key terminology Flashcards

(74 cards)

1
Q

what a dancer does eg. travelling, turning, elevation, gesture, stillness, use of body parts, floor-work and transference of weight.

A

Action

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2
Q

Speeding up the movement

A

Acceleration

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3
Q

The sound that you hear during a dance. For example percussion

A

Acompaniment

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4
Q

when a dancer performs a series of movements and others join in at different times until all perfrom in unison

A

Accumulation

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5
Q

A design that is traced in the air by part of the body

A

Air pattern

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6
Q

correct placement of the body parts in relation to eachother

A

alignment

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7
Q

the aim of the dance what the choreographer aims to communicate

A

Artistic intention

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8
Q

an audible accompaniment to the dance such as music, words, song and natural sound (or silence)

A

aural setting

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9
Q

a steady it held position achieved by a distribution of weight

A

balance

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10
Q

when the same movement overlaps in time

A

Canon

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11
Q

the way in which the choreographer makes the dance

A

choreographic approach

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12
Q

methods use to develop and vary material

A

choreographic devices

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13
Q

the aim of the dance; what the choreographer aims to communicate to the audience

A

choreographic intention

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14
Q

activities involving cresting a dance lie improvisation, selection and development

A

choreographic process

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15
Q

the most significant moment of the dance

A

climax

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16
Q

actions are shapes performed that’s similar but not the exact same as another dancer. (Goes well together)

A

complimentary

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17
Q

characteristics of choreography like style, stimulus, action content, form and structure, physical and aural setting

A

constituent features

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18
Q

movement or shapes that have nothing in common

A

contrast

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19
Q

the ability to start and stop a movement, chsnge direction and hold a shape efficiently

A

control

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20
Q

the efficient combination of body parts

A

coordination

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21
Q

when a dancer performs different phrases simultaneously (over and over again)

A

counterpoint

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22
Q

slowing down the movement (opposite of acceleration)

A

deceleration

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23
Q

the qualities of movement based upon variations in speed, strength and flow

A

dynamics

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24
Q

the action of ‘going up’ without support like a jump

A

elevation

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25
at once of choreography with several actions, linked by a theme
episodic
26
how a dancer includes things like good facial expressions, focus ( eyes up) and musicality
expressive skill
27
lengthening one or more muscle or limb
extension
28
the range of movement in the joints (involving muscles, tendons and ligaments) -being able to bend
flexibility
29
use of eyes to engage the audience and enhance the performance
focus
30
shapes or patterns created in spaces by dancers
formation
31
important moments of a dance
highlights
32
a performing area with the audience seated on all side
in the round stage
33
an independent movement of part of the body
isolation
34
awareness of movement and position
kinaesthetic
35
these include commitment, concentration, confidence, movement memory, repetition, mental rehearsing, rehearsal discipline, planing of rehearsal, good response to feedback and room to improve
mental skills
36
range of movement in a joint; the ability to move fluently from one action to the other
mobility
37
a movement phrase encapsulating an idea that is repeated and developed throughout the dance
motif
38
the ability to make unique qualities of the accompaniment evident un performance
musicality
39
dance that tells a story
narrative
40
different settings for a dance such as in-the-round, proscenium and site sensitive
performance environment
41
a short sequence of linked movements
phrase
42
they way in which the energy is distributed in the execution of a movement phrase
phrasing
43
aspects showing effective performance such as posture, alignment, balance, coordination, control, flexibility, mobility, strength, stamina,extension and isolation
physical skills
44
the way the body is held
posture
45
original choreography by someone kr company that has been recognised nationally or internationally
professional work
46
the energy the dancer uses to connect with and raw in the audience (using big movements making sure people at the back can really see you)
projection
47
the portable object that is used in a dance, for example and suitcase
prop
48
the arch or opening that creates the effect of a picture frame and separates the stage from the auditorium
proscenium
49
attributes like commitment, systematic repetition, teamwork, responsibility and effective use if time
rehearsal discipline
50
the way in which dancers interact; the connections between dancers. might use lifts or contact work
relationships
51
performing the same action or phrase again and again
repetition
52
reversing a movement or phrase
retrograde
53
repeated patterns, sound or movement in the contents of dance
rhythmic content
54
music or dance form with alternating and repeating sections eg. verse and chorus
rondo
55
carrying out actions safely
safe execution
56
personal care, respect for others,, safe execution and preparation and recovery from dancing
safe working practice
57
dances that are designed for (or related to) non-theatre spaces
sight sensitive
58
the 'where of movement such as levels, directions, pathways, shapes, designs and patterns
space
59
consciousness of surrounding space and its effective use. if it'd a big room or stage use the whole thing
spatial awareness
60
the way parts of the dance has been considered, utilised and designed within the space
spatial design
61
the presentation of dance in the performance space including set, furniture, props, projection and backdrop
staging/set
62
the ability to maintain the same energy over periods of time
stamina
63
inspiration for an idea or movement
stimulus
64
muscular power
strength
65
characteristic way of dancing
style
66
combination of two or more dance styles
style fusion
67
repeating something in an arranged or ordered way
systematic repetition
68
relating to sense of touch
tactile
69
these include accuracy of action, timing, dynamic, rhythmic and spatial content and reproduction of movement in a stylistically accurate way
technical skills
70
a composition in 3 parts
ternary
71
use of time or counts when matching movements to sound and/or other dancers
timing
72
links between dances or phrases per section
transitions
73
two or more dancers performing the same movement at the same time
unison
74
a sense of 'wholeness' or harmony
unity