Final Exam Preparation Flashcards

(44 cards)

1
Q

Major Sociological Theories

A

Functionalist theory, Conflict theory, and Interaction theory

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2
Q

Functionalist Theory

A

based on beliefs Emile Durkheim; asserts that various institutions in society are related/interdependent/should function together in an orderly and efficient manner

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3
Q

Conflict theory

A

based on writings of Karl Marx and Max Weber; believe that various parts of society tend to be in constant conflict with each other

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4
Q

Interaction Theory

A

based on works of Charles Cooley and George Mead; decides that behavior is shaped by one’s interaction with other individuals

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5
Q

Looking Glass theory

A

idea coined by charles cooley involved in Interaction theory; refers to the image people have of themselves based on how they think they are perceived by others

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6
Q

Elementary Music Curriculum importance

A

makes music available to all students; forms foundation for later music study; fosters attitudes and values about music

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7
Q

Types of Elementary Music Classes

A

classroom music, extracurricular, instrumental music

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8
Q

Elementary School Music Personnel

A

Music Specialist, classroom teacher, music consultant/supervisor

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9
Q

Secondary School Music Offerings

A

general music, performing groups(band, chorus, orchestra)

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10
Q

Benefits of Participating in performing groups

A

opportunity to learn by producing and experiencing music; create opportunities for student recognition; well-established in the school curriculum; tend to have teachers specifically trained in this area; often have established and rich repertoires

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11
Q

Benefits of Small ensembles

A

promote performance independence and interest/good musicianship; have interesting and challenging repertoire

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12
Q

When were the New National Standards(Core Arts Standards) developed?

A

2014 by broad coalition of arts education associations/expert art educators

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13
Q

For how many arts content areas were the New National Standards written for?

A

5

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14
Q

What were the New National Standards(core arts standards) developed around?

A

reflect various strands of music study; developed around artistic processes common to all the arts

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15
Q

What artistic processes are common to all the arts?

A

creating, performing, responding, and connecting

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16
Q

Anchor Standards

A

state what students should know and be able to do in all of the arts(ex: generate and conceptualize artistic ideas and work)

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17
Q

Performance Standards

A

state what students should know and be able to do in a particular arts discipline at various levels of accomplishment( ex: compose and improvise melodic and rhythmic ideas/motives that reflect characteristics of music or texts studied in rehearsal)

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18
Q

Enduring Understandings

A

state a set of ideas that are central to a particular discipline(ex: “the creative ideas, concepts, and feelings that influence a musicians work emerge from a variety of courses)

19
Q

Essential Questions

A

encourage students to focus on what is to be learned within the enduring understandings(ex: how to musicians generate creative ideas?)

20
Q

What are SLOs?

A

Student Learning Objectives; specific learning goal with measure of student learning used to test non-academic subjects –> measured through standardized tests/end of course exams/student performance demonstrations

21
Q

Key elements of SLO

A

clear identification of student population, specific time period, rigorous and realistic learning target, strong rationale for expected student growth, student growth and performance stated in measurable terms

22
Q

Why SLO?

A

is flexible to changes in standards/curriculum; credible as assessment tool between teachers and principles

23
Q

No Child Left Behind: Principles

A

every child tested in every year grades 3-8; all states required to establish achievement timelines; all students expected to show Adequate Yearly Progress; schools not making AYP labeled as “Needs Improvement Schools”

24
Q

NCLB Sanctions(in order)

A

1st year: school would be put on notice
2nd year: school would be required to offer all its students the right to transfer
3rd year: school would be required to offer free tutoring
4th year: school would be required to take corrective actions
5th year: school required to undergo restructuring

25
NCLB Requirements
required all states to participate in federal assessment and required children to be taught by "highly qualified teachers"
26
What is the ESSA(Every Student Succeeds Act)?
act signed into law by Barack Obama in 2015 to replace NCLB. It Reauthorized the Elementary and Secondary Education Act of 1965 and is the nation's current federal k-12 education law
27
Curriculum Changes in the ESSA
Music was listed for the first time as a separate subject in the nation's K-12 federal education law; emphasis on "well-rounded" education and schools encouraged to show how they provide it
28
Financial Highlights of the ESSA
block grants provided to school districts for funding well-rounded education; Title I schools may use Title I dollars to support education opportunities; ESSA funds could be used for educator professional development
29
Difference between NCLB Sanctions and ESSA
states were allowed to develop their own education accountability systems with the ESSA
30
What was the Race to the Top?(RTTT)
program authorized in 2009 under the Obama Administration as part of the American Recovery and Reinvestment Act that gave a 4.3 billion dollar competitive grants to states to stimulate educational reform/achievement/growth
31
RTTT Core Components
turning around low performing schools; adopting rigorous educational standards/achievement measures; recruiting and retaining highly effective teachers and principals; building data systems that measure student success
32
What is the "Value Added" requirement?
requirement of the RTTT emphasizing method of evaluating teachers based on test data; would make predictions of student success from previous data
33
How was "Teacher Effectiveness" measured in the Value Added requirement of the RTTT?
they would compare student test performance in future years with performance in previous years
34
Which demographic of students report higher incidents of verbal/physical harassment at school?
students of color in comparison to white counterparts
35
percentage of LGBTQ students experiencing harassment at school?
86.2%
36
percentage of LGBTQ students feeling unsafe due to sexual orientation?
60.8%
37
percentage of LGBTQ students that had skipped a day of school because they felt unsafe?
32.7%
38
Examples of Possible Harassment?
cyberbullying; inappropriate advances; inappropriate jokes; stereotyping; name calling; rumors or false accusations; purpose avoidance or exclusion
39
Signs of student Harassment Victims
increasingly withdrawn or wanting to be alone; significant drop in grades; unexplained injuries bruises or cuts; torn damaged or missing clothing/belongings; uncomfortable with peers; difficulty defending themself; fear of humiliation; pretending to be ill or asking for excuse to leave class
40
How to Address and reduce Harassment in class?
become aware of school/county/state harassment policies; intervene and stop inappropriate behavior and explain why; educate your students about appropriate behaviors; establish clear ground rules regarding bullying and harassment
41
Two definitions of Culture
customary beliefs/social norms/material traits of a racial, religious, or social group; integrated pattern of human knowledge, belief, and behavior that depends on the capacity for learning and transmitting knowledge to succeeding generations
42
Two definitions of Appropriate?
suitable or proper in the circumstances; to take something for one's own use, typically without the owner's consent or permission
43
What is Cultural Appropriation generally?
taking intellectual property, traditional knowledge, cultural expressions, or artifacts from someone's culture without permission
44
When/why is cultural appropriation harmful?
harmful when the source community is a minority group that has been oppressed or exploited or when the object of appropriation is particularly sensitive