Group 3 Flashcards

1
Q

contemporary art is a _________. it
encompasses works produced from the
late 20th century to today. it
challenges traditional boundaries
and reflects current social and
political issues

A

dynamic field

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2
Q

“ART MADE AND PRODUCED BY ARTIST_______

A

LIVING TODAY

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3
Q

was all about trying
new styles, like
abstract art, instead of
painting things exactly
as they are.

A

MODERN ART

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4
Q

it uses not just painting
and sculpture but also
things like video art,
performance art, and
even virtual art.

A

CONTEMPORARY ART

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5
Q

CHARACTERISTICS OF CONTEMPORARY ART:

A

1.RESPOND TO GLOBAL ENVIRONMENT
2.CULTURALLY DIVERSE
3.TECHNOLOGICALLY ADVANCING
4.MULTIFACETED

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6
Q

ELEMENTS & PRINCIPLES OF CONTEMPORARY ART

A

Appropriation
Performance
Space
Hybridity
Technology

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7
Q

– Taking existing
artwork and turning it into something
new.

A

Appropriation

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8
Q

– Artists act out human
activities, like daily routines or rituals,
through art.

A

Performance

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9
Q

– Art is placed in specific
locations, especially in public areas.

A

Space

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10
Q

– Combining different
materials to create unique art.

A

Hybridity

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11
Q

– Using things like video and the internet to spread art.

A

Technology

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12
Q

EXPLORING KEY MOVEMENTS
AND STYLES

A

POP ART
MINIMALISM
CONCEPTUAL ART

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13
Q

Inspired by popular culture
and mass media. Andy Warhol
and Roy Lichtenstein are
notable figures.

A

POP ART

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14
Q

Inspired by popular culture
and mass media. Andy Warhol
and Roy Lichtenstein are
notable figures.

A

POP ART

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15
Q

Focuses on simplicity and
geometric forms using industrial
materials. Donald Judd and Sol
LeWitt pioneered it.

A

MINIMALISM

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16
Q

Emphasizes the idea behind
the artwork, not just
aesthetics. Joseph Kosuth is a
leading figure.

A

CONCEPTUAL ART

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17
Q

– Modern styles,
including abstraction and realism, are still
present.

A

Painting & Sculpture

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18
Q

– Uses computers, AI, and
virtual reality.

A

Digital Art

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19
Q

Large-scale artworks
that interact with the space.

A

Installation Art –

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20
Q

Artists use their
bodies, movements, and audience
interaction

A

Performance Art –

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21
Q

– Public art that
challenges traditional exhibition spaces.

A

Street Art & Graffiti

22
Q

Notable Filipino Contemporary Artists

A

Rodel Tapaya
BJ Pascual
Leeroy New

23
Q

Rodel Tapaya

A

Visual Arts & Mixed Media

24
Q

BJ Pascual

A

Photography & Digital Art

25
Leeroy New
Installation & Performance Art
26
Known for large-scale paintings inspired by Philippine folklore and social issues.
Rodel Tapaya
27
A renowned fashion photographer reshaping modern Filipino visual identity
BJ Pascual
28
Creates futuristic sculptures and wearable art (e.g., Aliens of Manila series).
Leeroy New
29
Many indigenous designs and techniques are copied by commercial brands without proper credit or compensation, leading to cultural appropriation and exploitation.
UNAUTHORIZED USE OF INDIGENOUS DESIGNS
30
Indigenous artisans struggle to compete with cheaper, factory-made alternatives, affecting their economic sustainability
LACK OF SUSTAINABLE LIVELIHOODS Competition with Mass Production:
31
Materials like rattan and certain dyes are becoming scarce due to environmental degradation, impacting the availability of essential resources for traditional crafts.
ENVIRONMENTAL AND MATERIAL SCARCITY Depletion of Natural Resources:
32
There is a need for more robust policies to protect traditional cultural expressions and provide adequate support to indigenous artisans
Limited Government Support and Policy Gaps Insufficient Protection of Indigenous Art:
33
Many indigenous artisans have limited access to online platforms, hindering their ability to reach a global audience and expand their market base
Market Access and Digital Divide Challenges in Reaching Broader Markets:
34
With fewer practitioners, some traditional techniques are at risk of being forgotten, leading to a loss of cultural heritage.
Loss of Traditional Knowledge Erosion of Cultural Heritage:
35
Reliance on tourism makes sales unstable, especially during off-seasons or global events like pandemics that disrupt travel.
Tourism Dependency and Seasonal Demand Vulnerability to Market Fluctuations:
36
Potential Solutions
Strengthening Intellectual Property Rights Educational Programs for Youth Sustainable Resource Management Digital Training and E-Commerce Support
37
Implementing and enforcing laws to protect indigenous designs can help prevent unauthorized use and exploitation.
Strengthening Intellectual Property Rights
38
Encouraging younger generations through targeted educational initiatives can foster interest and participation in traditional crafts.
Educational Programs for Youth
39
Promoting sustainable harvesting and material sourcing ensures the availability of essential resources for future generations.
Sustainable Resource Management
40
Providing digital literacy training and e-commerce opportunities can help artisans access broader markets and increase their economic resilience.
Digital Training and E-Commerce Support
41
Usually performed by a group of consisting of members of a community.
Folk dance
42
is a form of cultural expression that is passed down through generations and is often tied to a specific community or region. It can be used to celebrate, heal, and learn about history.
Indigenous dance
43
Originating from the province of Laguna, Maglalatik is a dance that depicts a mock battle between the Moros and Christians over the prized coconut (latik).
MAGLALATIK
44
is considered the national folkdance with a pair of dancers hopping between two bamboo poles held just above the ground and struck together in time to music
Tinikling
45
This is a traditional dance from the Ilocos region, performed on a narrow bench. Dancers, usually a pair, showcase their agility and balance as they perform intricate steps while maintaining their poise on the bench
SAYAW SA BANGKO
46
is a timeless Philippine folk dance, allegedly originating from Mindoro. This dance of lights simulates fireflies in the night by balancing lighted cups.
Pandanggo sa Ilaw
47
This dance mimics the movements of ducks as they waddle and swim. It is believed to have originated from the province of Surigao del Norte.
ITIK-ITIK
48
dance takes its name from the bells worn on the ankies of the Muslim princess.
Singkil
49
This dance comes from the Maranao people of Mindanao and showcases the use of the malong, a traditional tubular garment.
KAPA MALONG MALONG
50
The _________ is a religious folk dance from the batangas s that honors the Holy Cross. It is a Catholic devotional practice that is often performed in Batangas.
subli
51
is a Filipino folk dance where performers balance wine glasses while performing tricks. It originated in Bayambang, Pangasinan.
binasuan