Imperialism Flashcards

1
Q

Summarise how you could write an essay about imperialism in Aida

A

Despite lack of Italian political imperialism, still shows musical imperialism.

  1. Orientalist
    a. Said
    b. Actually Ethiopians: Egyptian audience’s race views
    c. Women
  2. Ancient Egypt=Modern Egypt
    a. Egyptian designs for Sudan/Ethiopia
    b. Equating modern Egypt with Europeans (benefitting Egypt)
    c. Europeanizing project (imposition)
  3. Pro-Risorgimento
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2
Q

How did Aida reflect the contemporary political situation in Africa?

A
  • Imperialist designs of Khedive Ismail over Sudan/Ethiopia, e.g. 1801 suppression of Sudanese slave rebellion
  • Against Said: he ignores the place of Aida in Egyptian society
  • Army organisation etc
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3
Q

How did Aida help Khedive Ismail’s plans for Egypt?

A
  • Series of reforms, building up army, imposing regime of self-discipline through strict surveillance (parallels with Ramades turning himself in)
  • Can be seen as propaganda for new reforms
  • Puts Egypt on a level with Europeans – Khedive wanted to model Cairo on European cities (BUT…shows how Europeanizing project is intertwined in imperial European project…see more)
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4
Q

How does Aida showcase the imposition of European imperialism on Egypt?

A
  • Khedive had strong European links
  • Italian opera/composer/conductor, French Grand Style – imposed on Egypt especially at time of significance (new opera house, Suez canal etc) – sidelines true Egyptian heritage/talent
  • Cairo modernised with Paris as model
  • Opera house modelled on Paris Opéra – placed at the centre of the city, literally dividing Eastern and Western sections
  • Khedive even wanted Act II triumphal march as national anthem
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5
Q

How does Aida showcase Verdi’s own political leanings?

A
  • Ralph Locke considers this – Egyptians as aggressors
  • Verdi’s sympathies in the opera are with the Ethiopians
  • Egypt therefore as Austro-Hungary or Napoleonic France
  • Priestly class reflects Catholics oppressing Risorgimento uprisings within Austro-Hungary
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6
Q

What was Elgar’s stance on British imperialism?

A
  • Was in favour of the empire (default position of most people)
  • Worked for royalty with coronation for George V
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7
Q

What was the Crown of India?

A

Crown of India, 1912 Masque

  • Commissioned for music hall, the Coliseum: was more willing/relaxed to compose Crown of India because it was for the music hall, commercialism.
  • Intended to be reflection of the ceremonial taking place in India in 1911 during first visit of George V and Queen Mary in Delhi (military procession).
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8
Q

How does the Crown of India showcase British imperialist themes

A
  • Had to involve dialogue between East and West
  • British elements represented by men (St George) and Eastern elements by women (India itself portrayed by a woman)
  • Propagandising empire
  • Said (1995): ‘European culture gained strength and identity by setting itself off against the Orient as a sort of surrogate’.
  • Musically, the east is represented with feminised music e.g. Dance of the Nautch Girls, arabesque with gentle music, no martial rhythms, trills, lots of detail – typecasting. Even the march of the Mogul Emperors is in 3/2 (so not a march – more a polonaise).
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9
Q

Does the Crown of India reveal anything else about Elgar?

A
  • Corissa Gould (2006) argues that the Indian colonial subject allowed Elgar to write feminised music, which he preferred (but also maybe feared?)
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