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Tulsi Kalan and others
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Akbar Inspecting Construction of Fatehpur Sikri
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1590
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Watercolor on paper
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See evidence borrowing from Iran
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Beginning of narritives (tells story of history from the empire)
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Mughal Empire capital
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Abu’l Hasan
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Jahangir and Shah Abbas
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1618
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Opaque water color, gold and ink on paper
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Shows Mughal Jahangir embracing the emperor from Iran
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Shows friendly alliance b.w the two, but Jahangir is obviously overpowering Shah Abbas
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Sun halo demonstrates Jahangir’s centrality
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Jahangir standing on lion while Shah Abbas standing on a goat
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Both take over most of the globe
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Putti suggest cosmic power of these individuals
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Strict profile of Jahangir sticks to old traditional Indian style
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Shows both styles= global
- Shows both styles= global
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Bichitr
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Jahangir Preferring a Sufi Sheikh to Kings
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1618
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Opaque watercolor, gold, and ink on paper
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Jahangir authority shown by his postion in the painting
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Obviously prefers Sufi to eng. King James the 1st
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King James image copied from a famous portrait
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Self Portrait of artist= lowliest figure in the composition
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Ustad Ahmad Lahori
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Taj Mahal
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1632-1648
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Tomb of Mumtaz Mahal (favorite wife of emperor Shah Jahan)
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Agra, India
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Meant to be a holy paradise for visitors
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Inlaid with jewels, covered in flroal arabesque, made of marble, and inscriptions from the Koran
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Gianlorenzo Bernini
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St. Teresa of Ávila in Ecstasy
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1645-1652
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Conceived the whole thing – entire chapel
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Most dramatic artist
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Rome
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Church of Santa Maria della Vittoria
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Center piece
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Marble sculpture
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Angle preparing to stab St. Teresa with an arrow
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Members of the Comaro family are like spectators in a theatre watching a miracle take place (gold lines, emphasized with light)
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Erotic
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Dark crevices in saint’s gown
Annibale Carracci, Ceiling of Gallery, Palazzo Farnese (Farnese Gallery), 1597-1601
Annibale Carracci, Landscape with the Flight into Egypt, 1603-1604
Caravaggio, The Calling of St. Matthew, 1599-1600
Artemesia Gentileschi, Judith Slaying Holofernes, c. 1620
Diego Velázquez, Las Meninas, 1656
Hyacinthe Rigaud, Louis XIV, 1701
King of france
Shown "strutting hi stuff"
dsiplays rich possesions
Symbol of france
Theatrical- curtain opens as if on a stage
Jean-Antoine Watteau, The Signboard of Gersant, 1721
Watteau was asked to paint a shop sign for a commercial art dealership
Commercial art dealerships beginning
Shows Louis XIV's painting being put away
Straw on ground- shows that we are all mortal
François Boucher, Girl Reclining: Louise O’Murphy, 1751
Girl who found her way into the King's bedroom
Commisioned by the King
Meant to be sensual
Before or after lovemaking
Jean-Siméon Chardin, Soap Bubbles, 1733-34
Boy blowing bubbles of soap
Does not look very serious- but is
Bubble will eventually burst
Need to spend less time on superfluous actions and more time with serious matters
subdued but bright color
William Hogarth, The Marriage Contract, 1743-1745
Story of upper middle class business man and a poor aristocrat settleing a marriage argreement b/w their children
Meant to be a saitre
Thomas Gainsborough, Robert Andrews and Frances Carter Andrews (Mr. and Mrs. Andrews), c. 1748-1750
Unfinished painting of newly weds
Man is active and proprietor- shown as active character
She is below him- shows that she is less powerful- but is in line with the tree- shows motherly nature
Henry Flitcroft and Henry Hoare, The Park at Stourhead, Wiltshire, England, 1743-1765
Landscape designed by professional landscapers
Natural but planned
Important development in the landscape of England
Canaletto, The Doge’s Palace and the Riva degli Schiavoni, c. 1735-1740
Venice is his hometown- all he did was paint Venice
Typical venetian painting
Type of landscape popular to paint during time by many artists
Richard Boyle (Third Earl of Burlington), Chiswick House and Gardens, West London, England, 1724-1740
Neoclassical symmetry
Polynesian artist, The War God Kukailimoku, c. 1779
Ogata Korin, Lacquer Box for Writing Implements, c. 1700
Toshusai Sharaku, The Actor Onoe Matsusuke, late 18th century
Benjamin West, The Death of General Wolfe, 1770
Johann Zoffany, Academicians of the Royal Academy, 1771-1772
Paul Revere, The Bloody Massacre, 1770
John Singleton Copley, Watson and the Shark, 1778
Josiah Wedgwood, Am I Not a Man and a Brother? 1787
Jean-Antoine Houdon, George Washington, Virginia State Capitol, Richmond, 1788-1792
Jacques-Louis David, Death of Marat, 1793
Member Jacobins- wanted to detroy aristocray through terror
Painting of assaination
Shown as amyraty
Shadowing is like carvaggios antonement
and the position is like christ in the pieta
No references to heavan
radical atheist maytrydom
Anne-Louis Girodet-Trioson, Jean-Baptiste Belley, 1797
Girodet studunt of David
Former slave who rose to gentleman status- became a gentleman after the Haitian Revolution
leans against bust of philosohper who didnt like slavery
Meant to be shocking
Has a name- most slaves not named
