Midterm Artworks Flashcards

(58 cards)

1
Q

Court of Honor

A
Richard Morris Hunt (architect)
Daniel Burnham
1893
Chicago
-nation's invited to show culture
-American Renaissance
-Guidelines for all plans, classical style with symmetry
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2
Q

The Republic

A

Daniel Chester French
1893
-woman as allegory for power and liberty (cap)
-symbol of eagle on top of world
-first thing everyone sees, in center
-classist, assuming shared knowledge of classics

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3
Q

Fine Arts Building

A

Atwood
1893
-Pantheon reference

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4
Q

Brook in Winter

A

John Twatchman
1892
-vague landscape, not site specific
-new direction for painting (not a window)

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5
Q

Breaking Home Ties

A
Thomas Hovenden
1891
-people's choice
-symmetry
-focus on center
-leaving home to go to far off place, American ideas
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6
Q

Fired On

A

Remington
1907
-fascination with Old West that no longer existed
-movement and painterly strokes

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7
Q

Apache Scouts Listening

A

Remington
1908
-making a picture showing listening/sound (more than just visual objective truths)
-caught in middle of change of idea that art is an illusion

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8
Q

Tradition

A

Kenyon Cox
1916
-framing middle, ancient garb, naturalism (old art ideas)
-passing on torch of ancient to contemporary
-no need to throw away the past

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9
Q

Angel

A

Thayer
1890
-innocent white, young, Christian, European girl
-his angel was modern due to small features and messy dark hair

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10
Q

New Necklace

A
Paxton
1910
-beautiful woman in leisure
-Chinese costume and ornamental interior
-admired for high naturalism, beauty and mood
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11
Q

McMillan Plan

A
Burnham
Washington DC
-cities were crowded due to immigration
-make organized
-inspired by WCE (classical, symmetrical)
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12
Q

The Steerage

A

Stieglitz
1907
-composing with people, probably waited for hours
-photos assumed special relationship to truth or reality

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13
Q

Blessed Art Thou Women

A

Gertrude Kasebier
1903
-photography was self taught, so many women could learn
-conscious placement of values, line and space

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14
Q

Winter, Fifth Ave

A

Stieglitz
1892
-like Henri, showing motion and feeling through use of medium

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15
Q

Carolina Cotton Mill

A
Hine
1908
-social photographer
-structured and clean
-still uses composition and elements of art (more than Riis)
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16
Q

Russian Jewes, Ellis Island

A

Hine
1905
-documentary photographs

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17
Q

New York

A

Paul Strand
1915
-use of composition almost looks like modern art painting
-new perspective of photography

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18
Q

Blind

A

Strand
1916
-troubling, not as poetic

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19
Q

Chinese Resaurant

A

Max Weber
1915
-giving sensation of Chinese restaurant, not just the look
-collage, since photos lose the aura

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20
Q

Movement, Fifth Avenue

A
John Marin
1912
-role of viewer
-lots of crowds, buildings caving in
-sensation of NYC
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21
Q

Nature Symbolized

A
Arthur Dove
1911
-spirit, essence of nature more than just one piece of nature
-one plant captures universal idea
-biomorphic abstration
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22
Q

Portrait of German Officer

A
Hartley
1914
-some symbols suggested
-turns into just an arrangement of shapes
-in love with officer
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23
Q

Special Series

A

Georgia O’Keefe
1915
-series of drawings

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24
Q

Music

A

O’Keefe

1919

25
Nude Descending a Staircase
``` Marcel Duchamp 1912 -like Picasso, but with movement -new way of presenting movement/a scene -still objectified nude ```
26
Ici, C'est Stielglitz
``` Francis Picaba 1915 -broken camera with new non-sense features -diagram, not art -ironic words about love -no emotion or artist's touch ```
27
Fountain
``` Duchamp 1917 -fee and papers, no jury gallery -not about beauty in everyday objects -art because I chose it -by destroying idea of art, actually pushing boundries ```
28
Odol
Davis 1924 -armory show was turning point in art career -cold, but eye-opening to ideas of brands/ads/materialism
29
Gamble House
Charles and Henry Greene 1907 Pasadena -high end modern clients, who have retreats made in traditional techniques -inspiration from Japanese and Swiss charlet design and arts and crafts movement -everything handmade and rounded -design in the making/technique
30
Robie House
``` Frank Lloyd Wright 1909-1910 -modernists against modernity (natural colors, horizontal, private) -massive hearth as center -flowing space -no imitation of classics ```
31
Herbert Jacobs House
``` Frank Lloyd Wright 1936-1937 Madison, WI -economic -L shape ```
32
Falling Water
``` Frank Lloyd Wright 1936 Bear Run, PA -designed very quickly -on top of rock and waterfall -cantilevering -strong horizontal and geometric lines ```
33
At Last A Perfect Soldier
Robert Minor 1916 -political cartoon -exaggerating stereotypes
34
Powerhouse Mechanic
Lewis Hine 1920-1921 -people as part of machine -carefully composed, fake
35
Brooklyn Bridge
``` Stella 1917 -essence of NYC -force lines -looking at city through the lines of the bridge -cubist ```
36
Tanks
``` Louis Lozowick 1929 -black and white -lithograph -no nature ```
37
Upper Deck
Charles Sheeler 1929 -aesthetic of machine (precisionism) -simplifying values and shapes
38
My Egypt
Charles Demuth 1927 -force lines -industrial factories the new pyramid monuments -spirituality in industrial design -gay, so he lived a hidden life (why his pieces have ambiguous titles and have layers of meaning)
39
Classic Landscape
Sheeler 1931 -merging of factory line with nature's horizon, smoke combines with clouds -little nature, but looks like a landscape painting -looks like a photo
40
Chrysler Building
``` William Van Allen 1929 -art deco -looks like hub cap -tapered top for city guidelines, but also inspired architects to get creative -shiny, neon at night ```
41
Lincoln Zephyr
1936 - doesn't look like carriage - not actually more efficient, just looks like it is
42
Maine Islands
John Marin 1922 -left NY, goes back to Maine -keeps NY ideas of force lines, movement, color
43
Bucks County Barn
Sheeler 1916 -clean lines but without machines -way it's cropped and simple, looks modern
44
Interior
``` Sheeler 1926 -lived in Buck's County, PA farmhouse -inspired by simple lines from old Shakers furniture, that looked modern even though it wasn't machine made -flat, plays with perspective -modern art out of old stuff ```
45
Fisherman's Last Supper
``` Hartley 1940 -people who lived without history -exaggerated hands -praying shows strong sense of tradition -power in home roots ```
46
Indian Fantasy
``` Hartley 1914 -fascination with American art -responding to anthro exhibits -new kind of primitivism ```
47
El Santo
Hartley 1919 -inspired by self taught artists
48
Olla
Maria Martinez 1935 -traditional Pueblo techniques but modern aesthetic
49
Watercolor (untitled)
Fred Kabotie 1925 -went to "Americanizing" school -learned watercolor
50
Hairdresser's Window
``` John Sloan 1907 -clustered, urban -painterly strokes -focus on ads ```
51
Penn Station
Mead,McKim, White 1906-1910 -city beautiful movement
52
The Art Student
Henri 1906 -work quickly -student looked like "human question mark" -beauty in movement, character, expression
53
Hester Street
``` George Luks 1904 -people unrecognizable, blurry scene, so much to focus on -exaggerating faces, stereotypes -one man stands out ```
54
42 Kids
``` Bellows 1907 -kids play is polluted area -looks like comic of yellow kid -rude but exciting behavior ```
55
Stag at Sharkey's
``` Bellows 1908 -brutal and heroic -paints himself in it -role of viewer ```
56
Eastern Shoppers
Gerald Nailor (Navajo) 1937 -flat, pattern, outline -modern but in the sense that it looks primitive/traditional Native American (fusion) -social commentary on commodification of Native American goods
57
Ethiopia Awakening
Meta Warrick Fuller 1914 -traditional African garb on top, mummy on bottom -powerful rising from roots to future
58
Building Stately Mansions
Douglas 1944 -modern architecture and style with ancient Egyptian references -POC have always built great things (pyramids to NYC buildings) -kids learning from a radiating globe