Hamlet quotes mixed Flashcards

(46 cards)

1
Q

“Started like a ______ upon __________ summons”

A

“Started like a guilty thing upon fearful summons” - 1.4 (Hamlet) - theme of supernatural, suggestion that the ghost is a demon from hell rather than Old Hamlet

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2
Q

“Bring with thee ____ from heaven or _______ from hell”

A

“Bring with thee airs from heaven or blasts from hell” 1.4 - (Hamlet) -Use of antithesis conveys ambiguity around the true nature of the ghost

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3
Q

“Fast in _____”

A

“Fast in fires” 1.5 - (the ghost/old hamlet) - links the ghost to ideas of purgatory - reflective of Elizabethen conflicts between Protestant and catholic beliefs surrounding ghosts

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4
Q

“O, cursed _____/ That I was ever ____ to set it right”

A

“O, cursed spite/ That I was ever born to set it right” - 1.5 (Hamlet) -Apostrophe shows Hamlet’s extreme sense of entrapment in his filial responsibility to avenge his father, link to ‘my fate cries out’ (1.5). Hamlet presents a spiritual duty to his Father - link to Von Goethe: ‘All duties seem holy to Hamlet’

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5
Q

“The spirit I have seen/ May have been a _____, and the devil hath _______/ _______ a pleasing shape”

A

“The spirit I have seen/ May have been a devil, and the devil hath power t’assume a pleasing shape” (Hamlet) (2.2) - AO3: According to Laveter, Elizabethen’s often believed ghosts could transform into guises. Further ambiguity about the nature of the ghost - suspense.

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6
Q

“Do you not come your _____ son to _____?”

A

“Do you not come your tardy son to chide?” (Hamlet) (3.4) - Question conveys Hamlet’s projection of his worries onto the presentation of the ghost, suggesting it is ‘the very coinage of [his] brain’

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7
Q

“My _______, in his _____ as he liv’d”

A

“My Father, in his habit as he liv’d” (Hamlet) (3.4) - (pious and humble clothing), Faustus projects his elevated view of his father onto the presentation of the ghost, suggesting it is ‘the very coinage of [his] brain’

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8
Q

“______ as black as ______”

A

“Bosom as black as death” (claudius) (3.3) Simile contrasts ‘Is there rain enough in the sweet heavens…to wash it white as snow’, Claudius desires absolution but is too engrossed in the fruit of his sin to wholeheartedly repent.

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9
Q

“The _______ prize itself// Buys out the ___”

A

“The wicked prize itself// Buys out the law” (3.3) Claudius admits to the corruption in the court of Elsinore.

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10
Q

“Bow, _______ knees”

A

“Bow, stubborn knees” (3.3) - imperative, appears as ‘rhetorical pageantry’

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11
Q

“Be soft as _______ of the newborn _____” (3.3)

A

“Be soft as sinews of the newborn babe” (3.3) - Simile, appears as ‘rhetorical pageantry’ (too much craft)

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12
Q

“My ______ fly up, my _______ remain below// words without thoughts to _______ never go” (3.3)

A

“My words fly up, my thoughts remain below// words without thoughts to heaven never go” (3.3), rhyming couplet, appears as ‘rhetorical pageantry’, shows lack of sincerity and attempt to fool God. Smiles at the audience in the 2008 Gregory Doran/Tennant version.

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13
Q

“All occasions do ______ against me, and spur my dull _______!”

A

“All occasions do inform against me, and spur my dull revenge!” (4.4) - exclamation conveys Hamlet’s frustration towards his lack of action

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14
Q

“Though which, ________ hath but one part ________ and ever 3 parts _______”

A

“Though which, quartered hath but one part wisdom and ever 3 parts coward” (4.4), metaphor emphasises Hamlet’s criticism of his own character as he views his inaction to be a consequence of his cowardly tendency to overthink. Reflects ‘conscience does make cowards of us all’ (3.1)

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15
Q

“Led by a _______ and _______ prince”

A

“Led by a delicate and tender prince” (4.4) - Hamlet projects hsi insecurities onto his description of Young Fortinbras, suggests he is insecure as a result of his desire to have the capable, medieval mindset of YF - who is ‘unimproved mettle hot and full’

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16
Q

“Honour…a father _____ , a mother ______ “

A

“Honour…a father kill’d, a mother stain’d” (4.4) - Parallel, Hamlet sees his filial duty to avenge his father and save his mother as an obligation of honour. He fears the loss of his honour should he fail to take these actions.

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17
Q

“O, from this time _____ , my thoughts be ______ , or be nothing ______ !”

A

“O, from this time forth , my thoughts be bloody , or be nothing worth!” (4.4) - Apostrophe and motif of blood = overtaken by desire to replace his tendency to overthink with medieval-style action against Claudius. Rhyming couplet solidifies his resolution to take proper action, but this is structurally contrasted by his lack of action as he is sent to England immediately after.

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18
Q

“Too _______ flesh would melt”

A

“Too sullied flesh would melt” (1.2) - metaphor conveys Hamlet’s desire for a death as a melancholic consequence of his despair surrounding the corruption of Denmark and Gertrude by Claudius

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19
Q

“___________ garden”

A

“Unweeded garden” (1.2) - Hamlet, semantic field of corruption, conveys how Denmark has bee corrputed by Claudius

20
Q

“Like _____, all tears”

A

“Like Niobe, all tears” (1.2) Hamlet, intertextual reference presents Gertrude’s grief as so overly exaggerated that it is superficial and feigned. Suggestion that her grief is insincere.

21
Q

“I’ll wipe away…all ____ of ______”

A

“I’ll wipe away…all saws of books” (1.5) - Hamlet views renaissance knowledge as incompatible with medievial actions of revenge. He is willing to sacrifice learning to become more capable of vengeance.

22
Q

“O most _______ woman!//O ______, _______”

A

“O most pernicious woman!//O villain, villain” 1.5 - apostrophe emphasises Hamlet’s heightened anger towards Claudius and Gertrude, structural placement of reference to Gertrude above reference to Claudius conveys Hamlet’s preoccupation with his anger to his mother’s sexuality, which ultimately delays his action of vengeance against Claudius.

23
Q

“_________ does make cowards of us all”

A

“Conscience does make cowards of us all” (3.1)

24
Q

“To ___, to sleep; to _____ perchance to _______”

A

“To die, to sleep; to sleep perchance to dream” 3.1 - Hamlet’s melancholy, longing for death is cast over by the fear of the uncertain outcome of the afterlife.

25
"When ___________ yawn and hell itself _______ out...:now I could drink hot _______" (3.2)
"When churchyards yawn and hell itself breathes out...:now I could drink hot blood" (3.2) - Hamlet, supernatural imagery conveys his attempt to unnaturally force anger on himself. Motif of blood to represent his desire for medieval anger and vengeance.
26
"Let not the soul of _____ enter this firm _______" (3.2)
"Let not the soul of Nero enter this firm bosom" (3.2) - Intertextual reference (roman), Hamlet's desire to save his mother dissolves his inclination to violence as he considers the manner by which he will reform Gertrude, which in turn delays his revenge against Claudius.
27
"Speak _______ to her but use ______"
"Speak daggers to her but use none" (3.2) - Hamlet's desire to save his mother dissolves his inclination to violence as he considers the manner by which he will reform Gertrude, which in turn delays his revenge against Claudius.
28
"I, his ____ son, do send this same ______ to heaven"
"I, his sole son, do send this same villain to heaven" (3.3) - Hamlet's overthinking prevents him from killing Claudius to avenge OH. However, Shakespeare creates a sense of justice in this delay by focusing on creating a situation where Claudius faces proper consequences for his sin against the great chain of being.
29
"O, this is ____ and _______, not _______"
"O, this is hire and salary, not revenge" (3.3) Hamlet's overthinking prevents him from killing Claudius to avenge OH. However, Shakespeare creates a sense of justice in this delay by focusing on creating a situation where Claudius faces proper consequences for his sin against the great chain of being.
30
"When he is _____ asleep, or in his ____, or in the _______/_______ of his bed"
"When he is drunk asleep, or in his rage, or in the incestuous pleasure of his bed" (3.3) Listing - Shakespeare creates a sense of justice in Hamlet's delay of revenge by showing Hamlet's intention to ensure that Claudius faces a proper and long lasting punishment for his sin.
31
"Confess yourself to _______"
"Confess yourself to heaven" (3.4) Hamlet takes the role of spiritual savior in his strife to reform Gertrude. Theme of Gender - presents women as fickle victims of indulgence in sexual desire who must be saved my more spiritually superior men (A03: garden of eden). Hamlet is delayed in revenge by his mission to save Gertrude.
32
"Here thou _________, __________, damned ______, drink off this _______"
"Here thou incestuous, murderous, damned dane, drink off this potion" (5.2) - triplet, Hamlet finally becomes capable and takes violent action against Claudius. Motif of poison suggests Claudius is being punished for his original action against Old Hamlet.
33
'The whole ___ of Denmark is ... _______ abused'
'The whole ear of Denmark is ... rankly abused' (1.5) - Synechdoche, links to body politik as Claudius has corrupted the state of Denmark by usurping the throne.
34
'I thought thy _____-___ to have deck'd, ______ maid, and not have _______ thy grave'
'I thought thy bride bed to have deck'd, sweet maid, and not have strew'd thy grave' (5.2) melancholic reaction of Gertrude to Ophelia's funeral enhances sentiments of catharsis by presenting Ophelia as a tragic victim of Hamlet's incapability to efficiently free Denmark from Claudius's corruption.
35
'If it be now, 'tis ___ to ____; if it be ___ to ____, it will be now'
'If it be now, 'tis not to come; if it be not to come, it will be now' (5.2) -Parallel phrasing, Hamlet's acceptance of death allows him to become capable.
36
'They are not near my ___________ '
'They are not near my conscience' (5.2) Hamlet's dismissal of worries for the deaths of Rozencratz and Guildenstern emphasise how his acceptance of death has diminished his tendency to overthink and allowed him to become capable in his move to finally take revenge.
37
'I stand ______ and with not _____________'
'I stand aloof and with not reconcilement' (5.2) Laertes's unforgiving response contrasts 'exchange forgiveness with me, noble hamlet' after the death of Claudius, suggesting (in alignment with the body politik theory) that Claudius was the root of corruption and disunity in the court.
38
'I will, my ____, pray you ________ me'
'I will, my lord, pray you pardon me' (5.2) religious language, presents Gertrude as reformed in her symbolic self-sacrifice.
39
'Now cracks a _______ heart. Good night, ______ prince'
'Now cracks a noble heart. Good night, sweet prince' (5.2) Horatio - emphasises that Hamlet has achieved the noble status of avenging prince by his death. Contrasts presentations of his ignoble inaction earlier in the play (eg. 'must like a whore...' and 'rogue and peasant slave' in 2.2)
39
'As a ________ to my own spring...I am justly kill'd with mine own _________'
'As a woodcock to my own spring...I am justly kill'd with mine own treachery' (5.2) - metaphor creates a sense of poetic justice as Laertes is killed by his own sin.
40
'lazar-like'
'lazar-like' (1.5) - snake imagery creates suggestion that the ghost is actually a demon from hell, despite his suggestion that the poison gave him this appearance. Enhances uncertainty surrounding the true nature of the ghost.
41
'I dare _________'
'I dare damnation' (4.5) Plosive alliteration emphatic of Laertes embodiment of the desirable inclination to active revenge/violence through extreme means, in contrast with Hamlet who is delayed by mere thought.
42
'To cut his _______ in __________'
'To cut his throat in t'church' (4.7) Blasphemous threat is emphatic of Laertes emphasises the extreme lengths he will go to for revenge as a consequence of his extreme grief. However, Laertes makes this statement after Claudius attempts to manipulate him into taking revenge, presenting Claudius as the corrupting source of the feud between Hamlet and Laertes. ('are you like the painting of a sorrow?)'
43
'Mad ______ by north-_____'
'Mad north by north-west' (2.2) - Reminder of Hamlet's 'antic disposition' as he claims he is only mad when he chooses to be.
44
'A king may go a ________ through the guts of a ________'
'A king may go a process through the guts of a beggar' (4.3) Hamlet insults Claudius's position as king by reminding him that he will, like everyone else, eventually die, and is therefore no better than a beggar.
45
"Lawful _______" (3.1)
"Lawful espials" (3.1) - referring to Claudius and polonius as spies with the law on their side as they watch ophelia and hamlet - theme of surveillance