Haydn Movement 3 Flashcards

(51 cards)

1
Q

Where does section A of the minuet start?

A

Bar 1

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2
Q

Where does section B of the minuet start?

A

Bar 16

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3
Q

Where does the codetta start?

A

Bar 43

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4
Q

Where does the trio start?

A

Bar 52

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5
Q

Where does section A of the trio start?

A

Bar 52

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6
Q

Where does section B of the trio start?

A

Bar 64

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7
Q

What is the structure of this movement?

A

Ternary form (minuet-trio-minuet)

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8
Q

What is the structure of the minuet?

A

Rounded binary

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9
Q

What does the piece begin with?

A

Anacrusis

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10
Q

What key does the movement begin in?

A

D major

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11
Q

Give the key and cadence at bars 7-8

A

Perfect cadence in D major

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12
Q

Describe the use of instrumentation in bar 9-16

A

Lighter scoring, only 2 wind playing and only horns in brass

Timpani missing

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13
Q

What harmonic device is used in the cello+bass from bar 9-12?

A

Tonic pedal

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14
Q

Compare the opening 8 bars with bar 9 onwards

A

repeated at bar 9 but p

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15
Q

What key does section B of the minuet start in?

A

B minor

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16
Q

What rhythmic device is used in the bassoon from bars 20-24?

A

hemiola

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17
Q

How are the openings of both sections of the minuet similar?

A

Both start with tonic triads in D major

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18
Q

What key do we go into at bar 25?

A

A major

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19
Q

What chord is used in bar 28?

A

Neapolitan 6th chord

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20
Q

Describe the melody from bars 35-42

A

repeat of the minuets opening

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21
Q

What device is used from bars 45-46?

22
Q

Describe the harmony from 48-53

A

repeated V7-I chords

23
Q

What happens at the end of the minuet?

A

Section B is repeated before the trio

24
Q

What structure is the trio?

25
What key does the trio start in?
Bb major (remote key)
26
Describe the opening texture of the trio
Light texture- no clarinets, brass or timpani
27
Describe the opening melody of the trio
Long lines of legato quavers- less emphasis on the downbeat
28
What key does section B of the trio start in?
C minor
29
What happens to the opening melody of the trio in section B?
Becomes the new countermelody, letting oboes and flutes carry new melodic material
30
What key is shifted to in bar 72?
F major
31
What key is returned to at bar 78?
Bb major
32
What melodic device is used in the oboes from bars 84-86?
Ascending sequence
33
Describe the type of scale used in the flute from bars 84-86
descending chromatic scale
34
Describe the key and cadence from bars 93-94?
Perfect cadence in Bb major
35
What is the purpose of the trio tailpiece from bars 95-end?
smooth transition from Bb major to D major
36
Describe the melody at the end of the trio
uses rising 3rd idea from the beginning of the trio
37
Describe the harmony at the end of the trio
rising chromatic scale in violin1 | tonic pedals in violin2 and violas
38
What chord does the trio finish on?
A major chord- dom of D major
39
What does the Men.D.C mean at the end of the trio?
minuet repeated until the word 'fine' is reached
40
Where is there an augmented 6th chord in this movement?
Bar 99
41
Key and cadence at bar 44
Perfect cadence in subdominant
42
What key does the minuet finish in?
D major
43
How does Haydn achieve the modulation from the tonic to the unrelated key at the start of the trio?
Delays the tonic note for 2 bars
44
Which chord does the linking section end on?
Dominant 7th
45
Describe tonal structure of the trio
A sections ends in dominant and moved to dominant minor
46
What is the key at bar 20?
B minor
47
Give the bar numbers where a hemiola can be found
20-24
48
Give the bar number where a cycle of fifths can be found
23-25
49
Where is the neapolitan 6th chord?
bar 28
50
How does Haydn achieve contrast between the minuet and trio?
Trio in remote key of Bb major long lines of flowing quavers w/ less emphasis on downbeat lighter texture in trio, no brass, timps or clarinet polyrhythms in trio (6/8 in bassoon+V1 but 3/4 in strings) Addition of linking section in trio
51
Describe harmony in linking section
Tonic Bb pedal in V2 (bar 95-99) Augmented 6th chord (bar 99) Alternating diminished7th and dom7th chords rising third idea in oboe (bar 94-97)