Fall Lab Test Flashcards

Question

Production Concept

Answer 1

The creative interpretation of the script which will unify the artistic vision of the producer, director, and designers.

Answer 2

The person in charge of the wardrobe department. Responsible for budgeting, supplies, and staff allocation.

Answer 3

Creates costumes that align with the artistic vision.

Answer 4

Work with the designer to transfer the 2d sketch or image into 3d costumes that support the character in the story, fit the actor, and can work movement wise as needed.

Answer 5

In charge of buying outfits or fabrics for things that the costuming team cannot build.

Answer 6

Sew things

Answer 7

Make sure the designers vision is maintained during the entire run.

Answer 8

Dress the actors, do the laundry, fixing small problems. Assist wardrobe supervisors in upkeeping the designers vision throughout the run.

Answer 9

Sheets with measurements Clothing sizes Allergies Hair notes (types, dye, is it okay to cut the hair?) Knee/back braces

Answer 10

Eastern Sudan, Southern America Dyes well Breathable Wide variety Lint Free Thirsty Crop When it gets wet, it stays wet

Answer 11

Flax Oldest known textile fabric Strong Lint Free Good in hot climates (representing) Doesn't dye easy expensive Wrinkles and crinkles easy - lots of maintenance during show runs

Answer 12

From worms Raw vs. Flowy Silk Can be strong Can be lightweight natural temperature regulator ballets > fabric moves beautifully Can be fragile Susceptible to water and sun damage (like even sweat - limits storage space) Not Vegan Different species make different colours

Answer 13

Can come from many different animals Very heavy and warm Actor comfort Sustainable Natural Ability to repel dirt, water : stains Long lasting Moths like to eat wool Expensive Itchy

Answer 14

Grows quick, not thirsty Processes easily Strong Anti-rot properties Held ack as a textile because of the war against drugs

Answer 15

Not as much water consumption Grows quickly Stiff and rough Releases toxic chemicals

Answer 16

Don't breathe well Don't wrinkle Dye easily Cheap

Answer 17

Petroleum-based Hard marketer Dyes Well Variety of Types (can mimic natural fabrics) Dries quickly when wet Cheap Strong Blendable with other fabrics to add traits Not biodegradable Sheen/plasticy Not a good temperature regulator

Answer 18

50s and 60s Elasticity Abrasion Resistant (sports) Non-absorbant (rain + patio) Can bleach/fade

Answer 19

Knits (Knots, stretchy) Weaves (Fixed widths, woven fabrics)

Answer 20

A constructed false environment intended to help the viewer/audience gain a better understanding and feeling for the intent of the presentation.

Answer 21

Structure Size Stage Machinery Available Storage Proximity to support systems Loading door size

Answer 22

Production Schedule Number of Staff Abilities of Staff

Answer 23

Budgetary ceilings for each production and whole season

Answer 24

1. Construction of scenic elements 2. Set up and assembly of scenery on stage 3. Flying or rigging of scenery above the stage 4. Supervision of construction crew 5. Shop facility and equipment maintenance 6. Stock scenery maintenance 7. Construction analysis of scenic designs 8. Communicate with designers and fellow staff effectively

Answer 25

Desired visual effect Structural requirements Cost of materials Production schedule Availability of Materials

Answer 26

Readily available Good strength-to-weight ratio Easily worked with simple tools Relatively inexpensive

Answer 27

Steel (strong but heavy) Aluminum (light but not as strong, expensive) More costly to machine and shape Must be bolted or welded Initially expensive, but lasts long

Answer 28

Do not wear clothing that can get caught in anything. Use personal protection equipment (PPE) when necessary Glasses, hearing protection, masks Buddy system Keep a clean space Be aware of the surroundings Emergency stop buttons

Answer 29

Built for short periods of use Planned for rapid and easy construction and strike Designed for easy alteration and reuse designed and built to be lightweight Constructed in easily portable units Constructed in one place and used in another Designed for compact storage and transport Only finished on surfaces visible to the audience Assembled on stage by a variety of temporary joining techniques Inexpensive - no minimum standards Building Code

Answer 30

Curtains, drops, borders, and floor cloths Traditionally, unbleached cotton is used to cover a framework and then painted. Physical properties of fabrics determine use for scenic applications

Answer 31

Lots of types of paper find their way on stage scenery.

Answer 32

Used for covering, forming, and sculpting - used for decoration rather than structure Lots of types (Acrylic, Epoxiess, poly-anything) Lots of forms (pipes, resin, sheets, foam, expanding foam)

Answer 33

Designed to cover a large area at a relatively short distance.

Answer 34

Bright, intense beams of light. Par lamp beams are oval-shaped, different size lamps will produce different beam sizes.

Answer 35

Lamp and reflector are separate sets of interchangeable lenses.

Answer 36

Light Emitting Diode

Answer 37

Beam angles are adjusted with a set of interchangeable lenses optical zoom lense (remotely controlled) Homogenized LED light engines eliminate multicoloured shadows

Answer 38

Fresnel lens Lens is fixed, lamp and reflector move together to adjust beam angle Produces a round, soft-edged beam of light. Beam is shaped roughly using a barn door.

Answer 39

Capable of projecting a hard edged beam of light. Flexible in edges Lamp and reflector are fixed, the lens position is adjustable Set of 4 shutters for precse beam shape control can be used to project patterns using templates or gobos Additional beam adjustments using an iris.

Answer 40

Come with a variety of different lens options.

Answer 41

Barn Doors Top hats Colour frames Gobo holders Glass gobo holders Iris

Answer 42

Roscolux Lee Filter GamColour

Answer 43

DMX irises Rosco I-cue mirror scrollers gobo rotators

Answer 44

Evolution of lighting colours from primary colours of light (red, green, and blue) to ETC's Lustr x8 (red, amber, lime, green, blue, indigo, cyan, deep red) Colour rendering.

Answer 45

Control what the audience sees.

Answer 46

Lighting Designer Assitant lighting designer Lighting Programmers Head Electrician Electrician

Answer 47

Overall lighting design and concept of production Responsible for deciding where to hang the lights to execute artistic vision Paperwork and drafting to communicate the plan with the production crew Responsible for the level and quality

Answer 48

Manages the paperwork Drafting final versions of lighting plot as specified by lighting designer Assists lighting designer with focus calls and notes during level sessions

Answer 49

Human interface between lighting designers and the lighting console In-depth knowledge and skill with the lighting console, software, and hardware Controls all aspects with multiparameter fixtures remotely from the lighting console Typically, a position on larger shos with bigger lighting rigs

Answer 50

Runs lighting crew. Responsible for executing lighting plot. Hang and cable all instruments. Gel and focus all conventional fixtures. Address and patch all multiparameter fixtures. Responsible for all lighting inventory (house and rental). Responsible for maintaining the lighting rig during the run of the show. Can be programmer/operator as required.

Answer 51

Hang light instruments as directed by the head electrician and lighting plot. Plugs in and addresses all fixtures and accessories. Cut gels Set up temporary lighting positions run temporary circuits Set up practicals Set up atmospheric instruments Focus lights as directed by LX designer

Answer 52

Distribution Intensity Movement Colour

Answer 53

Direction of the light Coverage: shape and size of illuminated area Quality of light - diffusion/clarity choosing the right light for the job and focusing it correctly

Answer 54

Level of brightness Expressed as a percentage from 0-100% Measured in Lumes and foot candles important for visibility and mood

Answer 55

Time duration of moving from one light to another Movement of an onstage light source Movement of an off-stage light source (follow spot) Automated moving light Movement and time go hand in hand

Answer 56

Conveys mood and information Enhances the appearance of sets, costumes and actors. Information contextual to your culture (green = Disney evil)

Answer 57

Moorized remotely controllable versions of profiles, fresnels, pars, etc. Commonly divided up into the following categories: Profile Spot Wash Beam FX

Answer 58

Arc lamp Tungsten/Halogen LED light sources LED colour engines for additive colour mixing LED white light source with subtractive colour mixing

Answer 59

Start with darkness - turning on primary colours to make colours.

Answer 60

Subtractive Primaries Magenta, Cyan, Yellow

Answer 61

Assessing colour of white light Measured with Kelvin (heated iron) Cold Kelvin = warmer light Hotter Kelin = bluer clour

Answer 62

Fixtures/Luminaries Power Control Systems Lighting console Power delivery network (wires and circuits) Data cable (maybe wireless soon?)

Answer 63

Lights daisy chained like old Christmas lights

Answer 64

(DMX) Allows for live-tracking back-up consoles and dimmers Translates SACN to DMX Unique DMX addresses for each fixture (set by head electrician) Self-diagnosing fixtures DMX universe = 512 fixtures (can have multiple universes with one console)

Answer 65

Can have more than 512 EX. SACN

Answer 66

Digital Multiplex

Answer 67

Streaming Architecture Control Networks Used in the Pheonix by the ETC EOS consoles Require gateways to convert SACN to DMX

Answer 68

Computer based Software first - same software can be used with any hardware Show files are portable Element2 in the Mcyntire IONxe in the Bishop and the Chief

Answer 69

Hardware that is used has a known breaking strength, which allows the rigger to design a safe system.

Answer 70

Working Load Limit The recommended maximum weight the hardware should be loaded with is. Based on an industry safety factor - 5:1 ration based on breaking strength

Answer 71

Used to determine the WLL of any rigging component - known breaking strength divided by 5

Answer 72

The place where you're connecting rigging to something

Answer 73

The process of putting a closed end on a cable. Use a go gauge to ensure the copper closing is the same size three times.

Answer 74

Something hung from above that cannot move

Answer 75

something that is hung on a system that does not move during the show

Answer 76

Something that is hunng that moves throughout the show

Answer 77

When a load comes to a sudden or quick stop. Load weight increases when shock load happens. Difficult to accurately estimate a shock load - if it happens, the entire system is shut down, and there is an inspection of everything.

Fall Lab Test Flashcards

(102 cards)