Ling 250 part 2 Flashcards

(57 cards)

1
Q

what is a phoneme

A

Perceptually distinct units of sound that distinguish one word
from another in a given language

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2
Q

what is an allophone

A

phonetic variations of
a phoneme, appear in predictable contexts

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3
Q

how do you argue that sounds are 2 different phonemes

A

lexical contrast (minimal pairs), overlapping distribution

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4
Q

how do you argue that 2 sounds are 2 allophones of the same phoneme

A

distribution analysis: what context does the sound appear in, if they are in complementary distribution then they are allophones

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5
Q

define minimal pair

A

pair of words with different meanings and just one sound difference

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6
Q

complementary distribution

A

no overlapping contexts where a set of sounds appear

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7
Q

overlapping distribution

A

minimal pairs exist (2 sounds can appear in the same context)

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8
Q

underlying representation

A

the phoneme with the most simple/broad contexts

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9
Q

assimilation

A

make 2 sounds sound more similar

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10
Q

dissimilation

A

make sounds sound less similar

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11
Q

epenthesis

A

add a sound (insertion)

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12
Q

deletion

A

delete a sound

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13
Q

metathesis

A

reordering of sounds

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14
Q

fortition

A

sounds get stronger

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15
Q

lenition

A

sounds get weaker

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16
Q

morphemes

A

meaningful pieces of a word (prefix, stem, suffix)

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17
Q

allomorphs

A

morpheme variants, same meaning, different forms depending on the context

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18
Q

describe the sonority hierarchy

A

low-high: voiceless stops, voiced stops, voiceless fricatives, voiced fricatives, nasals, liquids, glides, vowels

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19
Q

describe the components of a syllable

A

onset, rhyme (nucleus, coda)

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20
Q

what does the mora signify

A

syllable weight

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21
Q

light syllable

A

one mora

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22
Q

heavy syllable

A

2 moras

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23
Q

superheavy syllable

24
Q

what sounds get a mora

A

vowels -1, diphthongs- 2, stressed syllables with a coda - 1

25
onset
first sound(s) in a syllable
26
nucleus
vowel
27
coda
comes after the nucleus
28
rhyme
made up of the nucleus and coda
29
sonority sequencing principle
the nucleus of a syllable is the sonority peak, usually progressively decreases from the nucleus on both sides (upside down V shape), some violations
30
tone system
the use of pitch for lexical contrast
31
intonation system
the use of pitch to convey a discourse-level meaning
32
tone shift
tone can spread from its segmental anchor and shift to other segments and syllables
33
tone spread
a single tone feature may spread out over a string of successive syllables
34
obligatory tone contour principle
identical tones adjacent to each other are prohibited in some languages
35
tone sandhi
observed in East Asian tone languages, phonological rules that change tone assigned to a syllable depending on tone of adjacent syllable
36
boundary tone
occur at the right edge of a phrase and mark the type of speech act
37
pitch accent
encode the informational status of a word or phrase (highlights new information, broad or contrastive focus)
38
african languages
level tone languages, relative pitch heights
39
asian languages
contour tone languages
40
distributional analysis of language data
determines if 2 sounds are 2 different phonemes or allophones of the same phoneme
41
steps for a distributional analysis
look at what contexts each sound appears in
42
format for writing phonological rules
/x/ --> [y] / [context])
43
response patterns in identification tasks
continuous perception is linear, categorical is non-linear (_/-)
44
response patterns in discrimination tasks
continuous is a flat line around 50, categorical peaks between 4 and 5 but flat around
45
continuous perception
gradient
46
catagorical speech
one or the other
47
origins of perceptual catagorization
temporal response patterns in the auditory cortex (auditory system), and learning!
48
steps in generating speech from text
breaks a word down into pronouncable units, transformed into electronic sound signals by several methods (parametric, concatenative, generative)
49
parametric speech synthesis
define parameters of human speech signal and use this information to generate speech (amplitude and freq of formants)
50
synthesis by rule
computer synthesized sound wave where only f1/f2/f3 frequency and f1/f2/f3 amplitude are manipulated
51
articulatory synthesis
model of the vocal tract, speech is created by digitally simulating air flow through the vt
52
concatenative speech synthesis
synthesize sounds by concatenating short samples of pre-recorded sound
53
steps in automatic speech recognition
speech input, spectral encoding, look-up, output
54
word error rate
number of errors divided by the number of words
55
challenges of automatic speech synthesis and recognition
segmentation (don't know word boundaries), ambiguity (homophones, semantics, pragmatics, syntax), variability (across speakers, speech styles, accents, etc.)
56
identification experiment
what category does a sound belong to, do we find a clear boundary?
57
discrimination experiment
can you discriminate one sound from another