M2 Flashcards

(60 cards)

1
Q

The Sketch (Luzon) is by v__________ e________

A

Victorio edades

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2
Q

Visual arts

Magellen’s Cross (visayas) is by r________ a_____

A

raul agas

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3
Q

Visual arts

Salaam or peace (mindanao) is by r__________ t_________

A

rameer tawasil

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4
Q

are art forms such as painting, drawing, etc.

A

visual arts

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5
Q

defined and as practiced in the philippine contemporary arts made use of diff. materials like the variety of woods, metals, and stones

A

sculpture

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6
Q

the higantes is from

A

angono

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7
Q

examples of sculpture?

M_______ J____
B____ bl____ Co______ S________

A

manunggul jar
bohol blood compact sculpture

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8
Q

sculpture from luzon made by guillermo tolentino

b__________ m_________

A

the bonifacio monument

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9
Q

SCULPTURE from viasayas made by raul agas

s________ (b________ c_________)

A

sandugo ( blood compact )

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10
Q

sculpture from mindanao made by kublai khan

s____ l________ in d__________

A

six ladies in durian

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11
Q

is the practice of applying pigment suspended in a carrier (or mediam) and a binding agant ( a glue ) to a surface (support) such as paper, canvass or wall

A

painting

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12
Q

is al;so used to express spiritual motifs and ideas

A

painting

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13
Q

sites of this kind of painting range from artwork depicting mythological figures on pottery to the sistine chapel and to the human body itself

A

painting

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14
Q

example of painting

m_______

A

mural

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15
Q

a painting from luzon made by fernando amorsolo

P__________ r_________

A

planting rice

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16
Q

painting from viasayas made by matino abella

c______ c__________

A

`cebu cathedral

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17
Q

painting from mindanao made by bong perez

b__________

A

banikanhon

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18
Q

types of decorative arts

c_______ w_________
j________ m_______
p_______________ a___________

A

cloth weaving
jewelry making
philippine architecture

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19
Q

examples of cloth weaving

t______
p___ c____

A

t’nalak
pina cloth

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20
Q

examples of philippine architecture

c____ m_____ i_________ a________
UP V________
P______ M_________ in Mindanao
t________

A

cebu mactan international airport
UP visayas
pink mosque in mindanao
tsalet

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21
Q

was also developed in the early 20th century

A

tsalet

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22
Q

a type of house on stilts withj a front porch made of wood and conccrete. during this time, steel was also used in buildings as protection

A

tsalet

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23
Q

is anybody or collection of written work

A

literature

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24
Q

refers to writing considered to be an art form or any single writing deemed to have artistic or intellectual value and sometimes deploys language in way sthat differe from ordinary usage

A

literature

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25
literatyutre in contemporary period has oscillated between p________ e_________ and s_____ c________. in v________ poetry, the two tendencies can be seen at work
personal expression and social commentary vernacular
26
bagay valedictiorian sa hillcrest is by R_______ t_______
rolando tinio
27
spoken word poetry by blu BAE_rry
pagod na
28
OPM was followed by another form of popular music called "a_________ m_____" influenced by folk balladeers
alternative music
29
a type of music sprouted out of protest that later on included temes like filipino values, political and environmental concerns and other societal themes
alternative music
30
examples of alternative music Freddie Aguilar's - A______ Herbert Bautista's - T_____ m___ p_____ Florante de leon's - A___ a___ P_____
anak tayo'y mga pinoy ako ay pilipino
31
is a collaborative form of performaiong art that uses live performers, typically actors of actresses, to present the experience of a real or imagined event before a live audience in a specificc place often a stage
theater or theatre
32
exaMPLE OF theater V_________ or B________
vaudeville or bodabil
33
examples of dances t___________ c_________
tinikling carinosa
34
It consists of narrative chants traditionally performed by the Ifugao community practiced during the rice sowing season, at harvest time and at funeral wakes and rituals.
hudhud
35
It is a very long wooden bench carved from a single piece of wood.
hagabi
36
It is a headdress that should not touch the ground.
taebang
37
is a Visayan verse of unrhymed seven-syllable couplet whose two lines could be interchanged and still make sense.
ambahan
38
It is known as the Icon of the Storied Past. It is said to be found by a Manobo native along the Wawa River in Central Agusan in 1917.
the golden tara
39
What are the giant papier-mâché effigies called?
higantes
40
It is a collaborative form of performing art that uses live performers.
theater
41
It is a type of house on stilts with a front porch that is made of wood and concrete.
tsalet
42
One of the largest and most diverse indigenous groups in the Philippines predominantly residing in Mindanao.
manobo
43
is the country’s only land-locked region which is fascinating from a cultural point of view thanks to several fascinating burial sites and to the presence of tribes maintaining their traditional ways of life.
Cordillera region
44
It is a very long wooden bench carved from a single piece of wood, and according to lifeisacelebration.blog, a symbol of wealth and social prestige among the Ifugaos.
Hagabi
45
“hagabi involves a ritual in which a hosting of a public feast where priests traditionally called the “__________” perform a ceremony called “____________” to determine if the omens for the creation of the hagabi bench are favorable.
Mumbaki mamaldang
46
consists of narrative chants traditionally performed by the Ifugao community practiced during the rice sowing season, at harvest time and at funeral wakes and rituals.
HUDHUD
47
It is thought to have originated before the seventh century and comprises more than 200 chants, each divided into 40 episodes.
HUDHUD
48
is chanted alternately by the first narrator and a choir, employing a single melody for all the verses.
HUDHUD
49
plays a key role in shaping and preserving the ways of life of the Ifugao people for more than 2,000 years.
HUDHUD
50
is an island group in central Philippines and is consists of seven large and several hundred smaller islands clustered around the Visayan, Samar, and Camotes seas.
VISAYAS
51
is a Visayan verse of unrhymed seven-syllable couplet whose two lines could be interchanged and still make sense.
AMBAHAN
52
AMBAHAN It used in “_____,” a poetic debate between a man and a woman on the subject of love, accompanied by musical instruments.
balak
53
was the basis of the Visayan folk epics that we enjoy today
KANDU
54
is mostly male dominated where the man is considered as the head of the family and makes the family decisions.
manobo
55
is given to a legitimate Datu only upon ritual or conferment to him as such.
taebang
56
nobody could touch it without the express consent of the owner. He likewise revealed that this should not touch the ground and at all times be in the possession of the owner as he performs his tasks as a Datu.
teabang
57
also known as the Icon of a Storied Past (the pre-colonial times of Butuan), is a gold figurine of a “Tara” or escort goddess from the Buddhist Pantheon.
Golden Tara
58
It is said to be found by a Manobo native along the Wawa River in Central Agusan in 1917.
Golden Tara
59
is cast in 21-karat gold, weighs nearly 4 pounds and measures around 8 inches in height and that the image is a Goddess of the Buddhist Pantheon in the Mahayana group.
Golden Tara
60
is believed to be an Indic influence on our gold producing culture during the Sri-Visayan Empire (700 – 1377 A.D.) and the Madjapahit Empire in Java (1292 – 1478 A.D.).
Golden Tara