Lesson 11 Flashcards

1
Q

Application of pigments to a support surface that establishes an image, design, or decoration

A

Painting

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2
Q

It is created with pigment in liquid form and applied with a brush

A

Painting

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3
Q

In this paintings, powedered pigments are used

A

Navajo Sand Painting
Tibetan Mandala Painting

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4
Q

One of the oldest criteria together with drawing and sculpture

A

Painting

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5
Q

Most recognizable images in Western art history

A

Mona Liza by Leonardo Da Vinci
The Scream by Edvard Munch
Starry Night by Vincent Van Gogh

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6
Q

Mona Liza

A

by Leonardo Da Vinci

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7
Q

The Scream

A

by Edvard Munch

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8
Q

Starry Night

A

by Vincent Van Gogh

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9
Q

An art technique for creating an illusion of three dimensions (depth and space) on a two dimensional flat surface

A

Perspective

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10
Q

It is what makes a painting seem to have form, distance, and look “real”

A

Perspective

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11
Q

It is linked to the idea that objects of similar size appear smaller as the distance between the object and viewer increases

A

Linear Perspective

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12
Q

The effects that the atmosphere has upon objects as they recede into the distance are referred to as

A

Aerial Perspective

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13
Q

The spot from which you, the artist, is looking at the scene

A

Viewpoint

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14
Q

It is how an adult sees the world when standing

A

Normal Viewpoint

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15
Q

When you’re looking at the scene from much lower than you

A

Low viewpoint

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16
Q

When you’re looking down on a scene

A

High Viewpoint

17
Q

An imaginary line used to create accurate perspective in painting

A

Horizon line and Vanishing line

18
Q

Drawn on the top and bottom horizontal edges of an object

A

Vanishing lines

19
Q

This perspective is when you’re standing on a station staring down the railway track which narrows and then disappears at a spot in the distance

A

One point perspective

20
Q

It is used when the objects front is facing the viewer

A

One point perspective

21
Q

The lines getting farther from the viewer will have an angle towards what is called a

A

Vanishing point

22
Q

Two vanishing points is used when the objects corners are facing the viewer

A

Two-point perspective

23
Q

This method is perfect for drawing isometric objects

A

Two point perspective

24
Q

It defines the surface quality of an artwork

25
The roughness or smoothness of the material from which is made
Texture
26
We experience texture in two ways:
Optically and Physically
27
Create the illusion of the texture
Optical Texture
28
Paint with expressive brushstrokes whose texture conveys the physical and emotional energy of both the artist and his/her object
Physical texture
29
Third category of textures whose fleeting forms are subject to change like clouds, smokes, flames, bubbles, and liquids
Ephemeral Texture
30
3 category of texture
Optical Physical Ephemeral