Herrmann - Psycho “The City” Flashcards

(24 cards)

1
Q

Which string technique is used that helps the performers create a strong, sharp fortissimo dynamic?

A

Use of downbow

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2
Q

What is the first clear musical idea in the Psycho prelude?

A

A stabbing slightly syncopated rhythm - shown in the opening chords.

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3
Q

Describe the harmony at the start of the piece.

A

A Bb minor chord with a major 7th on top, this is known as the Hitchcock chord.

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4
Q

What rhythmically unifies the piece?

A

The use of a constant driving quaver motor rhythm

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5
Q

What is the second clear musical idea in the prelude?

A

Intervals of a semitone which general descend

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6
Q

In your piano score, the rhythm of the third clear musical idea had been simplified. What is the rhythm in the original?

A

Three triplets, dotted semiquaver, three triplet, dotted semi quaver, 4 dotted semiquavers.

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7
Q

Are the instruments playing con or senza sord, and what is the effect?

A

Con sord - makes it muffled, darker sounding and slightly quieter.

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8
Q

What two things help the psycho theme stand out in the texture?

A

Played in a high register and clear, stable constant crotchet rhythm.

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9
Q

What is the fourth clear idea in the psycho prelude?

A

An eerie, high pitched tune, played legato

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10
Q

In this film, the prelude is a leitmotif that represents what?

A

Travel and movement from place to place

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11
Q

The muted timbre throughout most of the film helps to create the sense of what?

A

Repressed anger. Even though they are muted they often play fortissimo

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12
Q

The mutes are taken off only during which cue and why?

A

During ‘the murder’ to represent the unleashing of the repressed anger

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13
Q

What is the exact rhythm of the opening chords?

A

Crotchet crotchet, quaver rest, quaver quaver

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14
Q

Which intervals are present at the end of the psycho theme?

A

Minor seconds

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15
Q

During which musical idea in the prelude is the only moment when the constant quaver rhythm stops?

A

During the opening rhythmic idea and whenever this is repeated.

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16
Q

How does Herrmann often combine the timbres of the cello and bass in this piece?

A

Cello plays arco and bass plays pizz.

17
Q

How does the articulation and dynamics of the psycho theme contrast with the rest of the piece?

A

It is legato and has sensitive crescendos and diminuendos

18
Q

What melodic aspect gives a sense of urgency to the piece?

A

The frequent falling minor 2nd interval in the accompaniment.

19
Q

The homophonic chord idea in bar 11-12 is repeated later - how is it developed?

A

Chords are all descending in pitch.

20
Q

Apart from the clear psycho theme, how could the melodic material in the prelude be described?

A

As several short motifs used as ostinatos

21
Q

How does Herrmann emphasise the stabbing rhythms with the articulation?

A

He adds staccato markings and accents

22
Q

What is the texture of the piece?

A

Generally, a texture of layered ostinatos and rhythms. Contrasting with homophonic moments and a moment of melody and accomp.

23
Q

Describe the dynamics throughout

A

Generally sudden changes with some short cres./dimn. through short motifs (like uematsu in one winged angel)

24
Q

The piano is notated in cut time, what is the original in?