hamlet ao5 Flashcards

(36 cards)

1
Q

Revenge is a wild kind of justice

A

Francis Bacon 1625

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2
Q

lewd and unreasonable

A

Jeremy Collier 1698

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3
Q

Hamlet is … unworthy of a hero

A

Thomas Hammer 1736

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4
Q

he (hamlet) treats Ophelia with so much rudeness, which seems useless and wanton cruelty

A

Samuel Johnson 1765

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5
Q

Hamlet is … rather an instrument than an agent

A

Samuel Johnson 1765

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6
Q

Hamlet is no better than the sinner whom he is to punish

A

Sigmund Freud 1900

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7
Q

Melancholia is the root of Hamlet’s problems

A

A.C Bradley 1904

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8
Q

Hamlet’s genius might even be his doom

A

A.C Bradley 1904

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9
Q

Nothing stands between Hamlet and suicide except religious awe

A

A.C Bradley 1904

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10
Q

Hamlet may even seem a monster of inconsistency

A

John Dover Wilson 1935

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11
Q

Ophelia has no chance to develop an independent conscience of her own, so stifled by the authority of the male world

A

Juliet Dusinberre 1975

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12
Q

We can imagine Hamlet’s story without Ophelia, but Ophelia literally has no story without Hamlet

A

Lee Edwards 1979

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13
Q

Gertrude is a nurturing maternal presence rather than a shallow sensualist

A

Rebecca Smith 1980

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14
Q

The identity of the ghost is secondary to its effect upon Hamlet

A

Walter King 1982

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15
Q

The ghosts dominates even in his absence

A

Terence Hawkes 1986

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16
Q

Claudius is no simple villain but a complex and compelling figure

A

Terence Hawkes 1986

17
Q

Male power is restored through the vilification of women

A

Valerie Traub 1988

18
Q

Gertrude’s adultery turns all women into prostitutes

A

Valerie Traub 1988

19
Q

Women make men into monsters

A

Valerie Traub 1988

20
Q

Hamlet describes sexuality with metaphors of contagion and disease

A

Valerie Traub 1988

21
Q

Ophelia’s dead virginal body is fetishised by Hamlet and Laertes

A

Valerie Traub 1988

22
Q

Ophelia’s death is an outcome of hamlet’s rage as it is an expression of her grief, madness or self-destruction

A

Valerie Traub 1988

23
Q

Hamlet is intensely aware of himself as an actor

A

Graham Holderness 1989

24
Q

Hamlet… idealises the medieval world of his father, but the Denmark of the play is no longer ruled by these values

A

Graham Holderness 1989

25
The weapons finally used to kill Claudius mark the attack as spontaneous rather than a long-nurtured vengeance
John Kerrigan 1996
26
The ghost initiates a nightmare
Stephen Greenblatt 2002
27
The Ophelia figure was a kind of feminine ideal: totally passive, sexualised and utterly defined by her romantic relationships
Allan Ingram 2005
28
Ophelia and Gertrude can superficially be seen as the representatives of the two archetypes of women in early modern drama: virgin and whore
Sean McEvoy 2006
29
he cannot kill Claudius because he identifies with him, for Claudius has done the very things he would wish to do himself: kill Old Hamlet and have sex with Hamlet's mother
Sean McEvoy 2006
30
Polonius is nothing more than a stock character, frequently wrong in his judgements, providing a source of comic relief
Richard Hardy 2017
31
(painting) Hamlet and his Father's Ghost (Henry Fuseli, 1775)
ghost is in metal armour, standing in the light whereas Hamlet is being held back in the dark looking at the ghost
32
Hamlet and his Father's Ghost (William Blakes 1806)
The ghost is angrily looking down, dressed in metal armour. Hamlet is on his knees looking up
33
Ophelia (Daniel Maclise 1842)
Muddy water, half naked, holding on to the tree
34
Ophelia (John Everett Millias, 1851)
Fully dressed, beautiful and green scenery, arms are open, lies in water
35
Horatio is generally emotionless and rationalises the pain and suffering he witnesses as a tragedy.
Jeffery R. Wilson
36
Horatio feels deeply; he loves hamlet with all his heart
Amanda Mallibard