M4.1 Flashcards

(74 cards)

1
Q

what are the 7 elements of art

L_______
V_______
T________
S_________
F_________
S________
C________

A

Line Value Texture
Shape Form Space Color

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2
Q

is a path that a point takes through space

A

line

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3
Q

an be thick, thin, dotted or solid. They can make straight movements, zig-zags, waves or curls.

A

line

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4
Q

They may be horizontal, vertical, diagonal

A

line

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5
Q

are generally restful, like the horizon, where the sky meets land

A

Horizontal Lines

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6
Q

seem to be reaching, so they may seem inspirational like tall majestic trees or church steeples

A

Vertical lines

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7
Q

tend to be disturbing. They suggest decay or chaos like lightening or falling trees

A

Diagonal lines

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8
Q

can convey emotion as well. They may show excitement, anger, calmness, tension, happiness and many other feelings.Because of this, some are said to be expressive.

A

Lines

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9
Q

tend to be found in nature and are very organic

A

Expressive Lines

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10
Q

Other lines that are very measured, geometric, directional and angular are called ______ _____.

A

Constructive lines

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11
Q

They tend to appear to be man-made because of their precision.

A

Constructive lines

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12
Q

is created when a line becomes connected and encloses space.

A

Shapes

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13
Q

It is the outline or outward appearance of something.

A

Shapes

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14
Q

are 2 Dimensional (2-D) which means there are 2 ways they can be measured.
You can measure its HEIGHT and its WIDTH.

A

Shapes

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15
Q

what are the two basic types of shape?
G____________
O_________

A

geometric
organic

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16
Q

have smooth even edges and are measurable.

A

Geometric shapes

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17
Q

include the square, the circle, the triangle and the rectangle.

A

Geometric shapes

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18
Q

have more complicated edges and are usually found in nature. Leaves, flowers, ameba, etc.

A

Organic shapes

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19
Q

is a shape that has become 3- Dimensional (3-D)

A

Form

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20
Q

has HEIGHT, WIDTH and DEPTH–which is the 3rd dimension.

A

Form

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21
Q

are NOT flat like shapes are!

A

Form

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22
Q

shows the thickness of the object.

A

Depth

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23
Q

Turning Shapes into Forms

A triangle becomes a ___ or a _______

A square becomes a ______

A rectangle can become a _____ or a ____

A

cone or a pyramid
cube
box or a cylinder

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24
Q

is the lightness or darkness of a color.

A

Value

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25
makes objects appear more real because it imitates natural light.
Value
26
When showing value in a work of art, you will need a ______ ______
LIGHT SOURCE.
27
is the place where the light is coming from, the darkest areas are always on the opposite side of the light.
light source
28
In order to have a successful drawing, you will need to show a ______ ________ ________, which means that there are very light areas, middle tones, and very dark areas. This is a way of giving a work of art ______.
full value range contrast
29
is when you use irregular lengths of parallel lines that cross over each other diagonally.
Cross-hatching
30
The closer together the lines are placed, the darker the value.
Cross-hatching
31
is the use of dots to create shade.
Stippling
32
This is accomplished by placing dots very close together to create dark values and farther apart to create lighter values.
Stippling
33
is when you use your pencil to create soft gradual movements from one value to the next using full value range.
Soft shading
34
Ways value can be added C________-_________ S_________ S______ ________
Cross-hatching Stippling Soft shading
35
can add interest and reality to artwork.
color
36
The use of a ___-______ _______ ______ will help us understand color more effectively.
12-step color wheel
37
When light is reflected through a prism, colors can be seen These colors are: ____, ______, _________, _______, _______, _______, and __________ Remember the anagram: ROY G BIV
Red, Yellow, Orange, Green, Indigo, Blue and Violet
38
A long time ago, artists decided that these colors would be more useful to them if they were placed in a wheel fashion. This became known as the _______ ______
color wheel
39
There are 3 primary colors?
red, yellow, and blue
40
colors are primary for 2 reasons: They can’t be m______ to be m______ They m________ all the other colors on the color wheel
colors are primary for 2 reasons: They can’t be mixed to be made They make all the other colors on the color wheel
41
When you mix 2 primary colors together, you get a _________ ______
secondary color
42
When you mix a primary and a secondary color together you get an ________ (________) _______
intermediate (or tertiary) color
43
3-4 colors “next-door-neighbors” to each other creates an _________ _______ ________
analogous color scheme
44
2 colors that are directly opposite each other (going across the center) creates a __________ _____ ______
complimentary color scheme
45
is a complimentary color and the two colors on either side of its compliment.
Split-Complimentary color scheme
46
uses 3 colors that are equally spaced apart on the color wheel
Triadic color scheme
47
When you use only one color plus its tints and shades, you are using a ________ _____ _______
monochromatic color scheme
48
When you use only one color plus its tints and shades, you are using a monochromatic color scheme A tint is a color plus _______ A shade is a color plus ________
white black
49
T OR F Colors can convey emotion and feelings too.
T
50
are those that have Reds, Yellows and Oranges.
warm colors
51
seem to advance (or come forward) in an artwork.
warm colors
52
are those that have Blues, Greens and Violets.
Cool colors
53
seem to recede (or go back into) an artwork.
Cool colors
54
is the way the surface of an object actually feels.
Texture
55
In the artistic world, we refer to two types of texture---______ and ______
tactile and implied
56
is the way the surface of an object actually feels. Examples would be sandpaper, cotton balls, tree bark, puppy fur, etc.
Tactile (or Real) Texture
57
is the way the surface of an object looks like it feels.
implied texture
58
This is the type of texture that artists use when they draw and paint. Textures may look rough, fuzzy, gritty, or scruffy, but can’t actually be felt.
Implied Texture
59
_____ is basically divided into 3 parts: Foreground, Middle Ground and Background
space
60
is considered to be the upper 1/3 of the picture plane.
background
61
is considered to be the middle 1/3 of the picture plane.
middle ground
62
considered to be the lower 1/3 of the picture plane.
foreground
63
can be shallow or deep depending on what the artist wants to use.
Space
64
is used when the artist has objects very close to the viewer.
Shallow space
65
may show objects up close but objects are shown far away too.
Deep Space
66
_______ and _________ space is a way that an artwork is divided.
positive and negative
67
is the actual object(s) within the artwork
Positive space
68
is the area in and around the objects.
Negative Space
69
It is the “background” and it contributes to the work of art---you can’t have positive space without this
negative space
70
is also a way of showing space in a work of art
Perspective
71
is when the artist uses a vanishing point on the horizon and then creates a sense of deep space by showing objects getting progressively smaller as they get closer to the vanishing point.
Perspective
72
Objects may ______ as well. When objects are ____________ it is obvious that enough space had to be in the picture to contain all the objects that have been included
overlap overlapped
73
are the “tools” that artists use to make art.
Elements of Art
74
They are the basic “foundation” of a good composition
Elements of Art