Stephen Schwartz: Defying Gravity, From Wicked Flashcards

(25 cards)

1
Q

What is Elphas theme?

A

Motif B, B major bass rises through intervals of fourths and fifths

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2
Q

What is motif C?

A

Ascending perfect faith followed by perfect fourth. Usually after B

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3
Q

What texture?

A

Homophonic

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4
Q

Instrumentation

A

Large orchestra, bass, winds, keyboard and drum kit

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5
Q

Motif D

A

Leads into chorus, hook

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6
Q

Colla voce

A

Follow the voice

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7
Q

Tempo

A

Free

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8
Q

Unlimited Theme

A

From somewhere over the rainbow

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9
Q

Structure

A

Dialogue section 1-Verse 1- chorus-link-verse 2-chorus-dialogue section 2–first bridge- chorus 3- link 2- revised introduction-vamp section- bridge 2-chorus 4- coda

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10
Q

Articulation

A

Marcato stabbed chords in intro to long legato phrases. 3 note ostinato played in staccatos

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11
Q

Dynamics

A

Fortissimo to pianissimo. Fp and sforzando

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12
Q

What is the intervals?

A

Mainly fourths and fifths

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13
Q

Texture

A

Starts homophonic marchato chords and monophonic line from the witches. Bridge is polyphonic

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14
Q

Harmony

A

Major and minor Melodie’s. Augmented chords and diminished chords. Begins with an alienating sense of tonality continually shifting harmonies

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15
Q

Rhythm and meter

A

Slow choral accompaniment and driving quaver rhythm. Syncopated rhythm . Starts 2/2 and is mainly in 4/4

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16
Q

Intro

A

Dramatic marcato stabbed chords. Tonality uncertain .Starts D major with a Glinda and Elphba is Db major

17
Q

Verse 1

A

Opens with motif B in brass and motif C with synthesizer. Strings play accompaniment tremolo. We are in D major and the chords feature bare 5ths and only 5 pitches are used

18
Q

Chorus 1

A

Starts with an interrupted cadence and motif D. 3 note ostinanto creating metrical shifting and motif B at the end

19
Q

Link 1

A

Cross rhythms against quavers

20
Q

Verse 2

A

Variation of verse 1 with same notes and pitches. Starts with a perfect cadence. Left hand from motif B. Circle of 5ths. Melody is hexatonic

21
Q

Chorus 2

A

Interrupted cadance and 3 note ostinato with descending fifths and fourths on left hand of keyboard

22
Q

Second dialogue

A

Bitonal composition. Left hand play’s semi quavers in G major and left hand c major

23
Q

First bridge

A

Unlimited theme

24
Q

Chorus 3

A

They sing together harmonizing 5ths and 4ths

25
Coda
Interrupted cadence . Octantonic scaleqnd polytonal chords a thicker texture. Final vocalisation