Handout 15 Flashcards
Non-visual perceptual modalities include (4)
-taste
-olfaction (smell)
-touch
-audition
Philosophers of perception usually focus on vision, and frequently assume that what they say about
visual experience applies to
non-visual experience
Transparency claims
visual experience seems to provide direct awareness of
(presumably mind-independent) ordinary objects and their visible properties.
Representationalists and naïve realists argue that it is a virtue of their respective accounts of visual experience that they accommodate (and explain) ________________
the alleged transparency of sensory
experience.
Naïve realism and representationalism positions lose some of their
attraction if we deny the relevant __________
transparency claims
Which view would gain traction if we avoided the need to accommodate transparency?
Indirect realism
What is the potential problem of the transparency claim?
It seems much less plausible when adapted to certain
non-visual sensory modalities.
What is the potential problem of the transparency claim for taste?
When you eat X, you taste the flavour of it. Do you taste X itself or the substances of X?
What is the potential problem of the transparency claim for touch?
we perceive objects in virtue of perceiving surfaces. So, touch
provides direct awareness of surfaces, and only indirect awareness of objects.
The potential problem with the transparency claim is that attention to non-visual perception may cause us to ____________________
revise or abandon
positions motivated by reflection on visual experience.
Casey O’Callaghan is an
indirect realist about auditory experience.
O’Callaghan argues on phenomenological
grounds that we are _________________
indirectly aware of ordinary objects in virtue of being directly aware of sounds.
Why aren’t sounds ordinary objects?
they lack many/all features of ordinary objects
What are feautures of ordinary objects? (5)
1) fill space
2) possess a size
3) have proper boundaries (unlike liquids)
4) have parts that cohere
5) are wholly present at every moment of existence
Why does O’Callaghan resist the view that sounds are private?
He claims that the temptation for indirect realists to think of sounds as private comes from an antecedent commitment to the view that auditory experience is aspatial, which he denies
Why do some indirect realists think sound being aspatial leads to it being private?
Due to the aspatial nature of auditory experience, sounds are not perceived as located in the space around one’s body, challenging the idea that they share a public space with external objects.