Final Flashcards
(101 cards)
Stonehenge
Megaliths; post and lintel construction; England 2000 BCE
In profile
Face from the side; found in Egyptian Art
Hierarchical scale
More important is bigger; found in Egyptian Art
Greek sculpture
Acropolis (Akros=top, polis=city); Hellenialism (spread of Greek sculpture); 600 BCE-480 BCE went from primitive to advanced; leaning sculptures on one foot (contrapposto); sculptures contain realism and emotion
Byzantine Art: San Vitale
Ravenna, Italy; built by Emporer Justinian
Circular structure, central dome, elaborate interior mosaics
Byzantine Art: Theodora and her attendants
In San Vitale; life size mosaic; flat; non-expressive; facing forward
Byzantine Art: Hagia Sophia
Istanbul 532-537 by Emporer Justinian
Central some on pendentives, half domes, mosaics (later destroyed by iconoclasts)
1453: became a mosque
Byzantine Art: great mosque of Damascus
705-16
Elaborate column because built around courtyard of Byzantine church
Mosaic
Little pieces of glass/stone glued together like a puzzle; found in Byzantine Art
Triumphal Arch
Arch to celebrate somebody’s triumph; ride through it when back from battle
Arch of Titus, arch of Constantine, found in roman art
Renaissance
Rebirth; revival of interests in arts and sciences
Humanism
The era of the individual; we are all unique/special/powerful; idea of human greatness; see in Renaissance
Naturalism
Naturalistic expression with emotion; see in Renaissance
Emotion
Start to see again in Renaissance
Leonardo da Vinci
Original Renaissance man; multitalented (anatomy, engineer, artist); The last supper, Mona Lisa
Michaelangelo
Renaissance; Sistine chapel- book of genesis on ceiling; “The creation”; 10 years “The Last judgement” with mannerism, dramatic, chaotic
David sculptures
Early Renaissance: Donatello (bronze, small, just starting to show emotion)
High Renaissance: Michaelangelo (marble, huge, beautiful, perfection, more detail/muscles/expression)
Baroque: Bernini (marble, huge, high drama, dynamic, every side is interesting)
Baroque style
High drama, value, contrast, puts you in the action; sculpture displays in all places, twisting bodies displayed just above you
Peter Paul Rubens
Baroque; “disembarkment of Marie de Medici”; sensuous, colorful, full of movement; “The three graces”
Roccoco
Flowery; graceful, jocular; sensual, soft, flowing forms reflect decadence of elite
Elizabeth Vigee-Lebrum
Roccoco; soft-sensual portraits commissioned by Marie Antoinette to improve her public image
Neo-classical
More serious/formal, looking straight at profile, all very stable, seriousness of purpose, influence of Ancient Greece/rome, detail in anatomy
Jacques louis David
Oath of the horati; painted to influence French Revolution
Romanticism in Landscape
Turner: The Slave Ship; Snowstorm Hannibal crossing the Alps; the sublime (create a sense of power and awe), nature demonstrates gods power; color and texture more important than detail/realistic; dense, dreamy, hazy atmosphere