Final Artworks Flashcards

(43 cards)

1
Q

The Migration of the Negro

A

Jacob Lawrence
1941
-paper cut outs
-story telling

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2
Q

The Fleet’s In!

A
Cadmus
1940
-traditional composition of line
-Navy hated it
-homoerotic references
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3
Q

Black Belt

A
Motley
1934
-modern, bold colors
-everything rounded
-POC very dark
-exaggerating lower class city life even though he was upper class
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4
Q

Hairdresser’s Window

A
John Sloan
1906
-text in art
-clustered, anonymous, urban
-painterly
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5
Q

Freedom of Speech

A
Norman Rockwell
1943
-part of The Four Freedoms series
-"I paint life as I would like it to be"
-individual standing for big idea
-illustration style with lots of detail
-worn, yet dignified
-shows how USA celebrates standing up/speaking out
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6
Q

Fountain

A
Marcel Duchamp
1917
-gallery with just a fee and papers
-ready-made sculpture
-by destroying the idea of art, actually pushing boundaries
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7
Q

Odol

A

Stuart Davis
1924
-text in art
-commercial industry in art

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8
Q

Swing Landscape

A

Stuart Davis
1938
-antifascist
-sticks up for American freedom/creativity
-art is free, inspired by jazz and abstract
-not restricted to classical ideas

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9
Q

In the City Park

A
Soyer
1934
-activist art
-lots of people, but no overwhelming crowd
-not hopeful
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10
Q

American Gothic

A
Grant Wood
1930
-parodied from beginning
-pale oval shapes and parallel verticals
-stable, locked
-seen as racist and close-minded view of America
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11
Q

The Ballad of the Jealous Lover of Lone Green Valley

A
Benton
1934
-tells a story
-hands exaggerated
-dynamic, deep composition
-traditional music reference
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12
Q

Metropolitan Crowd

A

Norman Lewis
1946
-?

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13
Q

Portrait of a German Officer

A

Marsden Hartley

  • some symbols suggested
  • turns into just an arrangement of shapes
  • in love with officer
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14
Q

Mount Katahdin, Autumn

A

Marsden Hartley
1939
-biomorphic
-abstract colors

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15
Q

Wainwright Building

A
Louis Sullivan
1891
St. Louis
-emphasis on verticals
-still included classical references
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16
Q

Robie House

A
Frank Lloyd Wright
1906
Chicago
-prairie style
-hearth as center of home
-extended roof
-natural colors to blend with environment
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17
Q

Upper Deck

A

Charles Sheeler
1929
-aesthetic of machine (precisionism)
-simplified shapes and values

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18
Q

One and Three Chairs

A

Joseph Kosuth
1965
-which chair is more real?
-ideas of Duchamp

19
Q

Tradition

A
Kenyon Cox
1915
-classical ideas must be carried on
-traditional composition, symmetry
-passing on torch of tradition
20
Q

Music: Pink and Blue

A

Georgia O’Keefe
1919
-other senses in art than seeing
-biomorphic abstraction

21
Q

American Tragedy

A
Philip Evergood
1937
-compared to Guernica
-Chicago steal mill strike
-art that's supposed to make you mad
-horizontal bands of line and color
22
Q

Migrant Mother

A

Dorothea Lange
1936
-many other negatives in files, but why did she choose this one?
-candid setting with posed subject
-not dressed up, dirty, intimate, private

23
Q

Man Controlling Trade

A
Lantz
1942
-Federal Trade Commission
-hyper-masculine
-looks like Soviet propoganda
24
Q

Case Study House

A
Craig Ellwood
1953
Outside LA, CA
-prototype of house for upper middle class
-Wright and Usonian inspiration
-new idea of patio and outside
-adapted from "ranch house" idea
25
Lakeshore Drive Apartments
``` Ludwig Mies Van der Rohe 1948 Chicago -fled from Hitler -Bauhaus movement -emphasizes steel and proportions -high rise apartments for effiency ```
26
Levittown Houses
``` William Levitt 1949 Long Island, New York -housing crisis after war -dozens of foundations laid in a day -very efficient in supplies, space and materials -standardizing America? no divirsity or creativity -idea of perfect American family ```
27
Number One
``` Jackson Pollock 1948 -title denies reference -doesn't start with final idea, improv art with emotions and what the painting is telling him -listens to jazz when working -too simple/easy? ```
28
Australia
``` David Smith 1951 -does not imitate life -sculpture as a gesture -welded steel ```
29
Yellow, Blue on Orange
Rothko 1955 -existential and idea of making your mark -not active, still
30
Kouros
Noguchi 1945 -classical reference to Kouros (stiff, stylized, one piece, but almost looks modern) -mobility reflect early life? -portable, in parts -convey war anxieties with biomorphic abstraction -suggestion of limbs and body but out of place and proportion -gap in center
31
Shang | UMMA
Mark di Suvero 1985 -kinetic sculpture -asian influence
32
Night Shadows | UMMA
Edward Hopper 1921 etching
33
Stag at Sharkey's | UMMA
George Bellows 1909 lithograph
34
The Steerage | UMMA
Alfred Stieglitz 1907 photograph
35
Birmingham Race Riot | UMMA
Andy Warhol 1964 screenprint
36
Dwan Gallery Poster | UMMA
Robert Rauschenberg 1965 offset lithograph on paper -contains self portrait
37
Untitled | UMMA
Franz Kline 1961 oil on cardboard
38
One of a Pair of Casement Windows from the Darwin Martin House, Buffalo, NY UMMA
Frank Lloyd Wright 1904 stained glass and oak
39
Boy With Right Arm Off | UMMA
Lewis Hine 1909 photograph
40
Twighlight
Dwight Tyron | 1900s
41
Dining Chair Material
Charles Eames 1946 molded plywood, dyed wood
42
Pot | UMMA
Maria Martinez 1930s -combination of modern and traditional
43
Fifth Avenue at 42nd Street
Paul Strand 1915 photograph -not as composed and abstract like his usual street photgraphy