Literature and Understanding Text Flashcards
(184 cards)
This type of ‘traditional literature’ is realistic with a moral, and comes off as didactic. Unlike a fable, it ‘can’ be true. (Prodigal Son)
parable
This type of ‘traditional literature’ is a nonrealistic story with a moral, sometimes featuring animals (Aesop)
fable
This type of ‘traditional literature’ is nonrealistic and features magic and stereotypes (Cinderella, Grimm Brothers)
fairy tale
This type of ‘traditional literature’ uses the language of the people and does not always feature a moral (Babe the Blue Ox)
folk tale
This type of ‘traditional literature’ is used to explain phenomena (Thor’s hammer)
myth
This type of ‘traditional literature’ tells exaggerated stories about real people, places, or things (George Washington and the cherry tree)
legend
This 18th-19th century movement originated in Germany and moved to England. It focused on awe, imagination, fancy, freedom, emotion, and the beauty of nature. Authors include Wordsworth, Poe, Goethe, and Mary Shelley.
Romanticism
This 19th century reaction to Romanticism featured a rejection of classical themes and embraced a true-to-life approach. Authors include Flaubert, Tolstoy, George Eliot, and Stephen Crane.
Realism
This 19th century reaction to Realism focused on symbolically evoking the world beyond the five senses and portraying highly complex feelings. Authors include Yeats, Joyce, and TS Eliot. (Includes some modernist writers as well)
Symbolism
This early 20th century movement focused on content and form of work. Its founders believed that knowledge was not absolute, that there was a loss of tradition, and featured the dominance of technology. Authors/contributors include Einstein, Freud, Ezra Pound, Joyce, E.E. Cummings, and Ibsen.
Modernism
This 20th century movement, mostly in art, attempted to free people from false rationality and restrictive structures. It supported socialism, communism, and anarchism. Some contributors were inspired by Freud’s work on dreams and the unconscious. Included are Breton, Aragon, Artaud, and Peret.
Surrealism
This lengthy form of fiction tells realistic stories that could happen–they could take place anywhere as long as the author makes it believable. This form was popularized by Dafoe’s ‘Robinson Crusoe’ and Swift’s ‘Gulliver’s Travels’
novel
This form of fiction originated in France and later moved to England and Germany, portraying an idealized life that is better than true experience. It may include love and/or fantasy. (Malory’s ‘Le Morte D’Arthur)
romance
This form of fiction shows only one character’s ideas and thoughts–the character is round and known in detail by the reader. (St. Augustine and Rosseau)
confession
In this form of fiction, the reader sees the world through the eyes of another and ends up with a different take on a certain aspect because of it (The reader’s take on candy in Roald Dahl’s ‘Charlie and the Chocolate Factory’)
Menippean satire
This term is the author’s attitude
tone
This term describes when the author talks down to the reader
condescension
This term describes a teaching tone in literature
didactic
The type of irony in which there is incongruity between what is said and what is mean is
verbal irony
The type of irony in which there is a difference between what happens and what is expected is
situational irony
This type of irony is when the reader knows more than the character knows
dramatic irony
This literary device conveys fun and laughter
humor
A humorous or ridiculing imitation is this
parody
The excessive use of feeling or emotion in writing
sentimentality