FINALS: Contemporary Art Flashcards

(19 cards)

1
Q

• refers to art-namely, painting, sculpture, photography, installation,
performance, and video art produced today.

A

Contemporary Art

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2
Q

• 1947
• “promotion of art that came to be from that year onward”
• challenge the foundations of contemporary art
• bit skewed if the assumption is, contemporary art started decades later

A

Institute of Contemporary Art, London

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3
Q

• 1977
• TATE framed contemporaneity in a ten-year rolling basis and was placed under the bounds of their Museum of Contemporary Art
• Tate holds the National Collection of British art from 1500 and international modern and
contemporary art from 1900.
• Tate’s collection embraces all media from painting, drawing, sculpture and prints, to photography, video and film,
installation and performance.
• Tate seeks to represent international modern and contemporary art from a global perspective and has recently
expanded its holdings of work from Latin America, South-East Asia and Eastern Europe.
• Tate Callery opened in 1897, its collection consisted of the works gifted by Henry Tate to the Nation.

A

New Museum of Contemporary Art

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4
Q

•disgression of artist away trom past conventions ano traditions and
toward freedom
• celebrated the opportunities in novel art between 1860s to late 1970s
• figurative works abstraction

A

Modern Art

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5
Q

• The International Rise of Manga and Anime and the Birth of Otaku
Culture during the Hesei Era in Japan
• the globalization manga and anime.

A

Rise of commercial culture

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6
Q

• driven by ideas and theories
• involvement of television, photography, cinema, digital technology, performance, and even objects of everyday

A

Contemporary Art

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7
Q

Three (3) movements in the midst of modern and contemporary art

A
  1. minimalism
  2. pop art
  3. postmodernism
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8
Q

• 1960s
• Extreme types of abstraction
• Donald Judd, Sol LeWitt, and Dan Flavin are some key Minimalist artists.
• New art favoured the cool over the dramatic
• Painters and sculptors avoided overt symbolism and emotional content.
• focus on the materiality of works
• subtext was deference to truth

A

Minimalism

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9
Q

• 1950s
• this is a distinctive genre of art that first “popped” up in post-war Britain and America.
• inspiration from commercial culture
• turned to commodities designed and made for the masses
• popular (designed for mass audience), transient (short-terms
solution) expendable (easily forgotten), low cost, mass produced, young (aimed at youth), witty, sexy, gimmicky, glamorous, bis business”

A

Pop art

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9
Q

• Socio-cultural and intellectual movement
• encroaches other smaller movements, like conceptual art, neo-expressionism, feminist art
• importance of individual experience
• Steeped in complexity and contradiction
• established rules, barriers and distinctions were abolished

A

Postmodernism

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10
Q

• first ideas of Dada
• ready-made materials were used
• Dada-art movement formed during the First World War in Zurich in negative reaction to the horrors
and folly of the war

A

Neo-Pop Art

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11
Q

• resurgence of figurative art
•realistic depictions is a choice

A

Photorealism

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12
Q

• resurgence of figurative art
•realistic depictions is a choice

A

Photorealism

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12
Q

• Fought against the idea that art is a commodity
• Issues brought about by art institutions such as museums and galleries
• Idea of concept is the most important

A

Conceptualism

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13
Q

• 1960s
• Ephemeral works of art
• Not about medium or the format
• It is about how specific context is made in which through engagement or interaction, questions, concerns, and conditions will be fleshed out

A

Performance Art

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14
Q

• Immersive work
• Environment or the space in which the viewer steps into or interacts with, is transformed or altered

A

Installation Art

15
Q

• The natural environment is transformed by artists
• Human intervention into specific landscape or terrain
• It’s a landscape manipulation and the materials used were taken directly from the ground or vegetation

16
Q

• By-product of grafitti in the 1980s
• not traditional in format
• Informed by the iluustrative, painterly and print techniques, stickers and installations or installative/sculptural objects usually out of common objects and
techniques

17
Q

A wall painting from the House of the Centenary in Pompeii shows the earliest known depiction of Mount
Vesuvius

A

Ancient Roman City of Pompeii