Henry Purcell: Music For A While Flashcards

(23 cards)

1
Q

What was it written for?

A

Oedipus story Ancient Greek legend

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
2
Q

Who is Henry Purcell?

A

English composer during Baroque period wrote in an intalian style

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
3
Q

When was it composed?

A

1692 second of four movements

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
4
Q

What are the features of a ground bass?

A
  • minor key
  • straightforward rhythm made of quavers, crotchets and minims
  • slow and stately tempo
  • ending with a perfect cadence
  • solem mood
  • 3 bars long in this piece
  • chromatic notes to give the bass part melodic interest in its own right
How well did you know this?
1
Not at all
2
3
4
5
Perfectly
5
Q

Instrumentation

A

Soprano accompanied by harpsichord, bass viola, lute

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
6
Q

Dynamics and tempo

A

No written dynamics tempo is fairly slow and must start softly

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
7
Q

Structure

A

Ternary ABA form, structure shortened in repeat A

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
8
Q

What is the tonality at the start?

A

Ambiguous but A minor raised 7th

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
9
Q

What is the texture?

A

Polyphonic

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
10
Q

What is the Italian lament style?

A

Double dotted notes, descending patterns and dramatic recitatives

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
11
Q

What is the meter?

A

4/4 simple

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
12
Q

Tempo

A

None given but slow/ legato

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
13
Q

Harmony

A
  • figured bass
  • harmonic progression
  • modulations
  • dissonance
  • suspensions
  • tierce de Picardie
How well did you know this?
1
Not at all
2
3
4
5
Perfectly
14
Q

Techniques

A

Melisma, word painting, syllabic words

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
15
Q

Commentary into

A
  • left hand harpsichord ground bass
  • A minor (tonality ambiguity at start) perfect cadence confirms
  • right hand melody, descending phrase imitation of vocal line
  • left hand ascending sequence
How well did you know this?
1
Not at all
2
3
4
5
Perfectly
16
Q

Example of dissonance

17
Q

Example of melisma

18
Q

Example of word painting

19
Q

Commentary on section a

A

In bar 4 the solo soprano has the melody. The word ‘music’ is repeated a 5th higher, he sets it syllabically creating word painting. Lots of examples of melisma. The harpsichord starts to imitate the vocal line at times. A hypnotic effect is created with the repetition. And dissonance on the word pain. Suspension and interjection is used on the word ‘eternal’ and a perfect cadence is expected. Harpsichord plays a narrow register to keep vocal line above it. There are often dissonant intervals between the bass and melody

20
Q

Commentary on b

A

We are in the relative major C. This is a short middle section with 8 bars and 1 bar of harpsichord link. This link helps separate sections a and b and let the singer catch their breath. A few perfect cadences and tierce de picardie on the word ‘snakes’ . Onomatopoeic words off beat ‘drop’. The ground bass is shortened

21
Q

Commentary on a1

A

This section is shorter and more ornamented. There is a different right hand melody in the harpsichord. Final chord is appoggiated chord so it lasts as the harpsichord cannot sustain its notes

22
Q

What ornaments?

A

Mordant, grace notes, arpeggios, appogiatura

23
Q

What is the tonality throughout

A

A minor, E minor, G major, C major, E minor, A minor