Kiss of the Vampire Flashcards

1
Q

Who produced KOTV?

A

Hammer Productions

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2
Q

The choice of font on the poster of KOTV was made to look like what?

A

Wood painted in blood, stakes or knives.

They also create a visual representation of a ghostly or monstrous voice.

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3
Q

What lighting technique was used on the cover of KOTV?

A

Use of chiaroscuro (patches of shadow and light) to obscure and conceal.

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4
Q

True or false: Vivid colours distinguish Hammer Horror films from the classic black and white horror films?

A

True! The film is shown in Eastman Colour.

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5
Q

How would you describe the setting in the poster of KOTV?

A

Night-time, dark, gloomy with connotations on evil.

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6
Q

What iconography can be seen within the poster of KOTV?

A

Bats, Transylvanian castles, blood, vampires.

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7
Q

What camera shot is used on the poster of KOTV?

A

Low angle shot to make the vampires appear intimidating.

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8
Q

Why are shadows and dark lighting used in KOTV?

A

To reflect the moral corruption of the vampires and their dark intentions.

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9
Q

How is the female vampire represented in KOTV?

A

She looks somewhat possessed; she is also a victim and handmaiden to the potent male vampire (leader), but has control and power over the human victims.

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10
Q

How is the female victim represented in KOTV?

A

Helpless, exposed (fainted), terror struck.

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11
Q

What can be said about the dress of the female victim in KOTV?

A

Innocence: the brides of Frankenstein reference in her white dress. She is also sexualised, and perhaps fetishised. Damsel in distress.

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12
Q

How is the male victim represented in KOTV?

A

Not cowering, he is kneeling out and sat upright. Submissive sacrifice gesture code.

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13
Q

How is the male vampire represented in KOTV?

A

He is the tallest and strongest on the poster, but his facial expressions appear less wild and ruthless against the female vampire.

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14
Q

How can we apply Steve Neale’s theory of genre in KOTV?

A

Through the repetition of classic genre conventions but slight marks of difference seen within the genre roles on the poster. (Female vampire withholding some power).

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15
Q

What year was KOTV produced?

A

1963

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16
Q

What is the main genre and sub genre of KOTV?

A

Genre: horror, sub-genre: vampire.

17
Q

Who distributed KOTV?

A

Rank Organisation, a British entertainment conglomerate.

And, Universal Pictures- a large American company who had success in the horror genre.

18
Q

How is narrative suspense created on the poster of KOTV?

A

Enigma codes of the connoted relationship between the two vampires and the fates of the victims.

19
Q

Why does the main image appear to be painted in KOTV?

A

It’s a convention of film posters at the time.

20
Q

How are the star names listed/ranked on the poster of KOTV?

A

More highly paid male actors first and in order of fame. (4 men, 1 woman).

21
Q

What is the colour palette of the poster in KOTV?

A

Somber colours of grey, brown, black and red to reinforce symbolic codes of darkness and fear.

22
Q

What marks of quality can be found on the poster of KOTV?

A

“Produced by Anthony Hinds” “Directed by Don Sharp” “A Hammer Film Production” “A Universal Release”

23
Q

How can Claude Levi-Strauss’ theory of structuralism be applied to KOTV?

A

Through binary opposites: Good vs Evil, Dark vs Light, Hero vs Villain. Strong vampires vs weak victims.

24
Q

The female victim in KOTV fits the social context of a passive woman, what is a passive woman?

A

“Accepting or allowing what happens or what others do, without active response or resistance…”

25
Q

How do we see subversions of female stereotypes in KOTV?

A

Strong female character playing a villainous character, as this is unusual.

26
Q

List all contexts related to KOTV:

A

Swinging sixties, women’s sexual liberation (contraceptive pill), cultural expectations of women being subordinate, men beginning to feel challenged and fear for their authority (seen in the male vampires facial expression).

27
Q

How can Van Zoonen’s feminist theory be applied to KOTV?

A

Female bodies are displayed as objects and the male bodies are constructed to be spectacles.