Key Terminology Flashcards

(93 cards)

1
Q

Allegory

A

a prose or poetic narrative in which the characters, behavior, and even the setting demonstrates multiple levels of meaning and significance. Often is a universal symbol or personified abstraction such as Death portrayed as a black-cloaked “grim reaper” with a scythe and hourglass.

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2
Q

Alliteration

A

the sequential repetition of a similar initial sound, usually applied to consonants usually heard in closely proximate stressed syllables. Edgar Allan Poe’s “The Bells” talks about the clinging and clanging and tintinnubulation of the bells, bells, bells.

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3
Q

Allusion

A

a regerence to a literary or historical event, person, or place.

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4
Q

Anapestic

A

a metrical foot in poetry that consists of two unstressed syllables followed by one stressed

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5
Q

anaphora

A

the regular repetition of the same word or phrase at the beginning of successive prases or clauses

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6
Q

Anecdote

A

a brief story or tale told by a character in a piece of literature
the cantebury tales is a collection of anecdotes

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7
Q

antithesis

A

the juxtaposition of sharply contrasting ideas in a balanced or parallel words, phrases, grammatical structure, or ideas.
Laugh, and the world laughs with you
Weep, and you will weep alone

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8
Q

Apostrophe

A

an address or invocation to something that is inanimate–such as an angry lover who might scream at the ocean in his or despair.

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9
Q

archetype

A

recurrent designs, patterns of action, character types, themes, or images which are identifiable in a wide range of literature; for instance the femme fatale, that female character who is found throughout literature as the one responsible for the downfal of a significant male character

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10
Q

assonance

A

a repition of identical or similar vowel sounds, usually found in stressed sylables of close proximity.
In Xanadu did Kubla Kahn

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11
Q

asyndeton

A

a style in which conjunctions are omitted, usually producing a fast-paced more rapid prose.
I came, I saw, I conquered

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12
Q

attitute

A

the sense expressed by the tone of voice and/or the mood of a piece of writing; the feelings the author holds towards his subject, the people in his narrative, the events, the setting, or even the theme

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13
Q

ballad

A

a narrative poem that is, or originally was, meant to be sung. Repetition and refrain (reaccuring phrase or phrases) characterize the ballan.
Scarborough

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14
Q

Ballad stanza

A
a common stana form, consisting of a quatrain (a stanza of four lines) that alternates four beat and three beat lines: one and three are unrhymed iambic tetrameter (four beats) and two and four are rhymed iambic trimeter (three beats)
In Scarlet Town, where I was born
There live a fair maid dwellin';
Made many a youth cry well-a-day,
And her name was Barbara Allen
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15
Q

Blank verse

A

the verse form that most resembles common speech, blank verse consists of unrhymed lines in iambic pentameter
When the Norn Mother saw the Whirlwind Hour
Greatening and darkening as it hurried on,
She left the Heaven of Heroes and came down
To make a man to meet the mortal need

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16
Q

Caesura

A

a pause in a line of verse, indicated by natural speech patterns rather than due to specific metrical patterns.
Alas how changed! || What sudden horrors rise!
A naked lover || bound and bleeding lies!
Where, where was Eloise? || Her voice, her hand,
Her poniard, || had opposed the dire command.

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17
Q

Caricature

A

a depiction in which a character’s characteristics or fearures are so deliberately exaggerated as to render them absurd

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18
Q

Chiasmus

A

a figure of speech by which the order of the terms in the first of two parallel clauses is reversed in the second.
“pleasures a sin, and sometimes a sin’s a pleasure”

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19
Q

Colloquial

A

ordinary language, the vernacular. For example, depending upon where in the US you live, a large sandwich might be a hero, a sub, or a hoagie

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20
Q

Conceit

A

a comparison of two unlikely things that is drawn out within a piece of literature, in particular and extended metaphor within a poem. Conceits might be the idea of tracing a love affair as a flower growing, budding, coming to fruition, and dying, for example. Hair might be spun gold, teeth like stars or pearls, etc.

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21
Q

Consonance

A

the repetitions of a sequence of two or more constonants, but with change in the intervening vowels, such as pitter patter, pish posh, clinging and clanging

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22
Q

couplet

A

two rhyming lines of iamic pentameter that together present a single idea or connection
so long as men can breath or eyes can see/so long lives this and this gives life to thee

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23
Q

dactylic

A

one metrical foot in poetry that consists of two stressed syllables followed by one unstressed sllable
everywhere, everywhere, Christmas tonight/Christmas in lands of the fir tree-and pines

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24
Q

denotation

A

a direct and specific meaning, often referred to as the dictionary meaning of a word

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25
dialect
the language and speech idiosyncrasies of a specif area, region, or group of people
26
diction
the specific word choice an author uses to persuade or convey tone, purpose, effect. For example, Edgar A. Poe said, "I hadn't so much forgot as I couldn't bring myself to rember" This has far more impact on the reader than his just saying, "I chose not to remember."
27
Dramatic monologue
a monologue set in a specific situation and spoken to an imaginary audience. Another term for this oculd be soliloquay. There are many in Hamlet "to be or not to be"
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elegy
a poetic lament upon the death of a particular poem, usually ending in consolation
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enjambment
the continuation of a sentence from one line or couplet of a poem to the next
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epic
a poem that celebrates, in a continuous narrative, the achievements of might heroes and heroines, often conccerned with the founding of a nation or developing of a culture; it uses elevated language and grand, high style
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exposition
the part of the structure that sets the scent, introduces and identifies characters, and establishes the situation at the beginning of a story or play
32
extended metaphor
a detailed and complex metaphor that extends over a long section of a work, also known as conceit
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fable
a legend or short moral story often using animals as characters
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falling action
the part of plot structure in which the complications of the rising action are untabgled, also known as denouement
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farce
a play or scene in a play that is characterized by broad humor, wild anics, and often slapstick and physical humor
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foreshadowing
to hint at or to present an indication of the future beforehand
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formal diction
language that is lofty, dignified, and impersonal
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flashback
retrospection, where an earlie event in inserted into the normal chronology of the narrative. To Kill a Mockingbird is written in flashback to the narrator's childhood.
39
free verse
poetry that is characterized by varrying line lengths, lack of traditional meter, and nonrhyming lines
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genre
a type of class of literature
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hyperbole
overstatement characterized by exaggerated language
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iambic
a metrical foot in poetry that consists of an unstressed syllable followwed by a stressed syllable. Often used in sets of five called iambic pentameter
43
imagery
boradly defined, any sensory detail or ovocation in a work, the use of figurative language to evoke a feeling, to call to mind an idea, or to descrive an object. Basically, imagery involves any or all of the five senses.
44
informal diction
language that is not as lofty or impersonal as formal diction; similar to everyday speech. okay, bye hey huh
45
in medias res
"in the midst of things"; refers to opening a story in the middle of the action, necessitating filling in past destails by exposition or flashback
46
irony
a situation or statement characterized by significant difference between what is expected or understood and what actually happens or is meant
47
jargon
specialized or technical language of trade, profession, or similar group. The computer industry, for example, as introduced much jargon into our vocabulary. Geek, crash, interface are all jargon
48
juxtaposition
the location of one thing as being adjacent or juxtaposed with another
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limited point of view
a perspective confined to a single character, whether a first person or third person; the reader cannot know for sure what is going on in the minds of other characters
50
litote
a figure of speech that emphasizes its subject by concious understatement. the understates "not bad" as a comment about something especially well done.
51
loose sentence
a sentence grammatically complete, and usually starting its meain idea forfore the end the child ran as if being chased by demons
52
lyric
originally designated poems ment to be sung to the accompaniment of a lyre; now any short poem in which the speaker expresses intense personal emotion rather than descriving a narrative or dramatic situation. The sonnet and the ode are two types lyric poetry.
53
message
a misleading term for theme; the central idea or statement of a story, or area of inquiry or explanation; misleading because it suggests a simple, packed statement that pre-exists and for the simple communication of which the story is written
54
metaphor
oen thing pictured as if it were something else, suggesting a likeness or analogy between them. It is an implicit comparison or identification of one thing with another unlike itself without the use of a verbal isgnal such as like or as. Sometimes that term metaphor is used as a general term for figure of speech.
55
meter
the more or less regular pattern of stressed and unstressed syllables in a line of poetry. This is determined by the kind of "foot" Iiambic or dactylic, for exa,ple) and by the mumver of feet per line
56
metonymy
a figure of speech in which an attribute or commonly associated feature is used to name or designate something as in "the pen is mightier than the sword" pen stands for publishing (all media) and the sword for military.
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mood
a feeling or ambiance resulting from the done of a piece as well as the narrator's attitude and point of view.
58
motif
a reccurent device, formula, or situation that aoften serves as a signal for the appearance of a character or event
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narrative structure
a textua organization based on sequences of connected events, usually presented ins traighforwar, chronological frameword
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occasional poem
a poem written for a specific occastion
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ode
a lyric poem that is somewht serious in subject and treatmen, is elevated in style and sometimes uses elaborate stanza structure which is pften patterned in sets of three
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omniscient point of view
also called unlimited forcus: a perspective that can be seen from one character's view, then another's, then another's, or can be moved in or out of the mind of any charcter at any time. the reader has access to the [erceptions and thoughts of all the characters in the story
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onomatopoeia
a word capturing or approximating the sound of what it descrives "buzz" for example
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oxymoron
tight slacks jumbo shrimp | combines two elements that are apparently contradictorary
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parable
a short fiction that illustrates an explicit morel lesson through the use of analogy
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paradox
a statement that seems contradictory but may actually be true. war protestors would "fight for peace"
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parallel structure
the se of similar forms in writing for nous, verbs, phrases, or thoughts. June likes readING, writING, and skiING
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parody
a work that imitates another for comic effect
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pastoral
a work that descrives the simple life of country fold
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periodic sentence
a sentence which is not gramatically complete until the end | the child, who looked as if she were being chased by demons, ran.
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petrarchan sonnet
also called Italian sonnet: a sonnet form that divides the poem into one section of eight lines (octave) and a second section of six lines (sestet), usually following the abba abba cde cde thyme scheme though the sestet's rhyme varies
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quatrain
a poetic stanza of four lines
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realism
the practice in leterature of attempting to describe nature and life without idealization and with attention to details
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refrain
a repeated stanza or line (s) in a poem or someg
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rhythm
the modulaton of weak and strong (stressed and unstresses) elements in the flow of speech
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sarcasm
a form of verbal irony
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satire
a literary work that holds up human failings to ridicule and censure
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scansion
the analysis of verse to show its meter
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shakespearean sonnet
a sonnet form that divides the poem into three units of four lines each and a final unit of two lines, usually abab cdcd efef gg
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shaped verse
another name for concrete poetry; poetry that is shaped to look like an object
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simile
a direct comparions usually using words such as like or as
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soliloquy
a monologue in which the character in a play is alone and speaking only to himself or herself
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stanza
a section of a poem demarcated by extra line spacing. Some distinguish as tanza, a division marked by a single pattern of emter or rhyme, from a verse paragraph, a division marked by thought rather than pattern, not unlike a paragraph in prose writing. Stanzas can be idenified by the numver of their lines: couplet: two lines tercet: three lines quatrain: four lines cinquain: five lines sestet: six lines heptatich: seven lines octave: eiht lines
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stock character
one who appears in a numver of stores or plays such as the cruel stepmother, the femme fatale, etc.
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synecdoche
when part is used to signify a whole, as in All hands on deck, hands stands for the whole of the sailor lend me your ears
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syntax
the way words are put together to form phrases, clauses, and sentences
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terza rima
a verse form consisting of three line-stanzas in which the second line of each rhymes with the first and third of the next aba bcb
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theme
a generaliized, abstract paraphrase of the inferred central or dominant idea or concern of a work
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tone
the attitute a literary work takes toward its subject and theme
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tragedy
a drama in which a character (usually good) is brought to a disastrous end in his or her confrontation with a superior force.
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trochaic
a metrical foot in poetry that is the opposite of iambic. the first syllable is stressed, the second is not
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turning point
the third part of plot structure, the pointat which the action stops rising and begins falling. Climax
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villanelle
a verse form sonsisting of ninteen lines divided into six stanas--five tercets (three line stanzas) and one quatrain. The first and third line of the first tercet rhyme, and this rhyme is repeated through each of the next four tercets and in the last two lines of the concluding quatrain