Handout 15 Flashcards

1
Q

Non-visual perceptual modalities include (4)

A

-taste
-olfaction (smell)
-touch
-audition

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2
Q

Philosophers of perception usually focus on vision, and frequently assume that what they say about
visual experience applies to

A

non-visual experience

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3
Q

Transparency claims

A

visual experience seems to provide direct awareness of
(presumably mind-independent) ordinary objects and their visible properties.

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4
Q

Representationalists and naïve realists argue that it is a virtue of their respective accounts of visual experience that they accommodate (and explain) ________________

A

the alleged transparency of sensory
experience.

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5
Q

Naïve realism and representationalism positions lose some of their
attraction if we deny the relevant __________

A

transparency claims

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6
Q

Which view would gain traction if we avoided the need to accommodate transparency?

A

Indirect realism

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7
Q

What is the potential problem of the transparency claim?

A

It seems much less plausible when adapted to certain
non-visual sensory modalities.

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8
Q

What is the potential problem of the transparency claim for taste?

A

When you eat X, you taste the flavour of it. Do you taste X itself or the substances of X?

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9
Q

What is the potential problem of the transparency claim for touch?

A

we perceive objects in virtue of perceiving surfaces. So, touch
provides direct awareness of surfaces, and only indirect awareness of objects.

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10
Q

The potential problem with the transparency claim is that attention to non-visual perception may cause us to ____________________

A

revise or abandon
positions motivated by reflection on visual experience.

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11
Q

Casey O’Callaghan is an

A

indirect realist about auditory experience.

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12
Q

O’Callaghan argues on phenomenological
grounds that we are _________________

A

indirectly aware of ordinary objects in virtue of being directly aware of sounds.

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13
Q

Why aren’t sounds ordinary objects?

A

they lack many/all features of ordinary objects

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14
Q

What are feautures of ordinary objects? (5)

A

1) fill space
2) possess a size
3) have proper boundaries (unlike liquids)
4) have parts that cohere
5) are wholly present at every moment of existence

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15
Q

Why does O’Callaghan resist the view that sounds are private?

A

He claims that the temptation for indirect realists to think of sounds as private comes from an antecedent commitment to the view that auditory experience is aspatial, which he denies

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16
Q

Why do some indirect realists think sound being aspatial leads to it being private?

A

Due to the aspatial nature of auditory experience, sounds are not perceived as located in the space around one’s body, challenging the idea that they share a public space with external objects.

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17
Q

Philosophers who think sound is aspatial believe claims that someone stuck with purely auditory experience
would ___________

A

lack awareness of spatial relations, and be unable to conceive of a mind-independent world

18
Q

What does O’Callaghan say about sceptics of the spatiality of auditory experience?

A

They mistake the audition’s impoverished spatial perception for an absence of spatial perception.

19
Q

Why does O’Callaghan say that audition is spatial? (2)

A

1) there is empirical evidence that suggests auditory experience carries info about direction/distance.

2) PCM suggests we hear sounds as being outside of us.

20
Q

O’Callaghan notes that we do not experience sounds as having a _________, compared to visual experiences, which do.

A

complex internal spatial structure.

21
Q

O’Callaghan says that objects are unities composed of _____________

A

spatially extended parts, each of which occupies its own region of space.

22
Q

Why does O’Callaghan say sounds are public? (4)

A

1) Ear-plugging stops sounds we find persistent

2) they maintain constancy in loudness, timbre, and pitch amid perspective changes

3)shared in conversation, sounds can be a public nuisance

4) unlike headaches, sounds can be hallucinated or misperceived.

23
Q

2 reasons to be sceptical of O’Callaghan’s view that sounds are public:

A

(1) we might plug our ears in order to interrupt the mechanism responsible for causing private sounds

(2) the privacy of sounds need not entail that we have
infallible access to them, so the possibility of hallucination and misperception is no guarantee
that sounds are public.

24
Q

perceptual constancy

A

the perceptual system’s successful identification of perceived property instances despite discernable differences between them (e.g. due to lighting conditions)

25
Q

O’Callaghan’s arguments about sound appeal to (2)

A

1) Communication

2) Perceptual constancy

26
Q

If sounds are not ordinary objects, they must belong to ___________

A

some other metaphysical category.

27
Q

What are the 2 options of other metaphysical categories sound could belong to, if not ordinary objects?

A

1) Properties

2) Individuals

28
Q

Properties

A

repeatable entities instantiated by other entities

29
Q

Individuals

A

non-repeatable entities that instantiate properties and are not themselves instantiated by other things

30
Q

O’Callaghan argues that sounds are ______

A

Event-like individuals

31
Q

What are O’Callaghan’s 3 considerations for why sounds are event-like individuals?

A
  1. Sounds instantiate properties such as timbre, pitch, and loudness.
  2. We hear multiple sounds simultaneously: a nearby clock, a distant roar, etc.
  3. A version of the ‘Many Properties Problem’ arises for sound
32
Q

How does the many properties problem arise for sounds?

A

‘[H]earing a loud, low-pitched sound on the left and a soft, high-pitched sound on the right differs from hearing a loud, high-pitched sound on the left and a soft, low-pitched sound on the right. This
motivates the introduction of audible individuals, in addition to audible attributes, to capture the respect in which the latter are bound to or qualify a single perceptible item.’

33
Q

Problem with O’Callaghan’s 1st and 2nd considerations for why sounds are event-like individuals?

A

does not distinguish sounds from properties.

34
Q

O’Callaghan’s defense for his 3rd consideration for why sounds are event-like individuals relies upon __________

A

claims about how sounds, as opposed to objects, occupy time.

35
Q

How does sound occupy time differently than a object?

A

audible individuals don’t appear wholly present at a given moment, requiring time to unfold, stream, or occur, contrasting with visible objects that are perceived as wholly present instantly.

36
Q

O’Callaghan says sounds have a part-whole structure where

A

the parts both occupy and are arranged within space.

37
Q

O’Callaghan says objects have a part-whole structure that

A

relies upon temporal
relations rather than spatial relations.

38
Q

How does O’Callaghan explain how direct auditory awareness of sounds
can provide indirect auditory awareness of ordinary objects.

A

objects to serve as the basis for irreducibly multimodal sensory experiences.

39
Q

Multimodal sensory experiences

A

attribute properties detected by different sensory organs to a single object, without first individually attributing these properties.

40
Q

How does O’Callaghan argue for multimodal sensory experience?

A

At times, you perceive the thing you hear as identical to what you see, implying that besides the sound, there is a common element both visually and auditorily experienced, potentially indicating the presence of a material object.

41
Q

How does O’Callaghan use multimodal sensory experience to argue for indirect auditory awareness?

A

we have indirect auditory awareness of ordinary objects in virtue of these objects being constituent parts of events which themselves includes sounds as audible parts.

we can be visually aware of a largely hidden object (and thus its hidden parts) in virtue of seeing one of its visible parts.