Lecture 21 Flashcards
location
sounds that come to the same place are assumed to belong together
onset time
sounds that appear at the same time tend to belong to the same object
similarity of timbre and pitch
sounds with similar timbre and pitch belong to the same object
help us break up an auditory scene: breaking up into separate streams
bach invention: two different melodies at different octaves and the notes in the left hand/right hand were more similar in pitch
proximity in time
sounds that appear in rapid succession belong to the same object
bach invention: trilling two notes those two became its own auditory stream
auditory continuity
if a sound of the same pitch or timbre changes in a constant fashion (even if interrupted) we think it belongs to the same object
effect of past experience
like gestalt familiarity
strong top down cue, what you expect based on what you’ve heard before
if you’ve experienced a pattern of sounds before then you will attribute it to the object it came from in the past
familiar with piece or composer you know what to expect: what transition is coming up or how the two diff streams interact
experiment by dowling and harwood
melody schema
Melody “Three Blind Mice” is played with notes alternating between octaves
- Listeners find it difficult to identify the song
- But after they hear the normal melody, they can then ‘hear’ (recognize) it in the modified version using melody schema
once you’ve activated this “melody schema” then you’re interpretation of the same information changes
Auditory space
surrounds an observer and exists wherever there
are sound sources.
Researchers study how sounds are localized in space along three dimensions:
– Azimuth - position left to right
– Elevation - position up and down
– Distance from observer
azimuth
horizontal left to right
elevation
position up and down
distance
distance from observer
figure-ground
trilling becomes the ground
main melody becomes the figure
problem with auditory localization
the signal is being mixed right at the receiving organ
no separation
Location cues are not contained in the
…. receptor cells (as on the retina).
location for sounds MUST BE
CALCULATED
On average, people can localize sounds which are:
– Directly in front of them most accurately.
– To the sides and behind their heads least accurately.
auditory localization cues
- binaural
- monaural
Binaural cues
location cues based on the comparison
of the signals received by the left and right ears
azimuth
two main cues:
• Interaural time difference (ITD), useful for low frequencies
• Interaural level difference (ILD), useful for high frequencies
Interaural time difference (ITD)
the amount of time it takes that sound stimulus to get to one ear compared to the other ear
Interaural level difference (ILD)
the amplitude of that signal hitting one ear vs. the amplitude hitting the other ear
monaural
using 1 ear
elevation
Spectral cues and the head-related transfer function (HRTF)
spectral cues
using frequency information in the signal
the information for location comes from the spectrum of frequencies
Interaural time difference (ITD)
maximally effective when something is off to the side
- difference between the times at which sounds reach the two ears.
• When distance to each ear is the same, there are no differences in time (point A).
• When the source is to the side of the observer, the
times will differ (point B).
• This cue is better for LOW FREQUENCY tones (< 800 Hz).
− May use temporal coding (phase locking - diff neurons responding to the peaks of a frequency coming in, as you get higher and higher frequencies the phase coding becomes more difficult, so we want to use simpler sounds that are less complicated ) in cochlea.