Fiction Flashcards

(25 cards)

1
Q

Addresses the “where” and “when” of the story. Explicitly or through contextual evidence.

A

Setting

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2
Q

Classically “the hero” of the story, but more generally the individual the main thread of the plot follows

A

Protagonist

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3
Q

Character(s) that usually frustrate the ambitions of the protagonist. More often than not, a source of tension in the plot.

A

Antagonist

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4
Q

Characters not explicitly fleshed out in the narrative, often given some salient details but no depth of development

Usually notable for one kind of personality trait or characteristic.

A

Flat Character

2-Dimensional Character

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5
Q

From introduction to conclusion, character varies very little.

A

Static Character

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6
Q

Character experiences (possibly) significant changes or transformations

A

Dynamic Character

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7
Q

Manner in which narrator crafts/unrolls the action:

Term used to describe the events that make up a story or the main part of a story. These events relate to each other in a pattern or a sequence.

A

Plot

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8
Q

Explicit description of the events through unbiased lens

A

Action

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9
Q

A secondary strand of the plot that is a supporting side story for any story or the main plot. May connect to main plot, in either time and place or in thematic significance. Often involve supporting characters, those besides the protagonist or antagonist.

A

Subplot

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10
Q

Two characterizations of narratives/narrators based on potential biases in how story is related to audience.

A

Reliable & Unreliable

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11
Q

Four major narrative points of view:

A

First-person [“I…”]
Second-person [“You…”]
Third-person, omniscient and limited [they, she, he, etc]

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12
Q

A struggle or contest; conflict; especially between the protagonist and antagonist in a literary work.

Etymology tells us this word is rooted in greek.

A

agon

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13
Q

Philosophical idea that only one’s own mind is sure to exist

To be alone with self

akin to massive narcissism, excessive self-love, self absorption.

A

Solipsism

“solus ipse”

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14
Q

Derived from the Greek word “_______”, this term means “appearance” or “manifestation. In literary terms, it is the moment in the story where a character achieves realization, awareness or a feeling of knowledge after which events are seen through the prism of this new light in the story.

Popularized by James Joyce

A

“epiphaneia”

epiphany

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15
Q

A transition (in literary or theatrical works or films) to an earlier event or scene that interrupts the normal chronological development of the story.

An unexpected but vivid recurrence of a past experience, usually in the first person, but can be in other points of view

A

Flashback (Analepsis)

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16
Q

The opposite of analepsis and jumps forward in time

A

Flashforward (Prolepsis)

17
Q

Often considered a non-linear plot structure (also a literary device) because it gives you a look into the future and therefore acts out of the continuum of time.

Used carefully to hint at possible future outcomes without overtly shouting, “hey, don’t you think you should look under the bed for the monster?”

A

Foreshadowing

18
Q

Action in chronological order and does not skew from that order.

A

Linear timeline

19
Q

a technique sometimes used in literature wherein events are portrayed out of chronological order

A

Non-linear timeline

20
Q

Characters are vital to the development and resolution of the conflict. In other words, the plot and resolution of conflict revolves around these characters.

A

Major Characters

21
Q

Usually serve to complement the major characters and help move the plot events forward.

A

Minor Characters

22
Q

Complex personality; he or she is often portrayed as a conflicted and contradictory person.

A

Round Character

23
Q

while characters are often round and dynamic, that does not mean these two terms mean the same thing. The former refers to a character’s ________, while the latter refers to a character’s ___________.

Same argument apples to the terms flat & round in character development.

A

complexity

development over time

24
Q

Central topic a text treats.

Can be divided into two categories:

A

Theme

1) Thematic concept is what the reader “thinks the work is about”
2) Thematic statement being “what the work says about the subject”.

25
is the theory and methodology of text interpretation
Hermeneutics From Hermes, ancient messenger