
62
compañías de parte
sharing companies, like those of Elizabethan England
63
▪ Acting troupes consisted of 16 to 20 performers ▪ Included women (although the church did not support this
Spanish acting companies
64
French Renaissance theater didn’t peak until
The 17th century
65
Why did France get into theatre late compared to other European countries
Due to a religious Civil War, taking place in France between Catholics and Protestants
66
French renaissance flourished under who
Louis XIV (14)
67
Most important 17th-century French dramatists were
▪ Molière, noted for his comedies ▪ Pierre Corneille and Jean Racine, both known for tragedy
68
Who were the first European after the Romans to construct permanent theater buildings?
The french
69
The first permanent theater name
Hôtel de Bourgogne, completed in 1548
70
Perspective painting
Italy started it, French use it, Spanish, sorta use it, English do not use it 
71
Theater production in France
Acting companies were organized under a sharing plan, and had women members who could become shareholders