M2: Layout Flashcards

1
Q

underlying structure imposed by grids, compositional structure, hierarchy, measurements, and relationships in design.

A

Layout

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2
Q

Positive shapes of a letterform

A

Form

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3
Q

negative shapes of a letterform

A

Counter forms

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4
Q

vertical boxes that hold type and used as a guide for image placement

A

Columns

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5
Q

spaces between columns

A

gutters

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6
Q

measures the height of the body of a letter

A

Point

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7
Q

measures the width of a single letter or a line of type

A

Pica

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8
Q

The assignment of a number to a characteristic of an object or event, which can be compared with other objects or events.

A

Measurement

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9
Q

measurement systems based on a rigid standard made up of fixed values of units such as picas, points, millimeters, centimeters

A

Absolute Measurement

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10
Q

measurement systems based on the proportional relationships of their elements

A

Relative Measurement

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11
Q

the systematic relationship of one element to another in any given composition.

A

Proportion

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12
Q

ratio of the whole to the larger part is the same as the larger part to the smaller part.

A

The divine proportion

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13
Q

proportions are based on the approximate ratio of 8:13 and are widely used in several visual disciplines—art, design, and architecture.

A

The golden section/ratio

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14
Q

Numbers in the sequence is the sum of the preceding two numbers

A

Fibonacci Sequence

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15
Q

divided his page into 9 sections and used the ratio of 2:3 for the text block.

determined that there was a proportional system (or “secret number”) Johannes Gutenberg used that can be applied to a page’s compositional layout.

A

Divina Proporción Tipográfica

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16
Q

Proportional system for Compositional page layouts for pages margins and live text areas.

A

Van de Graaf Canon

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17
Q

ongoing sequence of words, distinct from short headlines and caption

A

Text

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18
Q

The main block of text, and comprised the main mass of content

A

Body text

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19
Q

tested copies made before final production begins.

A

Proofs

20
Q

The logical and visual guide applied to the body of the text. indicates the levels of importance via the different weights, sizes, placement, or styles of typefaces.

A

Text Hierarchy

21
Q

creating the negative space between elements of content, prevents mutilating the text

A

Margins

22
Q

Readers should easily and comfortably read the text. This depends on the size of the type, length of lines, and the leading between lines.

A

Readability

23
Q

Graphic elements that bring a design to life.

A

Images

24
Q

images composed of pixels in grid.

A

Raster

25
Q

scalable image defined by mathematical formulae or paths instead of pixels.

A

Vector

26
Q

lossless uncompressed image.

A

RAW

27
Q

Continuous-tone file format.

A

TIFF

28
Q

Scalable format for vector images.

A

EPS

29
Q
  • Continuous tone format. Lossy compression of images for web use.
A

JPEG

30
Q

Format used for compressed line art and flat color images for web applications. Can hold animations.

A

GIF

31
Q

Mac-based format for compressing images with plain background and colors.

A

PICT

32
Q

Uncompressed format for 24 or 32-bit color images for graphic manipulation

A

BMP

33
Q

Lossless data compression format for web and application graphics.

A

PNG

34
Q

Used to send document files with embedded font and graphics.

A

PDF

35
Q

A compressed set of files.

A

Collected Files (ZIP)

36
Q

A forced break within a text block for a better fit, alignment, and readability of the content. This has several variants like column breaks, line breaks, paragraph breaks, etc.

A

Character break

37
Q

An empty space between the start of the text block to the first letter of text to indicate a start of a new paragraph.

A

Indentation

38
Q

Traditional length of an indentation

A

two ems

39
Q

A special style of indentation where the first line of a text block is not indented, but the subsequent lines of text are indented from the left margin

A

hanging indentation

40
Q

a very short line of text, at the end of a paragraph or text block. Often only a word or two in length, or a continuation of a hyphenation.

A

Widows

41
Q

short line of text but at the start of a new column of text or page.

A

Orphans

42
Q

gap in a text block formed by a coincidnetal alignment of spaces between words. Considered bad typesetting as it creates a distracting line of negative space within the text block.

A

Rivers

43
Q

A group of pages that are printed, commonly on both sides of a single sheet of paper that when folded, trimmed, bound, and cut become a set of pages in a publication.

A

Signature

44
Q

diagram of all the pages of the book drawn as spreads numbered sequentially.

A

flat plan

45
Q

It shows all the components/parts of an object arranged as though it had been systematically dismantled to have an unobstructed view of all these parts.

A

Exploded drawings

46
Q

allows for the data to be presented in a clear and less confusing way than its raw or text form

A

Data Visualization

47
Q

uccessful identification usually relies on ____

A

uccessful identification usually relies on chains of confirmation