Humanities: Counter-Reformation and Baroque Flashcards

1
Q

Who served as choirmaster of the Capella Gialia in the Vatican and Composed the “Mass for Pope Macellus?”

A

Giovanni Pierluigi de Palestina

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2
Q

What was the term “braghetton” assigned to?

A

Those who painted draperies over the “offensive areas of the nude figure in Michelangelo’s “Last Judgment.”

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3
Q

Why did Correggio create “Jupiter” and “Io?”

A

As part of the set of paintings commissioned by Federico Gonzaga of Muntua.

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4
Q

Who appears to “Io” in the painting commission by Federico Gonzage of Mantua as a cloud?

A

Jupiter

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5
Q

Who wrote The Way to Perfection, which describes the ascent of the soul to union with the Holy Spirit?

A

Teresa of Avila

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6
Q

What does the “Resurrection” by El Greco include?

A

Distinct mannerist qualities and is decorous to the extent that draperies carefully conceal all inappropriate nudity.

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7
Q

The characteristics mentioned as “innovative” qualities of “Don Quixole:”

A

-Using everyday speech indialogue
-Creating vivid and complex portraits of the main and subordinate charcters
-Presenting the narrative in the solemn style free form affectation
-In delicate juxtaposition with the comic scenes

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8
Q

As the author of “Spiritual Exercises,” Ignatius of Loyola called on who to develop all of their senses?

A

Jesuits

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9
Q

Who completed the sculptural program for the Cornaro Chapel in the Church of Santa Maria della Vittoria in Rome?

A

Bernini

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10
Q

Who painted “The Calling of Saint Matthew” for the Contarelli Chapel in the Church of San Luigi dei Francesi in Rome?

A

Michelangelo Merisi (Caravaggio)

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11
Q

In Caravaggio’s “The Calling of Saint Matthew,” who is standing beside Christ?

A

Saint Peter

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12
Q

Who painted 5 separate versions of the biblical story of Judith and Holofernes and was admitted to the Florentine Academy of Design?

A

Artemisia Gentileschi

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13
Q

Artemisa Gentileschi, in addition to Judith, she dramatized the stories of

A

Savannah, Bathsheba, Lucretia, Cleopatra, Esther, Diana, and Potiphar

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14
Q

What city in the 17th century became the center of musical innovation and practice in Europe?

A

Venice

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15
Q

Who is considered the 1st composer to specify dynamics by indicating piano for “soft” and forte for “loud.”

A

Giovanni Gabrieli

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16
Q

What was so special about Venice?

A

It was so popular that composers from across Europe came to study music thus Italian became the international language of music.

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17
Q

What did Orfeo require of an orchestra?

A

3 dozen instruments- including 10 viols, 3 trombones, and 4 trumpets.

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18
Q

Who is most closely associated with the concerto musical forms?

A

Antonio Vivaldi

19
Q

What did Antonio Vivaldi compose?

A

The 4 Seasons

20
Q

The “View of Haarlem from the Dunes of Overveen” is considered a ____ painting?

A

Landscape

21
Q

Who is particularly successful with genre scenes, including “The Dancing Couple?

A

Jan Steen

22
Q

Who composed the series of instrumental works known as the “Brandenburg Concertos?”

A

Johaan Sebastian Bach

23
Q

What was Louis XIV (14) known as?

A

The Sun King

24
Q

Among the French during the 17th century what was designed to convey the absolute power of the monarchy?

A

Architecture

25
Q

Who served as chief painter to Louis XIV and directed the term of artists who decorated the interior of the Palace of Versailles?

A

Charles Le Brun

26
Q

Who was the landscape architect in charge of the ground of the Palace of Versailles?

A

Andre Lose Notre

27
Q

Who created Jupiter and Io as part of the set of paintings commissioned by Federico Gonzaga of Mantua

A

Correggio

28
Q

Who painted the “resurrection”?

A

El Greco

29
Q

author of Spiritual Exercises, called on Jesuits to develop all of their senses.

A

Ignatius of Loyola

30
Q

Was so popular that composers from all across Europe went to study music there

A

Venice

31
Q

became the international language of music, due to the popularity of Venice.

A

Italian

32
Q

painted The Arrival and Reception of Marie de Medici at Marsailles.

A

Peter Paul Rubens

33
Q

wagered the painting collections of Poussin and Rubens over a tennis match.

A

Louis XIV and Armand-Jean du Plessis

34
Q

painted Arcadian Shepherds

A

Nicolas Poussin

35
Q

served as the head of the Royal Academy of Music and created a new operatic genre known as tragedie en musique

A

Jean-Baptiste Lully

36
Q

refers to a very lively dance, fast in tempo, usually employing a 6/8 meter

A

Gigue

37
Q

refers to a slow and steady dance, with accent on the second beat, in triple meter

A

Sarabanda

38
Q

refers to an elegant triple-time dance of moderate tempo, a dance form that quickly became the most popular of the age.

A

Minuet

39
Q

author of Tartuffe and was in disfavor with many in the French Court because he permitted few people to escape his ridicule

A

Moliere

40
Q

lost the throne during the Glorious Revolution of 1688

A

James II

41
Q

created Las Meninas and became the only artist permitted to paint Spain’s King Philip IV.

A

Diego Velazquez

42
Q

created Our Lady of the Victory of Malaga, which employs brocateado, a technique extremely popular among the Cuzco painters

A

Luis Nino

43
Q

following the lead of King Charles II of England, who had charted the Royal Society in 1662, Louis XIV created the French Academy of Sciences in 1666.

A

Louis XIV

44
Q

heels touching, feet forming a straight line

A

First Position