Film History (Part 2 of 5). Rise of the American Film: 1914-1919 Flashcards
Learn about the early ERA of film history. (43 cards)
What ended European output of feature films?
World War 1
What nations were the first to develop feature-length films?
France & Italy
By what year did the French begin to dominate the film industry?
1910
What nation was in pole position to capitalize on the European film industry woes?
United States
How did World War 1 erode European output of films?
Film stock was in short supply and distribution channels were disrupted
What was the first reason American films began to dominate the film industry? (Reason 1)
The U.S. had a sizable, movie-going public
What was the second reason American films began to dominate the film industry? (Reason 2)
The U.S. economy was stimulated rather than drained by WW1
What was the third reason American films began to dominate the film industry? (Reason 3)
The U.S. had a tradition of business expertise
What was the fourth reason American films began to dominate the film industry? (Reason 4)
U.S. had skillful and inventive filmmakers. It had a 4 year lead in film development.
What was the first aspect that aided the Americans in having superior film development? (Reason 1)
Americans gave film ‘art fuller expression’ through expansion of film length and technique.
What was the second aspect that aided the Americans in having superior film development? (Reason 2)
Americans discovered the ingredients required for popular entertainment, especially for comedies.
What was the third aspect that aided the Americans in superior film development? (Reason 3)
Americans devised systems of manufacture, wholesaling, and retailing what would support the new expense of feature production.
What was the fourth aspect that aided the Americans in superior film development? (Reason 4)
Americans laid the groundwork for the economic expansion of film by organizing production, distribution, and exhibition.
What was renown director D.W. Griffiths first contribution to film history? (1)
He developed codified film language - with shots being the unit of film.
What was D.W. Griffiths second contribution to film history? (2)
More extensive use of different camera framings - worked with cinematographer Billy Bitzer.
What was D.W. Griffiths third contribution to film history?
True cross-cutting.
What was D.W. Griffiths fourth contribution to film history?
Ride-to-the-rescue sequences.
What are the names of the films directed by D.W. Griffith?
- ) 1909 - Corner in Wheat
- ) 1915 - Birth of a Nation
- ) 1916 - Intolerance
- ) Broken Blossoms
What were three notable aspects of D.W. Griffith’s, ‘Corner in Wheat?’
- ) Three narrative threads woven together by a wheat association.
- ) Advances in argument, presenting ideas and feelings through commentary and juxtaposition.
- ) Mediation on social theme - capitalism.
What were the first three (1-3) important aspects of ‘Birth of a Nation?’
- ) Epic scale and length (3 hours, 7 minutes)
- ) Use of true intercutting / cross-cutting and rapid-fire editing to build tension.
- ) Use of camera framings and angles to elucidate plot and action, character interaction and character emotional state.
What were the second three (4-6) most important aspects of Birth of a Nation?
- ) Use of moving camera shots.
- ) Realistic settings and costumes.
- ) Use of irises, masking and split screens to focus attention on story and character to create complex settings.
What were the third three (7-9) most important aspects of Birth of a Nation?
- ) Large scale battle scenes and intimate family drama.
- ) Intro to night photography
- ) Extensive tinting and lighting to elucidate story for dramatic effect.
What were two impacts that stemmed from the release of Birth of a Nation?
- ) Feature is here to stay. Longer, more complex films are the main model of production.
- ) Shots rather than scenes are the building blocks of films.
What were the last two impacts that stemmed from the release of Birth of a Nation?
- ) Camera framings, angles, and movements become standard to film storytelling.
- ) Acting styles suitable to cinema and subtle character examination become the norm.