Glossary Terms Flashcards
(175 cards)
Act
An act is the major division of the action in play. smaller divisions within acts are called scenes.
Afterword
The afterword is a final passage or seen following the conclusion of the story or play, also called an epilogue. The afterword often presents the narrator’s assessment of the overall meaning of the story.
Alienation Effect
An effect, such as a mask or a surreal setting, designed to prevent audiences from becoming emotionally involved in the play. This technique was used by the German dramatist Bertolt Brecht to move audiences to political action.
Allusion
A reference, often to a historical figure, myth, or artwork, that exists OUTSIDE the literary work. Allusions to the Bible are common in Western literature
Ambiguity
A deliberate use of language to suggest multiple meanings. For example, Young Goodman Brown’s Adventure in Nathaniel Hawthorne’s story of the same name may have been a dream, or may have actually occurred.
Amphitheater
Originating in classical Greece, a theater designed with the stage surrounded by tiers of seats arranged in a semi circle
Analogy
A comparison between two apparently unlike things that share some common features; reference to the familiar order to help readers understand the unfamiliar
Antagonist
The character who opposes the lead character, or protagonist. Occasionally, when a conflict is internal, the antagonist is actually another side of the protagonist’s OWN Personality
Anticlimax
A failure to achieve the anticipated high point in the narrative is the anticlimax, usually resulting in disappointed expectations
Antihero
The antihero is the main character who does not possess than normal positive qualities are hero; antiheroes appear primarily in modern works
Antistrophe
With strophe and epode, a stanza in Greek ode. The antistrophe represents the reverse of the strophe
Apron stage
It was popular in Elizabethan Theatre, the April stage is a stage that extends towards the audience beyond the arch of the stage
Archetype
A character place or event that represents a universal truth, and it is often of mythic proportions. The art tape appeals to what this psychologist Carl Jung called “collective unconscious” - sublimated memories of the entire race
Arena stage
The arena stage is surrounded on every side by the audience actors enter and exit through the aisles
Aside
In drama this side is a monologue spoken by an actor directly to the audience, outside the hearing of other characters on stage. Common in Elizabethan drama, it was used to express a character’s inner thoughts - in modern drama can be used for humorous effect
Atmosphere
Atmosphere is the general feeling evoked through setting or dialogue. I.e. Charlotte Perkins Gilman’s the yellow wallpaper - description of the narrator’s house creates a sense of foreboding
Augustan age
The period of English literature encompassing the first half of the 18th century, featuring such writers as Jonathan Swift and Alexander Pope - they wrote like Romans Virgil and Horace
Blank Verse
unrhymed verse written in iambic pentameter. Blank verse is considered as a poetic for the closest to normal speech patterns - Shakespeare uses it for low characters and using John Milton’s Paradise lost
Blocking
Blocking is the positioning of actors on the stage, including movements in physical interaction. The director is in charge of blocking
Box set
A stage design to represent the room realistically with three walls and invisible fourth wall facing the audience
Burlesque
Burlesque is a comedy presented in the style of a lofty and serious work BUT features gross exaggeration and distortion
Casting
The selection of actors to play specific roles in drama
Catastrophe
The conclusion of the tragic drama, in which the protagonist often dies. Based on Grustav Freytag’s Analysis of typical five act plays, catastrophe follows introduction, rising action, climax, and falling action
Catharsis
According to Aristotle the purging of the emotions at the end of the tragedy is catharsis. During the play audience experience Pitie and fear they identify with the tragic hero; a successful tragedy reaffirms traditional human values in the end so the audience experiences catharsis (RELEASE FROM THE PLAY)