Spring Lecture Test Flashcards

(30 cards)

1
Q

Who Does The Stagemanager Work For?

A

The SM reports to the production manager.

Contracted by and work for the producing company.

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2
Q

What are the SMs tasks in rehearsal?

A

Enable the actors and director to make the best use of available rehearsal time

Schedule rehearsals, fittings, media calls

Prepare rehearsal space

Instigate necessary communication between rehearsals and the production departments (rehearsal reports and production notes)

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3
Q

What are the SMs tasks in performance?

A

Schedule and duties of the running crew.

Calls the show

Making sure the cast has everything they need.

Constant communication with ASMs, running crew, board operators, and FOH

Records any audience/tech/actor concerns, errors, changes, or repairs.

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4
Q

What is the SMs #1 priority (after safety) during performance?

A

Maintain the artistic integrity of the show.

Make sure the timing is right, and recommunicate director notes.

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5
Q

Good Characteristics of a Stage Manager

A

Professional attitude
- Assumes a lot of responsibility
- Active role - not a passive role
- Delegate and accept responsibility

Must have an excellent understanding of the production process, the role they play and position they hold

Calm under pressure

Patient

Have endurance

Maintain a sense of humour

Have a love of theatre

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6
Q

How to write out blocking in shorthand?

A
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7
Q

What are the SMs tasks during tech rehearsals?

A

Preparing all the running paperwork for stage crew (fly q sheets, deck q sheets, and quick change)

Recording cues in prompt book during levels sessions

Ensuring safety of cast and crew (knowing the Canadian Theatre Agreement)

Runs all tech rehearsals

INtroduces the cast to the tech elements of the show (q2q, tech run/dress/orch tech)

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8
Q

Broadway Criteria

A

500 seats
In the broadway district
Only 45 theatres

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9
Q

Off-Broadway Criteria

A

100-499 seats in New York
85 different theatres

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10
Q

What does the ticket represent?

A

Legal contract between the buyer and seller.

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11
Q

What is papering the house?

A

Giving away tickets when the show doesn’t sell.

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12
Q

Dead Seat

A

A seat that can’t be used due to things like sight lines.

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13
Q

House Seats

A

Seats that are set aside for emergencies/VIPs.

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14
Q

Dynamic Pricing

A

The price of the tickets goes up or down depending on how well the days sell.

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15
Q

Relaxed Performance

A

A toned-down version of the show for accessible performances.

Preshow warnings
Seeing the actors in advance
Adjusting levels of lights and sound

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16
Q

Holdover

A

Adding performances to the run of a show that is really popular/sold out.

17
Q

Festival Seating

A

No assigned seats.

18
Q

Dressing the House

A

Planning the placements of the audience to the advantage of the show

Ex. comedy all together at the front

19
Q

Major Steps for the Design Process

A

Commitment
Analysis
Research
Incubation
Selection
Implementation
Evaluation

20
Q

RACE Plan

A

Communications planning tool that leads you through the process in stages

Research
Analysis
Communication
Evaluation

21
Q

What is a call to action?

A

All promotions should lead to the buying of tickets.

ex. click this button to get your seats

22
Q

Media Release

A

A media release is the release of a show on media that’s not directly ours.

ex. newspaper

23
Q

What is the difference between generalized and theatre marketing

A

Product before the target audience.
No way to test product/ product marketing.
A limited number of buyers.

24
Q

What is marketing?

A

The activity or business of promoting and selling products or services, including market research and advertising.

Satisfying and retaining customers.

25
How can you gather patron feedback?
Ticket holder surveys (by phone, in person, by e-mail) Follow up with performance attendees after a show and ask data-gathering questions. Analysis of your ticket database.
26
Print Materials
Posters Brochures Flyers Rack cards Programmes
27
Public Relations
Includes ongoing publicity with stories and interviews in media outlets Building relationships with media to increase coverage and ongoing support No cost, no control
28
Continental Seating
People can walk past without having to stand up - wide enough
29
Ticket Price Scales
House Price Scale: based on seating sections Performance Price Scale: based on days of the week and what sells best
30
Off-off broadway
Anywhere in NYC Less than 100 seats