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History of Architecture > Korean/Indian Architecture > Flashcards

Korean/Indian Architecture Flashcards

1
Q

Common court dances are _____ (정재무) performed at banquets, and ilmu (일무),
performed at Korean Confucian rituals.

A

jeongjaemu

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2
Q

The earliest paintings found on the Korean peninsula are ______ of prehistoric times.

A

petroglyphs

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3
Q

Korea was united by
_______ of
the Goryeo Dynasty in
936.

A

Emperor Taejo

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4
Q

as the officers of civil and military servants

A

Yangban

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5
Q

as the upper class

A

Chungin

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6
Q

as the commoners

A

Sangmin

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7
Q

as the vulgar commoners.

A

Cheomin

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8
Q

Korean measurement or also knowns as the

A

kan

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9
Q

dolmen, primitive tombs, primitive houses.

A

Ancient Korean Period

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10
Q

ancient Korea kingdoms of Goguryeo, Baekje and Silla

A

Three Kingdoms Period

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11
Q

Unification of the Korean peninsula into the kingdom of United Silla, Buddhism introduced to
Korea from China during the T’ang Dynasty in China. Developed into unique cultural identity.
Buddhist temples and Pagoda

A

United Silla Period

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12
Q

Inspired by Buddhism. Magnificent temples and pagoda. most of the architecture of this time
was built of wood, little has survived to the present day

A

Goryeo Period

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13
Q

Neo-Confucianism inspired new architectural paradigms. Jaesil, or clan memorial halls,
became common in many villages,

A

Joseon Period

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14
Q

a composite building material used
for making walls,

A

Wattle and daub

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15
Q

the craft of building
a roof with dry vegetation such
as straw, water reed, sedge

A

Thatching

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16
Q

Column Head Bracket

A

Jusimpo

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17
Q

Multi Bracket System

A

Dapo

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18
Q

simplefied bracket

A

Ikgong

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19
Q

Gable roof system

A

Matbae

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20
Q

Hipped Roof System

A

Wingak

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21
Q

Hip and Gable

A

Paliak

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22
Q

is defined as from
the 14th century to the beginning of
20th century.

A

Joseon architecture

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23
Q

Normal houses were usually built without the use of brackets, which
is called

A

mindori style

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24
Q

is a term to
describe Korean traditional houses.

A

HANOK

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25
Q

meaning that the ideal house is built with a mountain in the back
and a river in the front

A

baesanimsu

26
Q

hanoks are more open and L-shaped

A

In the south

27
Q

a floor- based heating system

A

‘Ondol (Gudeul)

28
Q

a cool wooden-floor style hall were
devised long ago to help Koreans survive

A

‘Daecheong,’

29
Q

to enclose the central living space

A

Northern Layout
(Square) layout

30
Q

to oprimize airflow

A

straight-line-layout

31
Q

combine the northern and southern styles

A

Central Region (L layout)

32
Q

Hanok have their own tile roofs called

A

Giwa

33
Q

is the edge of Hanok’s curvy roof

A

Cheoma

34
Q

is a lubricated with beam oil

A

Hanji

35
Q

(houses with
tiled roofs) Hanok
occupied by the nobility

A

Giwajip

36
Q

(houses with
straw-thatched roofs)
Hanok inhabited by the
peasantry.

A

Chogajip

37
Q

The wooden floor was made to store grains
and link rooms. It was also
used as a place of sacrificial
ancestral worship.

A

Maru

38
Q

Made by putting
mud over under-floor
heating stones, “ondol” is a
main feature of traditional
Korean houses.

A

Ondol

39
Q

If you look closely at Korea’s
roofs, you’ll see the no roofs are flat.
Almost all are in shapes of curved lines and surfaces.

A

Giwa

40
Q

Korean paper made from
bark of mulberry tree) is
pasted on the wooden
window frames and
doorframes.

A

Hanji

41
Q

is
a large, gender-segregated public
bathhouse in Korea.

A

Jjimjilbang

42
Q

Jjimjil is derived from
the words
meaning

A

headed bath

43
Q

Traditional Korean
entrance gate

A

MUNGAN CHAE

44
Q

Part
of the roof protruding
outside.

A

CHEOMA (eaves)

45
Q

Edge of the eaves slightly angled
up, like a bird’s wing
ready to take off.

A

CHEOMAKKEUT

46
Q

traditional
wooden architecture
specifically to the
woodworkers who employ
the traditional carpentry
techniques.

A

DAEMOKJANG

47
Q

Male
quarters inside a hanok

A

SARANGBANG

48
Q

female
quarters inside a hanok

A

ANBANG

49
Q

is literally the belted grid and the up-right
diagonal floral design; and their unlimited
variations and combinations.

A

ttisal-mun

50
Q

the central component in
the Korean national flag.

A

t’aeguk pattern

51
Q

The basic characteristics of the are the red comma shape, the male element, and
beneath it the blue comma shape, the female
element, both of which interlock in a circle to
express infinite movement.

A

t’aeguk pattern

52
Q

connotes the patterns painted on the exposed frames
of the eaves or doors of traditional wooden buildings and is also used on wooden
sculptures and handicrafts

A

Tanch’long

53
Q

was used not only for decorative purposes but
also for preservation, by concealing flaws of exposed naked wooden frames. It was
widely used as a decorative motif in palatial and temple buildings. Lotus,
pomegranate, and other floral designs form the major tanch’ long patterns in the
extant royal palaces and temples.

A

Tanch‘long

54
Q

Roof end tile shaped like an owl’s tail

A

chimi

55
Q

Buddhism, the brightly colored patterns of
danch’eong adorn the ceilings, eaves,
support pillars, and walls of temple
buildings.

A

Danch’eong: Enlightenment

56
Q

is one of the
most ornate Buddhist
temples in South Korea.

A

Pulguksa Temple, South
Korea

57
Q

is a temple complex from the
Old Silla era of Korea.

A

Bunhwangsa

58
Q

built during
the Silla period, under the
patronage of the Silla royal family, on a plain encircled by mountains
near the royal palace compound
of Banwolseong (Half-Moon Palace).

A

Hwangnyongsa

59
Q

is a head temple of the Jogye
Order of Korean Buddhism. It stands on the slopes of Moaksan in Gimje City,
Jeollabukdo, South Korea.

A

Geumsansa

60
Q

also known as
the Pyramid of the East, is
thought to be the burial tomb
of King Gwanggaeto or his
son King Jangsu, both kings of
the Korean
kingdom of Goguryeo.

A

The Tomb of the
General

History of Architecture (8 decks)

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