History 1 Composer Traits Flashcards

Musical style traits of the required composers for RCM History 1 examination.

1
Q

Innovations found in his symphonies include the use of the scherzo, cyclical structure, programmatic elements, and the inclusion of vocal soloists and chorus.

A

Beethoven

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2
Q

His harmonic approach includes parallel chord streams, unresolved dissonance and quartal harmonies.

A

Debussy

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3
Q

His choruses often alternate homorhythmic passages with imitative textures.

A

Handel

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4
Q

He took a vivid and original approach to orchestration, expanding the size and make-up of the orchestra, often specifying grandiose performing forces.

A

Berlioz

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5
Q

He carried the vocal lyricism of his operas into his instrumental compositions.

A

Mozart

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6
Q

This composer cultivates a pan-ethnic perspective combining traditional Asian music with Western influences.

A

Louie

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7
Q

He composed works in every genre of his day with the exception of opera.

A

Bach

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8
Q

The detailed ornamentation of his melodic lines recalls the bel canto vocal style.

A

Chopin

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9
Q

His early works are characterized by driving rhythms, primal energy, and a percussive approach.

A

Stravinsky

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10
Q

His instrumental works reflect the spirit of the Classical era, while his vocal works are more Romantic in nature.

A

Schubert

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11
Q

He contributed to the development of the Baroque solo concerto and was a leader in establishing ritornello form.

A

Vivaldi

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12
Q

He was a master of the contrapuntal art who dedicated his works “to the glory of God”.

A

Bach

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13
Q

He was regarded as the “father” of the symphony and string quartet because of his significant contributions to both.

A

Haydn

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14
Q

He exemplified Viennese Classical ideals such as elegance, balance and refinement.

A

Mozart

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15
Q

He wrote almost exclusively for the piano.

A

Chopin

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16
Q

Musical nationalism is demonstrated in his polonaises and mazurkas.

17
Q

He increased the role of the piano in his art songs; the piano accompaniment often depicts specific elements of the poem.

18
Q

He explored orchestral writing unrestricted by pianistic conventions, and invented new orchestral effects such as col legno.

19
Q

As an avid reader, he was influenced by Shakespeare as well as leading writers of his day, including Goethe, Byron and Hugo.

20
Q

He integrated American, Hispanic and Jewish elements in his compositions, and absorbed popular, jazz, and musical theatre elements.

21
Q

This composer varied harmonic language, embracing tonality, modality and extreme dissonance, and injects humour into operas and stage works.

22
Q

His brilliant and idiomatic writing for strings is demonstrated in the virtuosity of his solo concertos.

23
Q

He drew inspiration from the work of Impressionist painters and Symbolist poets.

24
Q

He set forth his innovative ideas on orchestral colour and instrumental colour in a treatise on orchestration.

25
Known first for his Italian operas, his later dramatic works were English oratorios.
Handel
26
He employed widely spaced accompaniment patterns and sweeping arpeggiation sustained with the damper pedal.
Chopin
27
He often used monothematic expositions in his sonata-form movements, and was influenced by folk songs and dances.
Haydn
28
Musical playfulness and dramatic elements are demonstrated by sudden accents or dynamic changes, abrupt silences, and bold changes of chords or keys.
Haydn
29
He was influenced by the Mannheim orchestra, with the expanded use of wind instruments in his orchestral writings. His piano concertos were influenced by J. C. Bach.
Mozart
30
Opera was central to his career, creating compelling, realistic characters dramatically and musically.
Mozart
31
Extended embellishments and ornamental passages are prominent in his nocturnes and other lyrical works. Improvisatory qualities exist in many of his works, such as Preludes and Impromptus.
Chopin
32
He preferred large-scale forms, such as symphonies and oratorios. He embraced programmatic writing in program symphonies and concert overtures. He wrote few small works and character pieces.
Berlioz
33
Some of his later works embraced Schoenburg's twelve-tone method and sparse textures inspired by Webern.
Stravinsky
34
In his early years, he was influenced by the rich orchestration of Rimsky-Korsakov, and expressed Russian nationalism through use of folk song and dance.
Stravinsky
35
In his middle years, he showed emotional restraint, balance and discipline, as he adopted a neo-Classical style with emphasis on formal design.
Stravinsky
36
This composer's influences include Stravinsky, Debussy, and Canadian First Nations music.
Louie